Everything about Featured, eh?

Heartland proves itself with international storyline

Story-wise, it was a pretty bold move of Heartland to have Ty go to Mongolia. That’s what immediately what struck me on Sunday night during “Something to Prove.”

At first, I’d assumed Graham Wardle had simply asked for time away from the series so he would work on a feature film or miniseries. Heck, they’d even gone so far as to set up a website, Borden without Borders, as a side story to what’s going on with him. But it looks as though Wardle really did spend time in Mongolia—something he posted about on Instagram—meaning either he wanted to really go there or the producers wrote it into the story. I’ll chase down Wardle in the coming weeks to talk to him about it, but I suspect it’s a bit of both. Regardless, having Ty in Mongolia isn’t just a B-plot for the character but a real-life scenario that’s being worked into Heartland and that’s an interesting way of storytelling.

Of course, his departure from Heartland has thrown everyone into a bit of a tizzy, especially Amy and Cass. After having a bad experience with Lex and some cramping, Amy not only needs to be more careful but needs to lean on her family for support. Cass, upset her workload suddenly gotten a lot heavier, was angling for a partnership from Scott and straining her relationship with Amy. By the end of the episode it had all been worked out—a raise for Cass and some peace of mind for Amy—but I’m betting the Amy-Cass partnership is far from over.

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Partnerships tested continued with Adam and Georgie, who were pulled apart to sub in and work with Jade and Clay when she refused to work with him during Tim’s orienteering challenge. I don’t know about you guys, but I think it’s a shame that Jade didn’t stand up to Clay the way Georgie did. By putting him in his place, Georgie immediately showed Clay she won’t put up with his bragging and arrogance, something Jade need to do too. Does anyone else get the feeling Clay and Jade are headed for romance?

The final partnership to be tested was Lisa and Jack when her aunt Evelyn (Kate Trotter) arrived at Heartland. What first appeared to be slight jabs at Jack about his age and the couple’s living arrangements grew into an all-out war at Maggie’s when Evelyn criticized her niece for becoming a “glorified babysitter” and settling for Jack. It was an uncomfortable scene, but I respected Lisa for standing up to her favourite aunt and defending her own decisions. The two made up, and kudos to Heartland‘s writers for giving Jessica Steen a tasty storyline to really sink her teeth into. Like Jack, Lisa isn’t given a ton to do on Heartland and I appreciate it when she’s given the chance to shine.

Heartland airs Sundays at 7 p.m. on CBC.

Images courtesy of CBC.

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This Life takes “Communion”

Natalie rebounds from last week’s drug side effects but faces a whole new set of problems when she takes David to court in “Communion,” Sunday’s new episode of This Life. Meanwhile, Abby’s first communion brings the Lawsons together for an awkward family brunch, pushing Matthew to make one last ditch effort to save his marriage.

Here’s a sneak peek of the episode.

Natalie has her day in court
Natalie finally faces David in court, but the hearing places further strain on Caleb.

Matthew makes a Hail Mary pass
Desperate to save his marriage, Matthew makes a bold play for Nicole’s forgiveness. Kudos to Marianne Farley for two quietly devastating bathroom scenes.

Maggie opens up to Raza about her family problems
Raza may be a fake husband, but he can drop some truth bombs.

Oliver tries to make connections in the Montreal art scene
But Maggie’s visit to his art studio reveals new issues.

Natalie and David finally have a discussion
Just sit back and enjoy watching Torri Higginson and Louis Ferreira play off each other.

This Life airs Sundays at 9 p.m. on CBC.

Images courtesy of CBC.

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Comments and queries for the week of October 28

Loving those Mohawk Girls

I’ve really liked this show from the beginning. The characters all seem real and relatable and the writing is actually fairly good at times with several truly funny moments, which is saying a lot because there are so many unfunny comedies on TV right now. There are a few rough spots in the writing and acting but I think that’s just because they are giving less experienced writers/actors a chance to learn/grow which is a good thing. —Alicia


Hating Bachelor Drew

I could not stand Drew and the possibility of him being on The Bachelor Canada would repel me from watching the show. How could you possibly even contemplate such a thought? He is self-centred, egotistical and a real douche. Since Day 1, when he was introduced and kept winking at the camera I have had a hate-on for the guy. Who does he think he is, he is such a jerk. If Mike (firefighter, paramedic) does not get chosen by Jasmine I think he would make a great Bachelor Canada. —Irene

The only way ratings will go down is NOT due to Drew’s departure…it will be because she let Thomas go….Drew is so full of himself!!!! —H

Who would want to see any more shows with this fake person on it? I cannot even believe that offer would be made to a person who acts like him, particularly his obnoxious performance when he was eliminated. Nobody wants to watch THE DREW show, except maybe DREW. Just an all around bad human being. At least the show will warn people off him and not allow the fake salesman into their lives. —Bev

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or on Twitter via @tv_eh.

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This Life’s Marianne Farley on Nicole’s journey to find herself

On the surface, This Life‘s Nicole Breen may seem like a control freak, but actress Marianne Farley says she immediately sensed there was more going on beneath her character’s uptight façade.

“For some reason, I just got Nicole,” explains the Quebec native. “I got where her pain came from, her need to be loved and be part of the family and just feeling like an outcast all of the time. I don’t know why, but it touched a deep place inside of me, and I really wanted to make her a complex character.”

Season 2 has been difficult for Nicole, as she’s been forced to deal with the thorny aftermath of her husband Matthew’s (Rick Roberts) affair—which resulted in a son. Things get even more complicated in this week’s episode, “Communion,” when Matthew makes one last ditch effort to win Nicole back.

“I feel like I was really lucky because I got to go through this incredible roller coaster of emotions,” says Farley. “It’s one of my favourite episodes to date.”

Farley—who will also appear in the upcoming CBC series Bellevue and 21 Thunder—joins us by phone from Montreal to discuss what makes Nicole tick and whether her marriage to Matthew can be saved.

What do you enjoy most about playing Nicole? 
Marianne Farley: I love playing Nicole because she is a bit of everything. She’s very emotional and she’s very much in control—or she tries to be in control. I don’t think she succeeds much. But that is part of her trying to control her emotions, but she can’t deal with it and have a perfect life. I think Nicole wanted to be a princess when she was younger. That’s sort of how I saw her when I read the first episode of Season 1. She wanted to have the perfect life with Matthew and, fortunately for me as an actress, that’s not how things ended up being. So I think the complexity of Nicole is really interesting for me.

Speaking of complex, Matthew’s betrayal of Nicole runs very deep. It’s not just that he had an affair with Beatrice (Victoria Sanchez), but that she had his child—something that Nicole was unable to do. What part of his betrayal is the worst for Nicole? 
For Nicole, the lie about the son is the worst part of it. In Season 1, she tells him, ‘I will accept that you had sex with someone as long as it’s over and as long as you want to be with me.’ But I think it’s the betrayal of knowing that he had a double life for seven years. I think that’s the reason why she can’t forgive him and she can’t let go . . . Her heart wants to forgive him, but she can’t. She’s really split in two, I find, in the beginning of Season 2. There’s anger, there’s pain, but there’s also love, so she’s lost. She’s trying to find her way back, and she can’t.

Last week, Matthew asked Nicole to search his computer, and she found nothing incriminating. However, she chose to move forward with separation plans. Why?
I think looking through his computer she realizes that whether she finds something or not she’s never going to trust him again. It’s really about the trust being broken. So I think at the beginning of Season 2 she’s taking baby steps and Episode 203 is that moment where she sort of says, ‘OK, I’m going to stop taking baby steps and start walking a little bit faster, because I can’t stay put.’

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Is there anything Nicole is waiting for Matthew to say that could sway her, or does she just need to sort the situation out on her own? 
I think she needs to figure it out on her own. She needs to figure out who she is. I think that’s the main thing. It’s like her whole universe, her whole dream life just fell apart and she’s trying to put the pieces back together, but it keeps falling apart. Because the illusion of it is not there anymore. She will never be the perfect wife, and Matthew will never be the perfect husband, and they will never have a perfect family because of this thing.

And I think there is also the fact that she wanted to be a mother, that was really important to her. And they couldn’t have a child on their own, so they adopted. Now Matthew gets to be a father and she is still not a biological mother and that’s very painful to her. It’s like it’s something that they will never be able to share, but now he has that experience with another woman. So it’s very complex . . .  I don’t think there’s anything that Matthew could say. I think she’s waiting for him to say something that will make her feel different, but there’s nothing.

What can viewers expect from Nicole in this week’s episode?
It’s called ‘Communion,’ and it’s the first time that Nicole faces the whole family. It’s the first time that she is sitting with Matthew’s family and she knows that everybody knows. So it’s a very hard moment for her and it’s very humiliating . . . It’s that thing when you realize that everyone knows your husband has been cheating on you, everyone’s known, and you were basically the last one to know. It’s like the elephant in the room that’s just very hard to live with.

You share some tough scenes with Rick Roberts in this episode and throughout the series. What’s he like as an acting partner?    
He’s a brilliant actor, very generous, very much in the moment. First day last year, we just clicked. And we had a sex scene that first day, which I think makes you feel like it’s us two against the world. So it creates that connection right away, and we’ve had that since the beginning and we’ve become great friends. We have the same way of doing things, and we talk a lot about the characters and the scenes. He’s the best scene partner anyone could ask for. It’s easy to be in love with him, and it’s easy to hate him. [Laughs.]

What’s coming up next for Nicole in Season 2? 
She goes in search for herself. She’s trying to find herself. She’s trying to find out who she is, what she wants out of life. She’s trying to redefine her life, if she’s not going to have this perfect relationship, this perfect family life. She’s also trying to find a way to forgive and move on, but that’s tough.

This Life airs Sundays at 9 p.m. on CBC.

Images courtesy of CBC.

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Second Jen’s co-creators navigate the road from short to TV series

If things had gone a little differently, City’s Second Jen may never have gotten a first episode. But Samantha Wan had some luck on her side when she took her comic digital co-creation to the Banff World Media Festival.

The friend who had TV pitching experience backed out at the last minute, leaving Wan to attend the festival alone. She had no experience selling an idea, so she practiced on an iPad every chance she got. Wan hadn’t signed up to have pitch meetings because she didn’t know she was supposed to. On the last night,  she met with Lucy Stewart of Don Ferguson Productions, who told her to talk with Kevin Wallis. The pair sat down and by the end of their discussion the company had taken the show.

Debuting Thursday at 8:30 p.m. ET on City, Second Jen stars Wan and fellow co-creator Amanda Joy as Jen and Mo, twentysomething Asian Canadians who move into their first apartment together. Jen’s mother Bunny (Janet Lo) doesn’t approve, but that doesn’t stop the pair, who discover taking on responsibilities isn’t without challenges. Lucky for them, fellow apartment dwellers Lewis (Al Mukadam) and Nate (Munro Chambers), are there to provide support and friendship.

We spoke to Wan and Joy about their road from digital short to six-episode series and taking a two-person idea into a writers’ room.

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A lot of the stories about Second Jen has put a focus on the fact you’re Asian and the series is about Asian Canadians. Is it important for you to discuss that angle, or do you prefer to just talk about Second Jen as a television show?
Amanda Joy: I understand that there is always going to be a political context. Anytime you appear on-screen as a person of colour or LGBT, there is always going to be political context. And I think that is important to us in one aspect of our lives. And then the show, what it is is important in another way. This isn’t a show about being Asian. It’s about being in your 20s in Toronto, and two best friends who are very intelligent but also not the most experienced women about how they navigate the world. In Toronto, because it’s such a diverse city, they come from an immigrant background and many of their friends come from an immigrant background. When you take on Toronto as a setting, I feel like that will be the case and that’s part of the strength of the story.

Samantha Wan: We’re ethnic, but this is the story of being stuck in the middle between the older generation and our second generation and stuck in the middle because we’re in our 20s. I’m not in high school anymore but I don’t have my career set out before me either. Naturally, the generation clash includes culture but that’s more the conflict and what we’re picking apart.

It’s one thing to create a project as a digital entity, but it’s another to flesh out characters and add more for a television series. What was it like having a writers’ room with folks like Kevin, Carly Heffernan and Jeff Biederman?
AJ: If I’m writing by myself and I hit a wall, I go for a walk. When you’re in the writers’ room and hit a wall, somebody else will know how to pick it up. Carly is hilarious and so much fun to work with, very intelligent and kind. She gave me a ride to the subway every day. And Jeff really, really knows his stuff. When it came to the room he was able to look at structural things, inconsistencies in plot or scenes.

SW: It was nice to know there was someone who could help us navigate notes from the broadcaster. The notes were very specific and were helpful but sometimes we needed to understand exactly what they meant. Having someone who was seasoned was really helpful.

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(l-r) Munro Chambers, Samantha Wan, Amanda Joy, Al Mukadam

How much of Season 1 had been plotted out by the two of you prior to being in the room?
SW: We had plotted out ideas for episodes and those were pitched to the room and to Rogers. Then we picked which ones were the most relatable and the most funny.

AJ: And then it came down to what each character was doing in each episode. Even though we’re episodic, we do have some serialized arcs.

Let’s talk about your characters, Jen and Mo.
SW: They’re kind of a combination of the both of us. They were  pretty easy to write because they have characteristics are from the both of us. Nate and Lewis are based off friends we have, but combinations so no one can come back to us and say, ‘That’s me.’ Once we cast the actors, Nate took on a little bit of a different shape once Munro was in. It was the same thing with Al as Lewis. We really wanted them to collaborate on who these characters are.

AJ: A lot of people complain about underdeveloped female characters and when we wrote the first drafts we had to go back to the male characters. What it’s like being a woman comes easily for us, but when it comes to being a guy, we’re more guessing by what we see.

Second Jen airs Thursdays at 8:30 p.m. ET on City.

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