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SurrealEstate’s Tim Rozon: “The magic of the show is that group”

There’s a certain amount of scrutiny that comes with making the jump from one landmark TV show to another. For Tim Rozon, you can’t help but wonder if that scrutiny was even more intense.

After all, the Montreal native most recently starred on Schitt’s Creek, Vagrant Queen and a little show you may have heard of called Wynonna Earp. I’m happy to say that he’s hit a home run with SurrealEstate.

Airing Fridays at 10 p.m. ET on CTV Sci-Fi Channel, George Olson’s creation is a perfect vehicle for Rozon, an opportunity to stay in the genre space while playing a very different character. His Luke Roman runs The Roman Agency, a real estate company whose team helps sell homes that are haunted and therefore tend to stay on the market. Along for the ride are co-stars Sarah Levy, Adam Korson, Maurice Dean Wint, Savannah Basley and Tennille Read.

We spoke to Tim Rozon about SurrealEstate, which films in St. John’s, haunted houses and his co-stars.

Was this a career path that you expected, that you’d follow one show with demons on it to a show with other demons on it?
Tim Rozon: In a way, yes, because I remember the moment I had this conversation with my wife and I said, ‘My dream is to be on a show that goes to Comic-Con, like one of these supernatural shows, I would just love that. And fast forward a year later, there we were, Wynonna Earp, at San Diego Comic-Con, and since then I’ve got to be on Vagrant Queen, and now SurrealEstate, so surreal is the feeling.

Had you considered at any point maybe taking a break after being on several seasons of Wynonna, or was the thinking the opposite, ‘I got to strike while the iron is hot’?
TR: A hundred percent. At the end of the day, we’re actors, actors want work. To be honest, I can’t believe how lucky I’ve been. It’s pretty difficult, I’ll tell you, there’s so much competition and so many great actors, and I feel very fortunate and I don’t take it for granted, that’s for sure. And then, especially on great shows that you really want to be a part of, I’m very fortunate in that sense, I’ve got to work a lot, but I’ve also got to work on shows that I really loved being on, and that’s from Instant Star to Schitt’s Creek, Wynonna Earp, Vagrant Queen, right into SurrealEstate, so I’ve been very fortunate.

I really like the humour George has established in the world of SurrealEstate.
TR: Yeah, we really lean into it as we start going. I think we really figured out what George’s vision was around Episode 3. We get it right off the bat, but I don’t think we really leaned into it until after, because he’s such a good writer, sometimes it’s so subtle, and at first we just showed up, we don’t know… You don’t know what show we’re making right off the bat. How do you not lean into the humour when you have someone like Sarah Levy there?

You couldn’t have picked a better location for your next project. Had you been to St. John’s before? What was it like shooting there?
TR: It was incredible. I’m lucky that I had been there before, when I was much younger, filming a movie called Screamers: The Hunting, and we filmed that all over St John’s and across the island down in the mines on Bell Island. So I was all over, and also I was Screeched In at that time, which is great because I don’t think I could have handled it now. Before we started [filming SurrealEstate], I was in no way a believer in ghosts at all. After filming in St. John’s, so many guest stars experienced something with ghosts at the hotel that production had them staying at. It was this old Victorian house where they brought in all the guest stars, and they would do their quarantine there and start filming.

But, supposedly, this house was haunted, and the crew and everybody are just like, ‘Yeah, all Newfoundland… all things are haunted, we all know that. I’ve got a ghost in my house. I got a ghost over here. My mom’s house has a ghost.’ It’s like the norm.

And I’m a non-believer, but after hearing the experience of so many guest stars, Sarah and I are like, ‘I don’t know, there’s got to be something, I don’t think anybody’s lying to us.’ Some guest stars actually left that house, they wouldn’t stay there. They had negative experiences with ghosts, and some of the people that I talked to had said they had had experiences before, and other people were kind of like me, it was their first experience. Now, saying all that, I didn’t have an experience while I was in there for mine. I personally didn’t, but it’s tough to call everybody a liar.

You already mentioned Sarah, and the great cast for this show. I haven’t seen Adam Korson in a while, so it was great to see him onscreen. Maurice Dean Wint, a legend in Canadian television and in film. Talk a little bit about this cast of characters that you got to play with.
TR: Yeah, I’m so happy you brought it up, because this truly is an ensemble piece, and the magic of the show is that group. Each episode we go into a new house, which means we get into a new ghost, which is super fun, but it’s the relationships between that group of people and how they deal with it that I think is the real magic of the show. Starting with Sarah Levy, I found out she was cast right away, and that was it, then I knew, ‘OK, I need to do this project because, A) she’s a great actor and B) she’s a great person.’ So I just couldn’t wait to work with her again. You just knew, both of us were like, ‘OK, this is going to be so good and chill.’

And so, you got to spend five months together, you want it to be with someone you really like. And then, as far as everybody else, I literally asked George and [director and executive producer] Danishka [Esterhazy] after, ‘How did you manage to do this?’ Because this was during COVID, and we didn’t have screen tests and chemistry tests. We didn’t get to meet because of COVID, there were no read-throughs or anything, so we met on set and our first scene was in the big room, the Roman Agency with everybody meeting Susan for the first time, and right there and then it felt like magic. It really did it, just immediately you could sense everybody’s character, and we all could connect and figure each other out, and it was great.

And then, for 10 episodes, we got to create that bond and chemistry. I can’t say enough about the cast, as people and actors.

We’d be remiss if we didn’t talk about a couple of guest stars, Art Hindle and Jennifer Dale, playing Luke’s parents.
TR: Yeah, they knew each other, which was great, and I knew Art because I used to watch his show, E.N.G., when I was a kid. I knew that show, trust me, I only had two channels, we didn’t miss E.N.G., that was on in my house. So I knew exactly who he was, he was great. And Jennifer… I won’t get into too much, because of what I’m allowed to say or not say, but of course I knew who that was too, so incredible. And they obviously know each other, which was very nice.

Surreal Estate airs Fridays at 10 p.m. ET on CTV Sci-Fi Channel.

Images courtesy of Bell Media.

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Preview: Private Eyes solves its final cases

I’m going to miss Private Eyes.

The light-hearted whodunnit, starring Jason Priestley and Cindy Sampson, has been a joy to watch over the past four seasons. It’s the perfect summer staple, combining the drama of weekly cases, sly wit, a will-they-or-won’t-they tease, and charming performances by Priestley, Sampson, Samantha Wan, Barry Flatman, Jordyn Negri, Nicole DeBoer and Mimi Kuzyk.

Returning Wednesday for Season 5 at 9:30 p.m. ET/PT before moving to its regular timeslot of 9 p.m. ET/PT beginning Thursday, July 15 on Global, the kick-off instalment, “In the Arms of Morpheus” catches up a few days after the cliffhanger, which found Angie Everett (Sampson) shot and Matt Shade (Priestley) at her side.

Spoiler alert: Angie survived. That’s a good thing because it allowed episode writer/executive producer Alexandra Zarowny the opportunity to pen several laugh-out-loud moments between Angie and scene-stealer Nora (Kuzyk).

Wednesday’s crime involves Angie, during her recuperation in the hospital, overhearing someone being threatened. Is there really cause for alarm, or is it just the morphine talking? Shade is doubtful of what his business partner heard, as is Detective Danica Powers (Ruth Goodwin). But Angie sticks to her guns and does a little detective work of her own, which uncovers something sinister going on at the hospital.

I won’t ruin the surprise, but I will say it’s good to see Angie, Shade and the rest all back on my TV. It may only be eight more episodes, but I’m looking forward to the ride.

Private Eyes premieres Wednesday, July 7, at 9:30 p.m. ET/PT before moving to its regular time slot at 9 p.m. ET/PT beginning Thursday, July 15, on Global.

Image courtesy of Corus Entertainment.

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Blood and Water: Fire & Ice’s Sean Baek: “It’s fun to explore that dark side of humanity”

Sean Baek entered my television viewing world through Killjoys, that most excellent space adventure created by Michelle Lovretta. His character, Fancy Lee, made an immediate impact with fans and, by the show’s end, he was just one of many fan faves on that fine program.

Since then, Baek has turned in memorable roles on The Expanse, Coroner, Private Eyes, Nurses and Utopia Falls. His latest gig? On Omni’s Sunday night drama, Blood & Water: Fire & Ice, as villain Norris Pang.

Airing Sundays at 10:30 p.m. ET, this season follows disgraced former Vancouver cop Michelle Chang (Selena Lee)—now a Toronto-based private detective—as she hunts down Norris Pang (Baek), the man who has kidnapped her daughter. Pang is also the mastermind behind a money-laundering scheme happening at the Xie family’s casino, where Anna Xie (Elfina Luk) is attempting to expand the family business.

We spoke to Sean Baek about his acting origin story, playing a baddie and, well, his facial hair.

Before we get into Blood and Water: Fire & Ice, I was going through your bio and saw that you were part of the Stratford Festival. Did you always want to be an actor? 
Sean Baek: Yes. My parents took me and my older brother and sister to a movie theatre. My formative years were spent in South Korea and I can’t remember if I was four or five or six. We all went to the movie theatre and there was this film about a family that gets separated due to poverty. I didn’t understand the entire movie, but I remember just being glued to the screen, obviously, because it was a young family, there were young kids in the cast. I was mesmerized.

Fast forward a few years, and I actually auditioned for a training program [at Stratford] called the Birmingham Conservatory. For five months, six days a week from 10 to 6 every day, you delve into classical theatre and classical theatre performance. You would have teachers from the UK, the Royal Shakespeare Company, people who’ve worked with Orlando Bloom, Ian McKellen and all the legends as well. The first time I auditioned for it, I didn’t get in, but the second time was back in 2005 and I got in. I was one of 10 actors that got selected from across Canada.

Those five months were the best time of one of the best times of my life personally because I’ve met a lot of great friends, but also professionally because I learned so much. I already had nine years of acting under my belt, small to medium-sized theatres and film and TV credits here and there. But, I’ve always loved Shakespeare and I wanted to expand my knowledge. A little bit of luck had something to do with it too, but I put in a lot of hard work.

Let’s go from the stage to the screen. Let’s talk about Blood and Water: Fire & Ice. Creator Diane Boehme told me how COVID-19 messed up the production schedule. Can you give me the backstory of how you became involved? It sounds like your character was one person in one iteration of the show and then ended up being the Norris Pang who we’re seeing now.  
SB: We were filming in February of 2020 and into March. I was cast as this one character at the time named Norris Morris, and it was more of a hands-on sort of bad guy, this henchman type. Before we knew anything, production was shutting down. I was playing this character, and then the actor playing the main character in the first block—because he was from elsewhere—due to travel restrictions [could not return]. 

It was a hair-pulling experience for everybody involved, to say the least. During the hiatus—we had to stop filming from the middle to the end of March until the producers figured out, ‘OK, we’re going to block out these days and weeks to finish filming’—they had to rejig. They amalgamated my original character and the other character, so it became Norris Pang. He became this dude who does everything and anything possible to fulfill his goals. 

As an actor, I’m assuming you like to play a variety of characters, but I love it when you’re sinister and Norris is a sinister guy. 
SB: Thank you. My wife said after she saw it, ‘Oh wow, the creep factor is high.’ I was like, ‘Well, I get paid to do what I have to do.’ It’s fun to explore that dark side of humanity. That’s the fun part because you get to explore the psyche of this fictional character. 

How do the hair and the facial hair play into the building of a character like Norris? 
SB: The reason why I tend to have my beard is that when I shave I look a lot younger than my actual age. There was a period of my career, between the early to mid-thirties until my early forties when I was old enough to play young dads just like other colleagues. But I couldn’t because clean-shaven I was too old-looking to be in college, but I was too young-looking to be a dad.

I went through a lot of frustrating time periods like that. Now I go out for dad roles and characters who have kids a lot. That’s the reason why I tend to have that beard, just so that I can look the age that I am.

Blood and Water: Fire & Ice airs Sundays at 10:30 p.m. ET on Omni.

Images courtesy of Breakthrough Entertainment.

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Preview: T+E’s Hotel Paranormal checks in with more spooky tales

A little over a year ago, Season 1 of Hotel Paranormal launched on T+E. Narrated by Dan Aykroyd—who hosted PSI Factor: Chronicles of the Paranormal, whose great-grandfather was a spiritualist and whose father published a book called A History of Ghosts—retraces the terrifying, true stories of those who have come face-to-face with otherworldly hotel guests.

Now the series is back for more scares in Season 2.

Returning Friday at 9 p.m. ET/PT on T+E with the ominously titled “Touched by Evil,” Aykroyd guides viewers through some twisted tales.

First up is a trip to Jefferson, Texas, in 2018, where new hotel owners Jeromy and Pam learn there are supernatural goings-on in their Jefferson Hotel. Built in the 1850s, the building had seen a lot of history and, apparently, contained some dark tales within its walls. It didn’t take long for Jeromy and Pam to witness clunks, clanks and exploding light bulbs. Were these the hallmarks of iffy plumbing and elderly electrical work or something more sinister? Without giving anything away, things get much, much worse.

As with Season 1, paranormal experts complement the stories told by witnesses, offering suggestions and clues as to what—and why—spookiness is going on. Many believe the fact hotel rooms, which see thousands of guests, are the perfect places to house spirits. 

Tune in to Hotel Paranormal and see if you agree.

Hotel Paranormal airs Fridays at 9 p.m. ET/PT on T+E.

Image courtesy of Blue Ant Media.

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Bell Relinquishes Jets Arena Naming Rights

For the first time in the history of the rink, the home to the NHL Winnipeg Jets won’t carry the name of a telecommunications giant. While Bell Canada announced on June 15 that it had agreed to a multi-year partnership with the Jets to continue as the arena’s official telecommunications provider, True North Sports & Entertainment, owners of the Jets, revealed the same day that the rink would no longer be known as Bell MTS Place. Going forward, the building will be taking on a new life as the Canada Life Centre.

In the recently-completed Stanley Cup playoffs North Division finals, the Jets faced the Montreal Canadiens. Winnipeg was heavily favoured at all of the best Canadian sportsbooks, but Jets backers could’ve used some of that life insurance. They were snuffed out in the minimum four games by the Habs.

The name change will officially take place on Canada Day, July 1. The 10-year sponsorship agreement includes substantial branding, media, hospitality and community assets for Canada Life. Home to both the NHL Jets and the American Hockey League’s Manitoba Moose, Winnipeg’s top farm club, the arena typically hosts more than 140 events each year and is consistently recognized as one of the premier sports and entertainment venues in North America.

The 440,000-square-foot building can house 15,000 fans at a hockey game and more than 16,000 at concerts.

When the MTS Centre opened in 2004, the AHL Moose were the major tenants of the facility. The Jets moved into the building in 2011 after being relocated from Atlanta.

While the name Canada Life Centre is effective July 1, 2021, it will take several weeks to replace the current signage in place throughout the facility. Canada Life estimates that all of the signage will be changed over by September.

While Bell gained its name on the building by purchasing MTS, Canada Life also recently underwent a similar acquisition. Great West Life and London Life were usurped in a merger and are now all part of the Canada Life brand.

Mark Chipman, executive chairman of True North Sports & Entertainment, indicated that the opportunity for this partnership arose just as the Bell MTS agreement was about to come to an end.

“I’ve known Paul and the folks at Canada Life for a long, long time,” Chipman told the Winnipeg Free Press. “Certainly, this was something we were both interested in seeing happen. But more than that, I think the most unique and powerful part of this is that it is a national company that is still very local.”

True North Sports & Entertainment is celebrating its 25th anniversary this year.

“It couldn’t be a better time to embark upon the next 10 years of our journey than with a partner like Canada Life, that shares the same community commitment and passion for our great city and country,” Chipman said.

Chipman noted that with the hopefulness growing that the COVID-19 pandemic is coming under control, that the company has initiated the process of tentatively booking concerts and other events for the fall.

“However, it all depends on the public health orders in place at the time,” Chipman said.

Paul Mahon, President and Chief Executive Officer, Great-West Lifeco, Canada Life’s parent company, noted that they were OK with that prospect and are focusing on a long future of working with True North.

“We’re in this for a big decade of collaboration,” Mahon said. “Even if that means it’ll be a slow start to events because of the pandemic, obviously that’s disappointing to the fans and people wanting to come back to stands, but we’re just excited we get to be there for this journey as a team.”

Brief History With Bell
Known as the MTS Centre when it opened in 2004 at a cost of $133.5 million, the arena was renamed the Bell MTS Place on May 30, 2017, following Bell Canada’s acquisition of Manitoba Telecommunication Services.

While Bell will see its name removed from the Jets arena, the company’s logo will continue to adorn the Jets’ helmets for the next five seasons as part of the telecommunications deal.

Bell still has its name on one significant NHL arena. In 2002, Bell Canada paid $100 million US for the naming rights to the home of the Montreal Canadiens, formerly known as the Molson Centre. A 20-year pact, that deal will also be coming to completion soon. Montreal’s arena will be called the Bell Centre through 2022.

Winnipeg Jets by TheAthletic is licensed under CC BY 3.0

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