Welcome back to another bi-weekly (ish) chat about the latest news in Canadian TV! First, Greg and Amy go through debuts and returns on the Canadian TV calendar.
Then, we cover the latest Canadian TV news, which includes the debut of Citytv’s newest original series, Wong & Winchester, and CBC’s Sort Of and Best in Miniature being renewed.
This podcast brought to you by Sipsmith Gin and Wayne Gretzky Pinot Grigio.
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The relationship between Pretty Hard Cases’ Sam Wazowski (Meredith MacNeill) and Kelly Duff (Adrienne C. Moore) has faced some major challenges over the past two seasons. During Season 1, the detective duo had to learn how to work together despite their odd couple dynamic. In Season 2, they overcame a series of personal misunderstandings to forge a true friendship—even though it resulted in them being separated on the job.
At the start of Season 3—kicking off Wednesday at 9 p.m. on CBC and CBC Gem—Sam, demoted to street cop, and Kelly, working undercover, have been apart for eight months. But worry not. Just a few minutes into the premiere episode, “Always A Bridesmaid,” written by series creators Tassie Cameron and Sherry White, the pair enjoys a glorious reunion that showcases the fabulous chemistry between series leads MacNeill and Moore. There is screaming and jumping. There are secret handshakes and goofy butt pats. And, of course, there is banter.
But while Sam and Kelly are back together and stronger than ever, they still have to prove themselves to new Unit Commander Gloria Ballard (Wendy Crewson) before they’ll regain access to the OCE’s top cases—such as discovering the source of a deadly new drug that’s hit the streets of Toronto, or tracking down last season’s still at large villain Adeline French (Charlotte Sullivan). They also have to navigate their new romantic relationships, with Sam making another go of things with ex-husband Steve (Trevor Hayes) and Kelly testing the waters with fellow detective Nathan (Daren A. Herbert).
During a recent chat with MacNeill and Moore, we found out more about Sam and Kelly’s upcoming adventures and why the actors sometimes feel like “naughty children” on set.
Sam and Kelly’s friendship has grown a lot over the past two seasons. How will it evolve in Season 3?
Adrienne C. Moore: I think like any friendship, in Season 2, we had that tension that I think long-standing and long-term relationships must have in order to kind of jump that hurdle that they can get to a point where they know each other’s thoughts, they know what each other is thinking before they even say. And I think that was one of the balances that we tried to strike and establish this theory that they had a hard time getting to know each other, they went through the thick of it, and now they’re just like, they can read each other’s thoughts. They know how to support each other as friends, and they know what they need from each other in friendship.
Meredith MacNeill: Yeah, and then because of that, because that friendship has taken the next layer, they tend to add other things into their life. You see them involve each other in the other aspects of their life, which was interesting. So like, when we got the scripts, I was like, ‘Oh, this is your family.’
Both of your characters are in very different places with their personal lives than they were in previous seasons. Kelly is making a go of it with Nathan, and Sam is back with her ex-husband Steve, which may or may not be a good thing.
MM: I feel that for Sam—and for Meredith MacNeill—there’s something about being in your 40s and admitting what it’s truly like to start over and all the mess and glory that comes with that. So I love the way Tassie and Sherry write. Yes, I’m back with my ex-husband, but it takes it to this level that I think will be extremely relatable, that just because you’ve made a decision and you’re like, ‘I’m gonna go for this,’ it doesn’t automatically mean that once you make the decision, everything’s fine. When the scripts would come in, and we work on scenes. I was like, ‘Oh gosh, I really know this relationship. I know these people. These are people I have in my life.’
ACM: I think for Kelly, she’s shown a lot with being vulnerable and open in relationships. And not to give any spoilers, but there’s already some physical tension in the beginning between her and Nathan, and so through the course of the season, you discover how Kelly is really embracing being vulnerable. She knows she has a good thing with Nathan, but she’s still scared. And I think a lot of people when they get in relationships, become afraid of losing their own identity and their own individuality. And so she learned how to balance that, how to be in a relationship with a partner but yet still have her own identity. And I’ve loved that Nathan supports that for her.
You’ve got a new unit commander this season, played by Wendy Crewson.
MM and ACM: Woo!
How was it working with her?
MM: She’s it. That’s it. She comes on set, you know you’re lucky, and you just stand there and hope you can keep up. That’s what you do.
ACM: Wendy was working on another show also at the same time. She came in every day, on point, knew these chunky, chunky dialogue lines and was killing it. I was like, ‘OK, I can learn from her.’
Pretty Hard Cases effortlessly blends comedy and drama, and many scenes can be played either way. How do you decide which way you’re going to take a scene? Are you given a lot of freedom to improvise, or is it all on the page?
MM: I think because we’re both theatre-based, we’re pretty comfortable with both. I respect the work completely and the author of scripts, that’s just standard. And then also with theatre, you’ll learn really quickly to play in the moment, be in the moment, throw all your work away, and what’s happening isn’t to me, it’s what’s happening between the two characters. So I find what happens in the show is—because we get along and we want to have so much fun—sometimes I feel like we’re naughty children, but professional naughty children. We adore the writing by Sherry and Tassie, we’re respectful to that. But as soon as we can, we’re like, ‘Can we play? Can we go, can we go?’ And then they’ll give us some goes, and so it kind of balances out and then, in the end, it’s really great.
As you said, you get along well and love working together. What have you learned from each other as actors over the last three seasons?
MM: I know that we get [each other] pumped. Like, if it’s a 16-hour day, we kind of look at each other, kind of give each other a soft high-five, and go in and kill it. We know we got it.
ACM: I know that if she has a lot of dialogue to carry, or I have a lot of dialogue, what I love is that we can just kind of look at each other and I know where she’s at, she knows where I’m at, and I know what she needs, she knows what I need.
MM: And we get there really quick.
ACM: Yeah, we provide that for each other, and it’s like when you have those days, when you work every day and you’re doing 12-16 hour days like that, it’s good to look over and see your partner in crime. You’re going through it with someone that you trust.
Pretty Hard Cases airs Wednesdays at 9 p.m. ET/PT on CBC and CBC Gem.
Images courtesy of CBC.
While the holidays are tied to traditions, the way we celebrate is malleable. Relocating, work, friendships, romances, children, breakups and the loss of loved ones can all change what we do—and how we feel—each December.
That sense of flux is at the heart of Jann: Alone For The Holidays, a Yuletide special that proves there’s more than one way to enjoy Christmas. It’s a theme series star Jann Arden has experienced in her own life.
“My parents are both gone,” says Arden. “So I think a lot of the traditions that were kind of wrapped around their legs, unfortunately, aren’t here anymore. I mean, I loved having dinner with my family.”
But this Christmas, the singer-songwriter-actor-author-animal rights advocate is packing her favourite vegan turkey cutlets—“Frozen in my suitcase; I’m not kidding you!”—and heading to England to spend time with friends. “I’ll be in Dorset, very close to Swanage, in a 250-year-old stone cottage, near castles,” she says.
The series Jann is also doing things a bit differently this year. It’s been more than a year since the show’s third season ended, and while CTV hasn’t officially pulled the plug on the project, it also hasn’t greenlit another season.
Arden says CTV has “been behind the show the whole way through,” but the broadcaster is “really trying to contemplate a cost-effective way to move forward” with the series in a TV era dominated by streaming networks and binge-watching, so “they gave us this opportunity to do the Christmas show.”
In the special, airing as back-to-back episodes on Saturday, December 9 at 9 p.m. on CTV, CTV.ca and the CTV app, Jann comes home for Christmas to discover her entire family is celebrating out of town. The only one still around is her assistant Trey (Tenaj Williams), who is trying to recharge his batteries with some alone time.
Feeling abandoned, Jann declares it “the worst Christmas ever” until Trey starts pulling out boxes full of old decorations—and memories. This prompts a series of vignettes where Jann reminisces about good, bad and humiliating moments from holidays past featuring her niece Charley (Alexa Rose Steele), on-again, off-again girlfriend Cynthia (Sharon Taylor), former manager Todd (Jason Blicker), and mom Nora (Deborah Grover). Her manager Cale (Elena Juatco) also appears in the special’s opening Christmas concert sequence, which showcases both Arden’s cozy-sweater vocals and her laugh-out-loud physical comedy talents.
“I think flashbacks allowed me these fantastic opportunities to shine a light on one cast member at a time and to kind of unveil a little more depth into their relationship,” says Arden. “Like, I think the scene that I have with Cale starts off a little bit acerbic and tongue-in-cheek; Cale is just being Cale and running the business. But then when we have the opportunity to kind of say our goodbyes in the hallway, it’s like, ‘Wow, they’re being nice to each other. Where could that go, and what does that mean?’ So I think it was nice to be able to look at these relationships in a little different light.”
Jann’s flashback with Nora, which plays like a blooper reel from The Great Canadian Baking Show, was another highlight for Arden. “I had the best time,” she says. “Deborah is the heart of our show, and I think we hang so much of the heartfelt emotional payoff of Nora with [her], and she never fails to just really show people what her acting chops are. We all look up to her.”
Fans can also look forward to celebrity guest appearances by Bryan Adams and Michael Bublé, who is still as lovesick for Jann as he was in the Thanksgiving-themed Season 3 finale.
“May I say that this was his story idea?” Arden says of Bublé’s storyline. “We’re like, ‘What do you want to do on the show?’ And this was last season, and he says, ‘I want to be the unrequited love. I want to love Jann, and she doesn’t love me.’ This was all his doing. So when we were doing the Christmas special, he literally phoned Leah [Gauthier], one of our co-creators, and he said, ‘Can I be in this thing? Like, I know I’m on tour right now, but I could do something online.’”
Meanwhile, Adams carved time out of his Canadian tour schedule to drop by the set. “He’s got a new Christmas song out this year called ‘Let’s Get Christmas Going,’” Arden explains. “I’ve heard it on the radio already, and he wrote it for his daughters. He showed up and said, ‘I don’t know the words, so you guys have to write these out for me, so we were scrambling writing them out on the back of wrapping paper, and there’s a lot of f—ing words in that song … but he was absolutely such a pro. He was kind to everybody, and he did the song, and we couldn’t believe it.”
The special isn’t just about music and memories. Modelled after UK Christmas specials that offer holiday cheer while moving plotlines forward between seasons, there are some major storyline resolutions—such as revealing whether Jann chose to stay with Nate or to get back together with Cynthia and help raise her baby. There’s also a life-changing surprise at the end that lifts Jann’s holiday spirits. In short, it’s the sort of show that could serve as a bookend for the series or provide the impetus for a fourth season.
“We were very purposeful about that,” Arden says. “We’re kind of in a holding pattern, and we’re all kind of holding our breaths and crossing our fingers and we’ll see what happens. But, for now, we were able to do some problem-solving and put out a few fires that we left hanging after Season 3.”
Arden is also chuffed CTV will be rebroadcasting the episodes on Christmas Eve at 10 p.m. “That’s pretty damn great to be in people’s homes, whether they’re with their families and sitting down having meals, the excitement of kids running around the house, and Santa’s coming,” she says. “We’re hoping it has legs. Like, year after year, for people to go, ‘Oh, god, that crazy special again.’”
Jann: Alone For The Holidays airs Friday, Dec. 9 at 9 p.m. ET on CTV, CTV.ca and the CTV app. Encore presentation Saturday, Dec. 24 at 10 p.m. ET on CTV.
Images courtesy of Bell Media.
From a media release:
Today at the industry event CBC Live at Massey Hall, CBC previewed its winter programming and made a series of announcements focused on reaching new audiences in Canada with more relevant and engaging news and entertainment on all platforms, including the launch of free streaming channel CBC NEWS EXPLORE. CBC’s winter storytelling includes over 40 original series, podcasts, specials and documentaries from Canadian creators, producers and storytellers across all genres, reflecting more people, perspectives and lived experiences across the country.
NEW PROGRAMMING ANNOUNCED TODAY
CBC NEWS EXPLORE
PUSH (8×30, Fenix Film & Television and Small Army Entertainment)
Starring Benveet “Bean” Gill, PUSH is a new original unscripted series that takes audiences into the inner world of the “Wheelie Peeps,” an unlikely group of friends and wheelchair users, bonded by their shared experience of navigating life on wheels. They are self-proclaimed rednecks, former exotic dancers, mothers, concert pianists and more. Whether it’s growing a family, fighting social stigma, or jumping back into the dating pool, this determined group of friends is working together to prove that even though their mobility may be limited, their lives and dreams are most certainly not.
“This show is what I needed when I was first paralyzed,” said Gill. “To see that having a disability doesn’t define you. We’re regular people, striving like everyone else to live our kickass lives to the fullest. But Push is not simply a show about lives. It’s about really seeing and hearing us as people, just as we are.”
PUSH premieres Friday, February 24 at 8:30 p.m. (9 NT) on CBC TV and CBC Gem. Shot in summer and fall 2022 in Edmonton, Alberta, PUSH is executive produced by Sean De Vries and produced by Kaitlan Stewart, with consulting producer Gill.
CBC KIDS
New original live-action preschool series MITTENS AND PANTS, featuring best friends Mittens the kitten and Pants the puppy as they embark on adventures in the all-animal town of Kibble Corners, launches Monday, February 6 on CBC Gem and Monday, February 13 on CBC TV. Episodes of new preschool animated series GISELE’S MASHUP ADVENTURES launch Wednesday, February 1 on CBC Gem and Monday, February 6 on CBC TV, inspired by the creative ideas of children ages six to nine from across Canada which are turned into hilarious adventures for animated versions of each child and host Gisele.
CBC SPORTS
CBC SPORTS will continue to keep Canadians connected to the world of high-performance sport through its weekend broadcasts CBC SPORTS PRESENTS, hosted by Scott Russell and Andi Petrillo and available on CBC TV and CBC Gem, as well as live streams of key competitions on cbcsports.ca and the CBC Sports app. Upcoming events include: FIS World Alpine Ski Championships (February 8 – 19), FIS Freestyle Skiing World Championships (February 19 – March 4) and FIS Nordic World Ski Championships (February 23 – 26).
CBC’s winter broadcast and streaming schedule launches Monday, January 2 on CBC TV and the free CBC Gem streaming service.
*All following times local with the exception of Newfoundland, please add half an hour to all times.
MONDAYS:
7:30 PM – FAMILY FEUD CANADA with host Gerry Dee continues Mondays to Thursdays, kicking off the new year with celebrity episodes on January 2 and 3, featuring the PRETTY HARD CASES detectives vs. the legal team from DIGGSTOWN, and the BOLLYWED Singh family vs. the sporty CANADA’S ULTIMATE CHALLENGE group. For more information on the “Celebrity Special” episodes, click here.
8 PM – MURDOCH MYSTERIES Season 16 continues January 2.
9 PM – The new adaptation of Jules Verne’s classic novel, AROUND THE WORLD IN 80 DAYS, starring David Tennant, debuts January 2. Adapted from the popular French-language series, time travel drama PLAN B premieres February 27.
10 PM – THE NATIONAL CBC News’ flagship program with Chief Correspondent Adrienne Arsenault continues Sunday to Friday each week.
TUESDAYS:
8 PM – THIS HOUR HAS 22 MINUTES 30th anniversary season continues January 3.
8:30 PM – The most-watched original Canadian comedy during its first season,* SON OF A CRITCH returns for Season 2 on January 3.
9 PM – WORKIN’ MOMS returns for its seventh and final season on January 3, as the women explore lasting friendships, ambitious careers, raising families, and growing up.
9:30 PM – Season 4 of comedy CATASTROPHE, written by and starring Rob Delaney and Sharon Horgan, debuts January 3. Season 1 of CASUAL, starring Michaela Watkins and Tommy Dewey as a sister and brother who coach each other through the crazy world of dating while raising her teenage daughter, premieres February 14.
WEDNESDAYS:
8 PM – STILL STANDING lands Season 8 on January 4, starring host Jonny Harris as he visits a new set of towns across Canada from Ucluelet and Gibsons, B.C. to Wabush, Newfoundland, and everywhere in between.
8:30 PM – RUN THE BURBS Season 2 premieres January 4, with new cast member Sharjil Rasool and an array of guest stars including Dakota Ray Hebert, The Great Canadian Baking Show’s Ann Pornel, and multi-award-winning comic and actor Gavin Crawford.
9 PM – PRETTY HARD CASES returns for Season 3 on January 4, with a miserably demoted Samantha Wazowski (Meredith MacNeill) and a deeply undercover Kelly Duff (Adrienne C. Moore) reuniting to win their way back into the OCE after eight long months apart. Award-winning actor Wendy Crewson joins the cast as the new and exacting Unit Commander. The WINNIPEG COMEDY FESTIVAL, featuring some of the most dynamic performers on today’s comedy circuit, brings the laughs beginning March 15.
THURSDAYS:
8 PM – BOLLYWED debuts January 12, introducing Canada to the Singh family, who have been operating Chandan Fashion in Toronto’s Little India for the last 37 years. New competition reality format CANADA’S ULTIMATE CHALLENGE turns the nation into a cross-country obstacle course on February 16, featuring Canadians mentored by superstar coaches Donovan Bailey, Waneek Horn-Miller, Clara Hughes, Gilmore Junio, Jen Kish and Luke Willson.
9 PM – CBC News’ award-winning investigative series THE FIFTH ESTATE continues January 5. British drama-thriller TRIGGER POINT debuts February 16. THE JUST FOR LAUGHS GALAS headlined by Ronnie Chieng, Hannah Gadsby and Marc Maron begin March 30.
FRIDAYS:
8 PM – Canada’s award-winning consumer watchdog MARKETPLACE continues its 50th anniversary season on January 6.
8:30 PM – ABC/CBC co-production STUFF THE BRITISH STOLE, based on award-winning journalist Marc Fennell’s chart-topping podcast, debuts January 6. New original factual series PUSH, exploring the lives of a group of friends “the Wheelie Peeps” in Edmonton, begins February 24.
9 PM – THE NATURE OF THINGS Season 62 premieres on January 6 for David Suzuki’s final season with fascinating science and nature documentaries each week. The season launches with Last of the Right Whales, telling the story of the magnificent North Atlantic Right Whale and the passionate people trying to save this intelligent and social animal from extinction.
SUNDAYS:
7 PM – Season 16 of HEARTLAND continues on January 8. BEST IN MINIATURE, hosted by Aba Amuquandoh, returns for Season 2 on February 19.
8 PM – CBC Docs will spotlight compelling feature-length documentaries, from Canada and around the world, beginning January 8 with the following Canadian originals:
THE CASE AGAINST COSBY (directed by Karen Wookey, 2022) premieres January 8
DOUG AND THE SLUGS AND ME (directed by Teresa Alfeld, 2022) premieres January 15
OFFSIDE: THE HAROLD BALLARD STORY (directed by Jason Priestley, 2022) premieres January 22
UNLOVED: HURONIA’S FORGOTTEN CHILDREN (directed by Barri Cohen, 2022) premieres January 29
DEAR JACKIE (director Henri Pardo, 2022) premieres February 5
9 PM – Limited series ESSEX COUNTY, based on Jeff Lemire’s graphic novel, premieres March 19.
Welcome back to another bi-weekly (ish) chat about the latest news in Canadian TV!
With the holidays coming up, and very little TV news to talk about, the podcast is taking a break until January. But before we do that, we’re celebrating the upcoming holiday season by talking about holiday programming. It doesn’t have to be Canadian, necessarily, just the things that have become a staple of our seasonal viewing.
This podcast brought to you by Waitrose Mulled Wine and egg nog.
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