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Must Watch Canadian TV Shows in 2023

Although it’s not often talked about, Canada has produced some of the best TV series in recent years. While they sometimes get overlooked because American and British shows dominate the global market, once you delve deeper, they don’t disappoint. 

These TV shows have something to offer just about everyone. Whether you enjoy quirky comedies or gripping dramas, you’ll find something you like. Keep reading to learn about some of the must-watch Canadian TV shows in 2023. 

Casino

Whether we’re playing games on our phones or listening to a podcast about our favourite series, entertainment plays an important role in our lives. Casino games are some of the most popular games in the world, so it’s not surprising they also make an appearance on TV shows. One of Canada’s most famous programs is named Casino, and it’s based on a true story guaranteed to keep viewers on the edge of their seats. The main character is tasked with building a new casino, and he has to do so while dealing with various forces, including high-powered officials. It’s so good, most viewers won’t want to stop watching until they’ve finished all of the episodes.

When not watching this series or others, fans may want to test their skills on their own. Smartphones have made it easy to play popular casino titles while on the go or from the comfort of home. Thanks to the arrival of the casino industry in the online world, today you can enjoy classic titles such as roulette or blackjack and their new adapted versions, or delve into any imaginable theme with slots. Undoubtedly, a big step that has allowed to improve the user experience in the sector.

Wong & Winchester

This show debuted on January 17th of this year, making it the newest on this list. It brilliantly mixes crime and comedy and has become one of the most talked-about series this year. The story focuses on a seasoned ex-cop turned private investigator paired with an inexperienced newcomer who tests her patience. 

Despite their differing views on just about everything, the two must work together to solve new cases each week. The show covers a variety of themes and has great dialogue that’ll keep viewers both laughing and intrigued. 

Run the Burbs

The second season of this sitcom follows a multicultural Canadian family as they build their lives in the suburbs. It features a stay-at-home dad and a mom who runs her own business. Although many think moving to the suburbs will doom them to a life of boredom, this TV show proves that’s not always the case, especially when you’re determined to live life to the fullest. 

Comedian, writer, and actor Andrew Phung created the show with his best friend, filmmaker Scott Towsend. Get ready for lots of belly laughs while watching this series. 

Plan B

If you like time-travel stories, you won’t want to miss the TV series Plan B. It revolves around the life of Phillip, who sees travel as an escape from his life problems. He travels into the past, hoping to change it for the better and wondering if he can undo the damage he’s done to himself.

The name of the TV show comes from the company that employs the protagonist, which lets people go back in time to fix their mistakes. It’s an adaptation of the French-language sci-fi drama that’s been translated for English-speaking audiences.  

Sullivan’s Crossing

A renowned neurosurgeon is forced to leave her medical career behind after a scandal means she has to leave her job and home. That’s the story behind the gripping new drama Sullivan’s Crossing, which follows the life of Maggie Sullivan as she embarks on a new path after her career ends. 

She returns to her hometown in Nova Scotia, where she reconnects with her past and tries to navigate her new life. However, the appearance of a mysterious person in the town threatens to disrupt the tranquility she’d hoped to find back home. 

Red Ketchup

While this show hasn’t premiered yet, we recommend keeping an eye out for it if you’re a fan of animated series. It follows the story of a rogue FBI agent who’s shipped off to Antarctica on a fake mission. The series is based on the graphic novel series by Pierre Fournier and is sure to be highly entertaining.

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Featured, Slasher

Slasher: Ripper takes the franchise to a bloody great new level

What would Detective William Murdoch say? And would he be able to solve the crime? Those were the first two thoughts when I watched screeners of the first two episodes of Slasher: Ripper.

Returning Thursday at 9 p.m. ET to Hollywood Suite, Slasher: Ripper is the latest instalment of the gruesome, gory whodunit from creator-executive producer Aaron Martin and fellow executive producer Ian Carpenter.

Set in the late 19th century, and partly filmed on the backlot where fellow Shaftesbury project Murdoch Mysteries is created, Ripper catches up with a Toronto galvanized by fear. There is a vengeful killer on the loose slaughtering the city’s elite in horribly creative ways. Charged with solving the case is Detective Kenneth Rijkers (Gabriel Darku), who becomes increasingly desperate to connect the deaths before the body count gets any higher.

Toplining this tale is Eric McCormack, who dons 19th-century garb to play Basil Garvey, a supremely nasty tycoon who holds Toronto in his greedy grip. Easily the evilest character McCormack has ever played, Martin and Carpenter were positively giddy with his performance.

“Not unlike last year, when we brought David Cronenberg in [for Slasher: Flesh & Blood], we were looking for that type of person for that and [executive producer] Christina Jennings said, ‘I wonder if we can get him?’ He told me that as soon as he read one of his first lines of dialogue he said, ‘I have to do this part.'”

Complementing McCormack is Martin and Carpenter’s stable of Slasher performers in Paula Brancati as heiress Viviana Botticelli, Jefferson Brown as pimp Horatio Dixon, Lisa Berry as physician Dr. Melanda Israel, Jo Vannicola as newspaper editor Enid Jenkins, Steve Byers as man of God, Andrew May Jr., Sabrina Grdevich as Viviana’s sister, Venetia, Christopher Jacot as brothel owner Terrence Crenshaw and Salvatore Antonio as sex worker Salomé. And while all are familiar faces to the franchise, Martin and Carpenter ensure their characters are always unique.

“We like to give them a chance to play outside of the roles they are usually cast in,” Martin says. The result is performances that are mesmerizing and truly memorable. That goes for the acting chops provided by new faces alongside McCormack. Murdoch Msyteries‘ Clare McConnell goes against type as Regina Simcoe, Frankie Drake Mysteries‘ Sharron Matthews as housekeeper Gladys and Killjoys‘ Thom Allison as Georges Rondeau.

Written by Martin, Carpenter, Shelley Scarrow and Lucie Pagé, the eight-episode scripts are taut, enthralling, exciting and deliciously over-the-top. And, thanks to director of photography Scott McClellan and director-executive producer Adam McDonald, the setting is disturbing and very un-Murdoch.

“That backlot is beautiful,” Carpenter says. “We set some visual goals, and Scott and Adam shot the hell out of it. We wanted to get the dirt, the animals, the feces, the blood … it was really exciting.”

Slasher: Ripper airs Thursdays at 9 p.m. ET on Hollywood Suite.

Images courtesy of Shaftesbury.

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Children's Programming, Featured, Macy Murdoch

CBC Gem’s Macy Murdoch is worthy of the Murdoch moniker

Murdoch Mysteries is a worldwide brand. With it comes expectations, so a spinoff associated with it leads to extra scrutiny. Thankfully, Macy Murdoch not only meets but exceeds those expectations.

Available now on CBC Gem, the Murdoch spinoff web series Macy Murdoch stars Canadian Screen Award winner Shailyn Pierre-Dixon as Macy, the great-great-great granddaughter of Detective William Murdoch. Set in the present day, Macy and her pals Zane (Beau Han Bridge) and Billie (Raffa Virago) travel back in time after a villain uses a time machine to frame William for murder, the trio goes back to 1910 to find the real perpetrator of the crime. Along for the ride in 1910 are Murdoch Mysteries‘ Constable Henry Higgins-Newsome (Lachlan Murdoch) and Mrs. Violet Hart (Shanice Banton), who help the kids with the case.

Initially developed by JP Larocque and Jessica Meya, we spoke with executive producer/showrunner Jennifer Kassabian (Frankie Drake Mysteries, Carter) and co-executive producer Robina Lord-Stafford (Frankie Drake Mysteries, Moonshine) about the project.

Jennifer, can you tell me how Macy Murdoch came to you?
Jennifer Kassabian: JP and Jess developed it with Shaftsbury before my time. I finished working with Jennifer McCann, who’s one of the series executive producers on Ruby and the Well. Around July, she reached out to me to say that Jess and JP were moving on to other opportunities and would I be interested in this project that she had because we had worked so well together. I said, ‘Well, let me just read everything,’ because I didn’t know if I wanted to keep my foot in the kids’ world, but then the bible that Jess and JP created blew me off my feet. I’ve never read a bible that good. It was so rich, and it was so interesting. I said yes, I’m in. I want to run the show. We didn’t have the money for a writers’ room. It was freelance scripts that were half assigned and half to be assigned, but I could have a No. 1, someone to help me shepherd the show through. 

Robina was the only name on my mind from the time we met on Frankie Drake. Sometimes those relationships on a show make you friends off a show. We were friends in real life, I already had a shorthand with her and I said, ‘Would you come on as the No. 2, and will we do this together?  

Obviously, anything with the word Murdoch in it is going to come with extra scrutiny. Robina, any nervousness on your part about it having the Murdoch name and William Murdoch involved in it? 
Robina Lord-Stafford: I didn’t really have enough time to think about it. I was on Pretty Hard Cases and Jen was like, ‘You’ve got to come and do the show with me.’ And I was like, ‘OK, I’ll do it.’ Once I was in it, it was like, ‘OK, we really have to make sure we’re doing the Murdoch world justice. We were lucky enough to get two characters from the world, so that was super exciting. Getting to shoot on the Murdoch lot was super exciting and that all kept elevating the production value of the show. We did consult with Murdoch writers to make sure that when we were going back into 1910 and creating a world for our characters to be in, that seemed authentic and real. We also binged a ton of Murdoch because we wanted to make sure that Henry Higgins-Newsome and Violet Hart’s voices were really authentic to what the Murdoch world has created already. 

Robina, when it came to the writers’ room, is it different to write for the web as opposed to an episode of broadcast television? Does each web episode represent story beats in a larger project?
RLS: Great question. We did have all those beats already. When Jen and I got onto the project, there were already, I think, two scripts written by previous writers. And so it was like, ‘OK, let’s continue this on,’ and then we had another writer that joined us. One of the things that we did maybe a little bit differently than what I’m used to doing in one hour is that we knew what the beginning, middle, and end of the whole series was going to be. We could then break it down into different episodes on how we were going to then achieve all of that to make sure that we were getting all the juice that we needed and the great cliffhangers at the end of each episode. 

You really pack a lot into each 11-or-so-minute episode.
JK: I think there is a misconception that when you hear 11 minutes it’s easy peasy and not that much content. You can get the story in when it was our primary goal and character development for sure. 

The young cast was simply amazing.
JK: We had a full day of chemistry reads between people’s favourite casting picks. We had already had Shailyn cast when we went out to cast Billie and Zane. Raffa and Beau sparkled in their solo auditions and then when we partnered up Raffa and Beau we had the magic of the Billie and Zane friendship right off the bat. This is Raffa’s first thing that she’s ever been on screen. She’s such a special talent. They did become fast friends on set, just good people who just really wanted to bring their A-game. 

Macy Murdoch is available now on CBC Gem.

Images courtesy of Shaftesbury.

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Featured, Podcast

TV, Eh? Podcast Episode 260: More Transplant on CTV, new seasons of CBC comedies ordered and CSAs, Part 2

Welcome back to another bi-weekly chat about the latest news in Canadian TV! First, Greg goes through debuts and returns on the Canadian TV calendar.

Then, we cover the latest Canadian TV news, which includes a Season 4 renewal for Transplant, more seasons of Run the Burbs, Son of a Critch and This Hour Has 22 Minutes, and a new comedy series from CBC, APTN and Netflix. We conclude with Part 2 of our discussion about the Canadian Screen Awards, focusing on Best Lead Performers in the Comedy and Drama categories.

This podcast brought to you by coffee.

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Featured, Reality, Lifestyle & Documentary

Preview: TVO’s Tripping Train 185 is a lazy, lovely trip into Ontario’s north

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I’ve covered Mitch Azaria’s excellent real-time Tripping documentary series before. From the first, Tripping the Rideau Canal, through followups Tripping the Niagara and Tripping the Bruce, they all embrace the “slow TV” genre of broadcasting a trip from beginning to end, in real-time.

Azaria’s latest, Tripping Train 185, has a special connection for me.

Debuting Friday on TVO at 7 p.m. ET and post-broadcast on TVO.org and TVO’s YouTube Channel, Tripping Train 185 immediately revived beloved memories of chasing trains with my Dad when I was a kid. He and I used to tool around the back roads of Brantford, Ont., watching passenger and freight trains at level crossings through the countryside. It was exhilarating and felt a little dangerous too. Tripping Train 185 also recalled Cochrane, Ont., my Dad’s hometown and the base of a similar train in the Polar Bear Express. In fact, Azaria was initially planning the board the Polar Bear Express and track its journey from Cochrane to Moosenee, Ont.

“[The Polar Bear Express] a great run in that it ends in a particularly cool spot, but the ride itself is a bit of a tunnel,” Azaria says over the phone. “It doesn’t have the sweeping views that Train 185 has, and that’s just the nature of the country it’s going through.” You can’t argue with him on that. Tripping Train 185 shows the rugged and wildly varying terrain between Sudbury and White River, a beautiful chunk of the Canadian Shield showcasing rocks, valleys, endless forests, marshes, rivers and lakes.

Azaria (third from left) and his crew, next to Train 185.

Operating three times a week, Via Rail’s Train 185 is a flag-stop train, meaning all one has to do to snag a ride on it is stand next to the tracks and flag it down between scheduled station stops. That in itself makes Tripping Train 185 a unique documentary; seeing the train slow down and wondering who and what will be hauled on board is particularly fun, especially when the reality is that train is their only connection to the outside world. But the train itself has a story to tell and attracts enthusiasts from around the world.

Train 185 is the only remaining Rail Diesel Car (RDC) line in North America. Nicknamed Budd Cars because they were built by the Budd Company of Philadelphia in the 1950s to service rural areas around the world, each car has its own twin diesel engines as well as compartments for passengers, conductor and baggage. Like a bus, an RDC provided inexpensive commuter service into remote areas where short rail spurs had been abandoned because of the high cost of traditional, multi-car trains.

“The Budd Cars have a bit of a cult following,” Azaria says. “It’s such a unique type of train that they want to ride the last one in North America.”

As with past Tripping projects, Azaria has compiled a staggering amount of factual information to tell the history of the train, route, and the country itself, which is presented via on-screen visuals. It’s through them that a very cool story about educating the north is told. Using CGI and old CBC footage, we learn of Bill Wright, a teacher who used a revamped Canadian Pacific Railroad passenger car in a schoolhouse/living space for him and his family.

“For 40 years, he worked out of this car,” Azaria recalls. “It would stop on the tracks and any kids in the area would find their way to it. They would be taught for a week and then receive three weeks of homework. Then he’d move up the line and do the same for the next group of kids. He probably taught a few thousand kinds in the time he was up there.”

Tripping Train 185 airs Friday at 7 p.m. ET on TVO. Stream it anytime post-broadcast at TVO.org and the TVO YouTube Channel.

Images courtesy of Tripping Train 185.

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