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TV, eh? podcast episode 210 — One Step Up from Tang

Note: This podcast is a re-post of the original, which was published earlier this month and lost during a website crash.

Diane’s still in Rio, so Anthony and Greg look forward to the upcoming weeks via the calendar, production beginning on History’s Hunting Nazi Treasure, CraveTV ordering a third season of Letterkenny, financial issues at Super Channel that have put three series in limbo and the cancellation of Houdini & Doyle.

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TV, eh? podcast episode 209 — Blame it on Rio

Note: This podcast is a re-post of the original, which was published earlier this month and lost during a website crash.

Diane is off to the Summer Olympics in Rio, leaving Greg and Anthony to chat amongst themselves. Among the topics covered this week: a relatively slow calendar, our newest poll, Wynonna Earp‘s Season 2 renewal, Discovery Canada’s ambitious fall lineup and whether Train 48 should return to Canadian TV.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon!

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Four in the Morning: A Day in the Life

Well that episode was quite the poser! Creator Ira Parker asks us the loaded question, “What if…?” and we buzz off on a trip as our madcap foursome experience the same.

A sober cold open showcases a set of parents, Donna and Martin, (Deborah Day, who I was fortunate to see play Marina/Thaisa in last summer’s The Adventures of Pericles at The Stratford Festival, and Sergio Di Zio, who most recently played Patrick Finnegan in the series Rogue) as they abandon their newborn children. However, Parker is just using this scenario to set up his philosophical exercise. He is really asking us all to examine life, death, our legacies, and the consequences of life choices.

As it happens these two “children,” Margaret and Gogol (also played by Day and Di Zio), are “day kids”; apparently an oft experienced condition at the Patrician Grill. They live their entire lifetime in a single day. The evening includes frat parties, a first kiss in the rain, and wasted opportunities. We even face grief due to chronic illness.

The show is laced with quiet moments of inquiry, absent of any guile. Jamie (Michelle Mylett) appears to be the one most affected, but then again Mitzi (Lola Tash) is still contemplating whether or not to terminate her unforeseen pregnancy.

It is also Mitzi who delivers our most profound statement: “Whether you live for one day or 100 years, your legacy is not for you but for the people you leave behind.” But Gogol poses the most intriguing question: “Is it possible to spend a butt load of time with the same people but not be really close with any of them?”

These types of philosophical questions have always been more of a focus thing. They force you to strip away the trivialities of life. They make us look at our core values: who we are, what we want in life, and what pleases us. Parker takes us all by the hand on this little romp and we watch our foursome go through this exercise, digging deep and figuring out what is important in their/our lives.

I started to watch this show because it just looked quirky enough to be really fun. Instead, I found this  to be a surreal little gem, perfect in its simplicity.

Let me know what you think in the comments below.

Four in the Morning airs Fridays at 9 p.m. on CBC.

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Killjoys ends Season 2 on a high note … and heads for more adventures

It’s a good thing that Space and Syfy greenlit a third season of Killjoys, because, after Friday’s season finale, they damned well owed us one.

“How to Kill Your Friends and Influence People,” written by Michelle Lovretta and Jeremy Boxen—and directed by sometime Murdoch Mysteries guest star Peter Stebbings—wasn’t much of a cliffhanger, throw everything including the kitchen sink into the mix in case the show’s not renewed. Nope, Friday’s finale was very much a set-up to the adventures to come, now that our trio has vanquished Khlyen and the green plasma.

Khlyen, the masterful manipulator to the end, wasn’t ousted by a phaser blast to the chest, a spurt of rocket fire via Lucy or even a long, intimate throat cut from Dutch. We certainly would have understood that final choice; after all, he’s been a major thorn in her side, the bane of her existence … you pick the cliché. Khlyen was this show’s Big Bad and needed to be put down. But Khlyen, in a final bid to show how much he loved Dutch, used his own blood to poison the plasma pool (I’m sure there was a parable or something in that.), saved Old Town and expired in Dutch’s arms.

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It was a stunning turnaround for a character I’ve loved to hate, and kudos to actor Rob Stewart for taking Lovretta and the room’s words and helping turn Khlyen into a sonofabitch I cared about. Also: did anyone else get a distinct Star Wars vibe from Khlyen and Dutch’s final scene? A bit of Darth Vader-Luke Skywalker happening? I certainly felt it, especially when Khlyen told the history of the plasma, and how he’d hoped it would be a saviour of people rather than a killer. That back story gave us the details on Aneela, and how the plasma sent her on a path to insanity. Now she’s still on the loose, sipping green drinks and strutting along white halls. We can’t have that, so Dutch, D’Avin and Johnny are … oh wait.

Still hurting from Pawter’s death—and who wouldn’t be—Johnny lured Delle Seyah into an Old Town back alley and shot her in the stomach. In sci-fi, the only real kill shot is one to the head, so I’m betting this isn’t the last we see of Delle Seyah. Johnny, not wanting to bring the heat down on his buds, planned his escape. Kudos to Aaron Ashmore for turning in a great one-sided performance talking to Lucy and showing the kind of emotion you normally do a living human. Clearly, Johnny has strong feelings for Lucy, and her initially closing the door on his departure showed a reciprocation. Thankfully, Johnny’s not going off on his own; Lucy calling on Clara to be his … um … right-hand woman was a brilliant move and I’m ecstatic at the pairing.

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Speaking of partnerships, I couldn’t get enough of Fancy and D’Avin’s grudging teamwork blasting around Archive. “You’re a Six, not a 10,” “Worst partner ever,” and “Human shield bitches!” all had me laughing out loud. Thankfully, Fancy survived the great goo expulsion of whatever year we’re in and lives to quip another day, so there’s hope the pair are involved in a few more fight scenes.

Lovretta and her writing team turned out one hell of a great Season 2. They upped the ante with regards to drama, fleshed out not only our Killjoys but Pree, Pawter and Alvis too. They expanded the universe, tipped a few winks to the fans and generally made Friday nights a fun, exhilarating ride. I can’t wait to see what they do in Season 3, especially with Hannah John-Kamen playing Dutch and Aneela.

What did you think of Season 2 of Killjoys? Let us know in the comments below or via Twitter @tv_eh.

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YTV jumps into horse-based family drama with charming Ride

Jonny Gray has established himself as a bona fide star for YTV. He leapt onto the network as co-lead on Max & Shred and most recently became Bruno in the Bruno & Boots franchise. Now he’s utilizing his real-life horse-riding skills as Josh Luders in the channel’s newest series, Ride.

But Ride, debuting its first episode of 20 half-hours this Monday on YTV, isn’t all about Gray. Instead, he’s part of an ensemble in the equine-themed family drama about Katherine “Kit” Bridges (Kendra Timmins, Wingin’ It), a young lady who swaps Canada for England when her father, Rudy (Mike Shara), accepts a gig as an equestrian supervisor at Covington Academy, an elite riding school. The Canada-England co-production, between Breakthrough Entertainment and Buccaneer Media in the UK, was created by writers Jill Girling (Life with Derek) and Lori Mather-Welch (Queer As Folk) and has a direct lineage to series like Heartland and Anne of Green Gables.

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Like Heartland, there are horses and a lot of time is spent on them. It’s a horse riding boarding school after all, so that makes sense, and the beautiful beasts are certainly celebrated. Director Stefan Scaini, a stalwart of Canadian TV from Heartland and Odd Squad to Avonlea and Wind at My Back, spends several moments capturing their movement in Monday’s debut.

But Ride feels more to me like an update of Anne of Green Gables. Kit has a flowing, unruly mane of reddish hair, bursts with enthusiasm and energy, and thinks nothing but the best of people. That, of course, causes her to run afoul of uppity rider Elaine (Alana Boden) and school marm Lady Covington (Sara Botsford). Kit does make a friend rather quickly: a wild and unpredictable horse named TK everyone is afraid of.

There’s a lot to like in Ride. Aside from strong writing—in the first 60 seconds of the debut we know why Kit and Rudy are in England, how they feel about it and their reservations—and the performances (Timmins, in particular, is fantastic), there’s the setting: rolling green English countryside, gnarled tree branches and moss-covered castles.

Check Ride out and let me know what you think.

Ride airs Monday to Thursday at 7 p.m. ET/PT on YTV.

Cast image courtesy of Corus.

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