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Featured, Workin' Moms

Workin’ Moms: Catherine Reitman, Dani Kind and Juno Rinaldi talk Season 3

When we last left the Workin’ Moms, things had gone badly, especially for Kate (Catherine Reitman). She discovered that her husband, Nathan (Philip Sternberg), was having an affair with Mean Nanny (Jess Salguiero). And, to add to the emotional moment, Kate discovered she was pregnant.

Viewers were left wondering what Kate’s next steps were. Would she divorce Nathan? What about the pregnancy? Kate wasn’t the only one facing challenges. Anne (Dani Kind) was headed for a showdown with he ex-husband Brad (Christopher Redman), and Frankie (Juno Rinaldi) was juggling new relationships.

Workin’ Moms returns on a new night this Thursday at 9 p.m. on CBC with two back-to-back episodes chock full of the tears and laughter we’ve come to expect from Reitman’s creation. And with folks like John Ralston, Sean Cullen and Emma Hunter on board, we had to find out more. We spoke to Reitman, Kind and Rinaldi at CBC’s recent media day.

There is a time jump when Workin’ Moms returns. Kate is about to give birth. At what point in the creative process did you know you were going to do that?
Catherine Reitman: We went back and forth on this in the writers’ room a ton. And ultimately we always go back to, ‘What’s the most compelling way to watch this character?’ Is it more interesting if she doesn’t have another child, does the child actually drag us back to what we’ve already seen her do?

And then she gets involved with someone else.
CR: She is juggling a little more than usual. Dani, Juno, and I all in real life have two kids, and I think there is something to do when you meet someone with just one child you’re like, ‘Ugh, I totally understand, but just wait.’ Because when you double down on kids there is just a different level of storm, you’ve become so not a priority in your own life. Giving Kate this baby felt like a way of just filling her plate to make her the least important protagonist in her own story.

It just parallels so many working mother’s lives, I think. As far as her season, I think Kate is having an identity crisis once again. Kind of like Season 1. Except for this time she now has to reinvent herself with infidelity kind of screaming at her the entire time. We hear so often about the women keeping the house and the kids. And there’s something just really refreshing, and you really root for someone who moves out. Someone who hits the pavement and starts her own business the way Kate does and so many women I know out there currently doing it. I just think it’s incredibly brave and it’s the kind of story I wanted to get behind.

How did you land John Ralston in a guest role?
CR: I tricked him. He thought it was Murdoch. He showed up, and he was like, ‘I don’t understand, where’s the gentleman with the beautiful lashes?’ And I said, ‘You’re fine, just hold this baby and get in a wheelchair and …

He is a recurring character? 
CR: He is a recurring character. Look, our characters make flawed decisions all the time and having them sort of deal with those repercussions at this magnitude is really, it’s just really fun. It’s a fun ride for Kate. And John made it that way. I think we auditioned every guy in the country for that role. Similar to Anne and Frankie, it was, ‘How do we find someone who can make this character likable? Not a straight up cartoon villain.’ And he brings so much heart, and he’s having so much fun. He’s constantly laughing at what he’s saying. He’s delighted with himself. And it makes him so easy to watch and get on board with.

Had you considered having Kate and Nathan get back together again?
CR: Of course, and that’s not off the table.

Dani, things look pretty tough for Anne right now. The court case being challenged, and the cake being brought in as evidence. What can you say about what’s going on with Anne and Lionel? And there’s something going on with her daughter this season as well, right?
Dani Kind: She clearly hasn’t dealt with things between her and Brad from last season, from their marriage. I think she’s stuffed them away and hasn’t dealt with them. She gets a new job this season helping other people who’ve gone through similar traumas, which is very interesting. It creates a lot of conflict for her. She also becomes extremely possessive of Alice and almost gets into like a manic state of wanting to protect her family and protect herself, I think, from feeling all the things that she hasn’t dealt with.

What about Frankie? I mean things are going great, she’s got these ads where she’s lying on top of money. She’s got an old girlfriend coming back into her life asking for tuition. So what’s going on with her this season that you can say?
Juno Rinaldi: I feel like Frankie is feeling really great about where she’s at. Things have taken a turn for her, she finally feels like she’s got her groove and it’s, she’s able to help Giselle with some financial stuff, she’s sort of in the driver’s seat now. But with Frankie, you never really know where we’re going to go with her, how it’s going to shake down. But it’s really nice to see her sort of feeling really good about things and moving forward.

Workin Moms airs Thursdays at 9 p.m. on CBC.

Images courtesy of CBC.

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Featured, Unspeakable

Unspeakable: CBC miniseries revisits Canada’s tainted blood scandal

I was a teenager in the early 80s, and I remember when the AIDS crisis began. It was a mysterious disease killing people and no one seemed to know why. Being a teen, I was caught up in my own life, one of high school and part-time jobs so I wasn’t aware of the very Canadian angle to the story that included a second virus called Hepatitis C.

Robert C. Cooper was infected with Hepatitis C through tainted blood back then. Now the man behind such series as Stargate and Dirk Gently’s Holistic Detective Agency is telling the story on a world stage. Unspeakable, premiering Wednesday at 9 p.m. on CBC, tells the story from the perspective of two families caught in a tragedy that gripped Canada, as well as the doctors, nurses, corporations and bureaucracy responsible.

Unspeakable stars Sarah Wayne Callies, Michael Shanks, Camille Sullivan, Shawn Doyle. We spoke to Cooper, Callies and Doyle about the project during a recent media day.

Robert, I know about the personal story and the connection to Unspeakable that it has. How did it end up coming to CBC?
Robert C. Cooper: Well, I had a relationship with CBC … and I will forever be indebted to [them] for allowing me to tell this story. I was exposed to Hepatitis C. I spent 30 years or so dealing with that, trying to get rid of that after several arduous treatments, but then in 2014 I was finally cured. I took a treatment that worked finally, and I think some of the catharsis of that gave me the strength and energy to in some ways stop being a victim. I looked at it more from the point of view of the storyteller. And also felt like I had maybe come to a point in my life where I was a little more mature and had a little more ability to be fair and take a more, certainly not objective, more objective point of view of the story.

Having said that, what I did was write this stream of consciousness, angry diatribe that I just said, ‘Sorry, but this is what I have.’ And then, actually, the folks at CBC admitted later that they had not ever bought into so much development on so little. It was just really an angry rant.

In a way three and half, four years later, that’s the most important thing that translated into the show, which is that I knew from the get go. Once I dove into the research, much of which I myself didn’t know.

I became aware of the scope of the story. And I was incredibly daunted and terrified taking this on, and wondered sort of in a way what I had gotten myself into, but felt like if nothing else we would never be able to tell the whole thing in eight hours in a dramatic format. What we needed to was somehow convey the emotion of what it was like to live through, and to translate that experience from a more emotional standpoint.

The anger, the fear, the terror that you felt, and the sadness that the victims who didn’t make it carry with them. Their families, the survivors carry with them everyday. So yeah, it sort of became more and more of a holy crap, this story is almost too big.

What I think what’s unique about it from a storytelling point of view is incredibly challenging when we started getting down to executing it is that unlike a lot of disaster stories it’s not just about the one event. It’s about the long haul.

How old were you when you got diagnosed?
RC: Well, like the story it’s not 100 per cent clear. What happened was when I was about 14, I got sick. They didn’t have a test for that, and so what they did was they called it Non A and Non B, and then it wasn’t until I was in my 20s that they actually came up with a test that told you, ‘Oh yeah, by the way you have this.’

And by the way, that’s how I was told. ‘By the way you have Hep C.’

Sarah Wayne Callies: What was the germane thing they were addressing to which the by the way?
RC: This and that. You’re all good, and on the way out …

Sarah, why did you get involved?
SWC: Well, I was growing up in the States at the time it was going on. My parents had a catastrophic marriage. My dad’s second marriage was no better. The people who taught me what love was was a gay couple named Joe and Clifford. And they had fun, and they cooked together, and they inspired each other. It was this beautiful relationship.

And then one day when I was in junior high my mom came home, and said, ‘Joe has AIDS.’ We didn’t even know he was HIV positive, and he was one of our closest friends.  And watching him die … it left a really lasting impression on me, and so when Rob brought this up to me, the Hep. C angle was new to me. The Canadian part of it was new to me, but the idea that we’ve castigated and isolated parts of our populations and decided that it’s OK if they die of diseases.

And Rob’s mentioned this before, but also at a moment when at least south of the 49th peril the media is under such a concentrated attack. This is a story about two men who are journalists who investigate and write books and bring things to light that protect the public.

Like Ben going into his editor saying this is story, and basically the editor saying it’s not a sexy enough story type of thing. It’s just incredible to look at it back with 2018 eyes, and just think that that was the way that everybody thought.

Unspeakable airs Wednesdays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Burden of Truth, Featured

Burden of Truth: Kristin Kreuk and Peter Mooney preview “dangerous” Season 2

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The first season of CBC’s Burden of Truth was a pleasant surprise. At first glance, the series—with its vague title and legal theme—had the unfortunate outer markings of a bland procedural, a sort of brown paper bag among more colourful “Peak TV” offerings.

But in a wonderful sidestep, the series eschewed a plot-focused case-of-the-week format in favour of a single, serialized case that took its time and built its characters. Moreover, its environmental storyline involving big-time corporate lawyer Joanna Hanley (Kristin Kreuk) and a mysterious illness affecting high school girls in her hometown of Millwood, Manitoba, exonerated its seemingly punchless title. As the suffering of the girls became impossible to ignore, the weight of Joanna’s conscience—which her lawyer-boss father David Hanley (Alex Carter) proudly proclaimed she didn’t have—became heavier and heavier. This moral awakening led her to defect from her dad’s big-city law firm and help small-town lawyer Billy Crawford (Peter Mooney) investigate the cause of the girls’ illness. It also led her to discover that her father once preyed upon an underage girl, resulting in the birth of her sister Luna (Star Slade). This helped her to win the case but forced her to change her name.

The burden of truth, indeed.

In the show’s Season 2 premiere, which airs Wednesday at 8 p.m. on CBC, that burden still looms large. Now working at a high-pressure corporate law firm in Winnipeg and using the last name “Chang,” Joanna is trying to distance herself from both her father’s shadow and the Millwood case. However, the events of Season 1 won’t be easy to shake off.

“I think Brad Simpson, who created the show, really wanted to be sure that we stayed with the lives of these people and to really instill that these cases don’t just end and that’s it,” Kreuk explains during a phone interview from Toronto. “There’s a lot of complexity and also a lot of horrible things happened, so they have to deal with the balance of that.”

For Joanna, that means having to deal with Millwood-related aftershocks—be they in the form of a visit from her estranged father or in the form of an unwanted Case of the Year award—while she is struggling to rein in her difficult new client, a hacker-turned-political activist (Varun Saranga). For the people of Millwood, that means finding a way to rebuild their lives after the closure of Matheson Steel, the source of the environmental contamination that made the girls ill.

While the series is admirably willing to delve into the aftermath of Season 1, Mooney assures viewers that there are plenty of fresh storylines and threats lurking about in Season 2.

“I think the danger in the second season is so much more immediate,” he says. “The onus in the first season was chipping away at these girls’ lives in a really tragic way, and this season is just as dangerous. But that danger is not a future danger, but a danger that’s present and right there in every day of the season.”

One major source of danger is Joanna’s new case, which involves hacktivists, shadowy corporations and Internet privacy.

“When the hacktivist stuff happens, it’s hard for her,” Kreuk says. “Not just because she doesn’t understand the Internet and she doesn’t understand privacy, but because she’s dealing with young people who are really emotional and really intense, and that’s really tough for her. I think, practically, that puts her into a space where her life is on the line and so are the lives of her clients.”

To make matters worse, the case forces Joanna to confront parts of her personality she would rather keep hidden.

“When people attack Joanna’s privacy, it starts to get into emotional profiling and the darkest parts of your psychodynamics that you don’t want to look at and you don’t want anyone else to see,” Kreuk says.

Meanwhile, back in Millwood, Matheson Steel victims Molly (Sara Thompson) and Taylor (Anwen O’Driscoll) are trying to physically and emotionally heal after their ordeal, while Luna remains troubled by the crime David Hanley committed against her mother (Jessica Matten). The town is also reeling from the closure of the mill—an event that is driving up unemployment and increasing tensions. This causes Billy to retreat to the outskirts of town, but his tranquil existence is interrupted when his impulsive younger brother (Andrew Chown) suddenly turns up.

“Billy got away pretty clear in Season 1,” Mooney says. “Anything from his past that he’d rather have avoided, he was able to avoid in that season. But in Season 2, it comes crashing back into his life and we meet his brother Shane, who brings us back into his history, and it’s tricky history. There’s a lot going on. We see a lot of different sides of Billy beyond the side that he usually puts forward.”

If all of this sounds like a Season 1-style slow-burn instead of the “immediate” danger Mooney spoke of, don’t be lulled into a false sense of security. There is an early-season twist that turns everything on its head, and Kreuk says the fallout will challenge viewers and push them to “think about their place in Canada, or in the world, in a more nuanced way.”

Mooney concurs, adding, “We tell a really difficult story this season, and I think it’s really well told. I’m really proud of it.”

Burden of Truth airs Wednesdays at 8 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Featured, Murdoch Mysteries

Murdoch Mysteries: Writer Dan Trotta dissects “Pirates of the Great Lakes”

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Spoiler alert: Do not continue reading until you have watched the newest episode of Murdoch Mysteries, “Pirates of the Great Lakes.”

Alas, it doesn’t appear that Thomas Brackenreid and his wife, Margaret, will be reuniting anytime soon. Crushed upon learning he has a daughter from a past relationship, Margaret asked him to leave their home and returned her wedding band to him.

And while there was a crime committed in Monday’s episode, it almost took a back seat to the torment Thomas is going through. What’s next for the Inspector? We spoke to writer Dan Trotta to find out.

It’s been an interesting journey for Thomas Brackenreid. He’s one of those characters where when something happens, it tends to be big. This season has been no different. Do you like being able to write for these secondary characters? Obviously William and Julia, to a certain extent, are always going to be top in mind, but what about writing for characters that don’t always get these meaty storylines, like Thomas Brackenreid?
Dan Trotta: I do, personally, yeah. I think there’s, in a weird way, it feels like there’s a little more wiggle room, if that makes sense? I think there’s certain expectations we have as viewers and, I’m speaking generally even as a fan of TV shows, the main characters are often … we really do expect certain things from them. And I think there’s a more sort of rigid box that people put their main characters in, whereas secondary characters you can sort of … they’re a little more malleable. You can kinda play around with them a bit more. You can put them in situations you might not normally find them in.

And there’s just a bit more leeway with sort of where you can take them. And Brackenreid is definitely one of those guys. Particularly because the character sort of lends himself to more kind of intense experiences just because he’s kind of this brash tough guy.

So to find out that he’s done something as surprising as fathering another child, while it’s shocking, I think it’s still within the realm of believability. Whereas if the information ever came out that Murdoch had done that, in the same way, it would just be less believable.

Let’s talk about William’s latest invention. We’ve got the combination washing machine and outboard motor. Congratulations!
DT: Thank you, thank you. Yes, it’s quite an achievement. Yeah, we’re all very proud.

Is that kind of a fun notch in your belt, to write an episode that has one of William’s inventions in it and then get to work with Craig Grant on … Well I don’t know, how much do you work with Craig on something or does he just do it all himself?
DT: It’s really sort of a question of, what’s possible? Well like, this thing went through a few iterations. Initially it was like a lawnmower and then it was a bunch of different things. And then it was like, well that wouldn’t really make sense. It wouldn’t be able to power an boat. And it wouldn’t be big enough. And then, so you sort of have that conversation with Craig.

Craig is definitely there to run stuff by and just to sort of figure out what’s actually possible. And to answer the first part of your question, it’s fun. I’ve always loved that Steampunk aspect of the show. So yeah, it’s really exciting. And then to go down to the props department and see it get put together, the drawings and stuff, it’s a blast. It’s a lot of fun.

How far in advance did you know a sailboat would be involved in this storyline?
DT: Knowing that we needed a ship came up pretty early. I mean, once we had figured out that we were gonna do an episode with Dan Seavey, who is an actual character, an actual historical figure. Once we knew it was a pirate episode, it was sort of a no-brainer that we’d have a ship, I think. So, then the conversation becomes, well how big? And where? And what’s it gonna do?

[Episode director] Leslie [Hope] and I sort of got together. I hadn’t seen the ship, but she had, and she gave me the specs of it. The size of it and what we could and couldn’t do and how many people could actually be on there. That was really tricky. It’s like Pete sort of had to step in and help out because we were struggling a little bit because there was a space issue. We wanted a bunch of guys on there, you can only have a few. Just the mechanics of it became tricky. So I would say more than anything, actually, that was the thing … that was the trickiest sort of ship related bit of business.

Dan Seavey was a real guy. I didn’t realize that.
At the beginning that was a big part of the research process is just figuring out what happened that particular year. I had found him in my sort of Googling rabbit holes and never would’ve imagined that there was a pirate on the Great Lakes. I never would’ve imagined it. But it popped up and from there it was just a question of how to use him. We couldn’t make him quite as vicious as he actually was. I mean, this guy was a murderer. Straight up savage. He was pretty bad, actually. But you know, also very charismatic and there were a lot of colorful stories about him, so we sort of stuck to the lighter stuff.

Let’s finish with Thomas and Margaret. Obviously everybody wants to see these two together, and I’m not asking you to spoil anything, but I’m assuming this isn’t the type of thing that’s gonna be wrapped up neatly by next week’s episode.
DT: I would say, keep tuning in. I mean, there’s a real relationship there, I think. She’s clearly been hurt and he … I think this is a guy who has to fight through his pride. We’ve all seen hubris in this character, but I think there is a fundamental trust that at the core, that this is a good man, who obviously loves his wife and his family. That said, I mean, anything can happen.

Maybe I should just say it? I mean, Thomas gets pregnant at the end of the season. [Laughs.] Keep watching is what I would say to the fans.

What did you think of this newest episode? Did you Google Dan Seavey like I did? Do you think Margaret should forgive Thomas? Let me know in the comments below.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Featured, Reality, Lifestyle & Documentary

Preview: Heavy Rescue: 401 rocks and rolls into Season 3

This is the third winter that I’ve taken the time to preview a new season of Heavy Rescue: 401. You may wonder why I bother. Isn’t this, and its predecessor, Highway Thru Hell, the same thing every week? The answer is yes, both programs feature folks cleaning up vehicular messes in the west or on Ontario’s highways. But the sameness ends there. Every situation is different from the last and every job varies.

So I was, once again, excited when the fine folks at Bell Media sent over materials pertaining to Season 3 of Heavy Rescue: 401, returning Tuesday at 10 p.m. ET/7 p.m. PT on the specialty channel.

The first episode of the season is called “One Twisted Mess,” and it’s apt. Using dashcam footage to show the drama unravel, a sunny, dry day on Highway 401 west of Toronto turns dangerous when a tractor-trailer and car converge in a cloud of dust and shredded metal. A squad of rotators and wreckers, led by Metro Truck Group converge on the scene to clean up the 100,000-pound cargo mess. It takes years on the job to figure out the best—and safest—way to upright a tumbled truck and trailer and I’m always amazed to see it being done on Heavy Rescue: 401.

Meanwhile, Preferred Towing is on the move on Highway 402, the site of a rolled propane tanker, a truly dangerous cargo to take care of. With a new truck added to the fleet, Collin is becoming an even more important member of his father, Gary’s, team. It’s an all hands on deck operation to upright the propane truck and jackknifed second hauler laden with tomatoes. Will Collin succeed in his first-ever solo job? Will part of the 402 become engulfed in tomato sauce? Tune in to Heavy Rescue: 401 on Tuesday to find out.

Heavy Rescue: 401 airs Tuesdays at 10 p.m. ET/7 p.m. PT on Discovery.

Image courtesy of Bell Media.

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