Everything about Awards, eh?

Canadian Screen Awards: Who should/Will win the TV categories?

It’s the glitziest week in Canadian television. The third annual Canadian Screen Awards consume the entire week in Toronto with a nominee cocktail party on Monday, two nights of industry awards on Tuesday and Wednesday, the Women Who Act with Patricia Rozema screening at the TIFF Bell Lightbox and a Fan Zone on Saturday at the Eaton Centre.

On Sunday, March 1, the two-hour live broadcast concludes the festivities by awarding the top TV and film categories.

With all of that in mind, the editors and contributors here at TV, Eh? have broken down the major television categories, ruminated the talent involved and given our picks for who should—and will—win a Canadian Screen Award.

Who weighed in: Diane Wild, Greg David, Emily Gagne and Chris Jancelewicz.

Best Dramatic Series
19-2
Continuum
Motive
Orphan Black
Remedy

Emily
Should win: 19-2. This show is a true standout in the overcrowded cop drama landscape, as it tackles issues often avoided, whether out of lack of interest, or fear of disturbing viewers. What’s more, it’s beautifully shot and features some truly stellar performances from its leads.

Will win: Orphan Black. The CSAs will want to do everything they can to get Tatiana Maslany on the show while she’s still one of the hottest things out there, right?

Diane
Should win: Orphan Black. It’s not a perfectly plotted show, but it’s entertaining as all get out and touches on social issues in the way only sci-fi can pull off without turning into a mini morality play. The much-lauded performances by Tatiana Maslany are rooted in the excellent characters built by the writers.
Will win: Orphan Black.

Chris
Should win: 19-2. Canadians are always thirsting for new, innovative TV dramas, and here it is right under our noses. While it deserves all the awards and accolades for its amazing cast, inventive cinematography and solid, tight writing, it unfortunately falls off the radar.
Will win: Orphan Black, of course. The most hyped show to come out of Canada (as a co-production) since the beginning of time, there is no doubt OB will take top honours — even though a certain episode from Season 2 signalled a potential meltdown to come in Season 3.

Greg
Should win: 19-2. I do love Orphan Black (which will likely walk away with the award), but Season 1 of 19-2 was far stronger than Season 2 of OB. From the unflinching storylines to the incredible ensemble performances (the show’s cast is nominated in the lead and supporting categories), 19-2 has been simply amazing.
Will win: Orphan Black. The Academy may pull a fast one and choose something else, but I doubt it.

callmefitz

Best Comedy Series
Call Me Fitz
Mr. D
Seed
Spun Out
Tiny Plastic Men

Emily
Should win: Call Me Fitz. This show, run by the awesome Sheri Elwood, was horribly underrated when it was on, which is a total shame because it was one of the funniest—and crudest!—Canadian comedies ever to hit TV. Since this was its last season, it deserves all the attention it can get.

Will win: Anything other than Spun Out, amiright? I mean, after that whole scandal….

Diane
Should win: Call Me Fitz has been one of my favourite Canadian shows since before it began airing. It’s insane in all the right ways.
Will win: Oh please let it be Call Me Fitz in the Academy’s last chance to honour the show again.

Chris
Should win: Call Me Fitz. Creative, funny, smart. Can’t really deny it, especially since the rest of the shows in this category have never made me laugh once.
Will win: Again, Call Me Fitz. If Seed takes this, oh man, I’ll be very concerned for the state of Canadian comedy.

Greg
Should win/Will win: Call Me Fitz. In a classic case of cancelled show wins in the category (sorry Seed, it won’t be you), Fitz is walking away with the award. It’s well-deserved. The writing was sharp, the performances hilarious and Jason Priestley was at the top of his game.

Best Reality/Competition Program or Series
The Amazing Race Canada
Big Brother Canada
MasterChef Canada
The Ultimate Fighter Nations – Canada vs. Australia
Unusually Thicke

Emily
Should win: The Amazing Race Canada. Even people who aren’t into reality TV anymore can get hooked on this show, which captures the same informative, yet engaging spirit of the American series that inspired it.
Will win: The Amazing Race Canada or Big Brother Canada. One of the big names.

Diane
Should win: I hate reality TV and I’m embarrassed our industry keeps pumping out [X] Canada type reality shows. Is the Firelog nominated? No? Then I don’t care.
Will win: Amazing Race Canada, because I guess something has to win.

Chris
Should win: The Amazing Race Canada. A Canadian reality show went international (albeit briefly)?! They deserve to win just for that. Big Brother Canada is a close second, just because of the major drama that went down in that house. It even drew the attention of American Big Brother fanatics, and that says something.
Will win: The Amazing Race Canada. High production values, international travel, good reality-show drama.

Greg
Should win: The Amazing Race Canada. This unscripted love letter to our country was even better in Season 2, spotlighting key locations in Canada and venturing overseas for key moments, like having the competitors run across Juno Beach in France on the anniversary of the D-Day landings and come face-to-face with a Second World War veteran.
Will win: The Amazing Race Canada … but Big Brother Canada could sneak in as a dark horse. I’ll weep for the future of Canadian TV if Unusually Thicke gets it.

Best International Drama
Vikings
The Great Martian War

Emily
Should win/Will win: Vikings. This is a powerhouse show with a hold on both the industry and viewers.

Diane
Should win/Will win: I haven’t seen either one of these shows so … um … Vikings?

Chris
No brainer. Should win: Vikings. The gritty action drama keeps upping the ante with every new season, and it’s not just because (like everyone else) I’m hypnotized by Travis Fimmel’s ice-blue laser-beam eyes. A great ensemble with interesting storylines, not to mention beautiful, well-shot scenery, make this a cinch to win.
Will win: Vikings, for all the reasons above.

Greg
Should win/Will win: It’s not even close. Though The Great Martian War was a very well-done special that combined real-life First World War footage with CGI that made it look like that conflict was really a fight with invading Martians, Vikings will not be beaten. Stunning visuals, memorable characters and wonderful scripts written by creator Michael Hirst means the vikings will claim their golden plunder.

Rick_Mercer

Best Variety or Sketch Comedy Program or Series
Rick Mercer Report
Funny as Hell
Seth Rogen: Hilarity for Charity
This Hour Has 22 Minutes

Emily
Should win/Will win: Rick Mercer Report. Every year, Rick comes up with fresh material to not only keep us laughing, but also to keep us thinking.

Diane
Should win: Rick Mercer Report. It’s been on the air for a million years and is still hilarious, with rants that still make people laugh, think and talk. Mercer for PM, never mind for a Screenie.
Will win: Seth Rogen: Hilarity for Charity because he’s one of the “fresh” names in a category of oldsters, and it was for charity so come on, how could voters be anti-Hilarity for Charity?

Chris
Should win: Rick Mercer Report. Rick has his finger on the pulse of this country, and it shows. Never stale, never lame, the man rants like no one else — and it’s always smart.
Will win: Rick Mercer Report, with 22 Minutes as a possible dark horse. Both are CBC, but I think Mercer resonates with both young and old, while the 22 Minutes audience is … um … not both.

Greg
Should win: I’m going to go out on a limb here and say Funny as Hell. The HBO Canada stand-up series hosted by Jon Dore is indeed funny as hell, spotlighting comedians like JB Smoove, Jim Jeffries and Marc Maron. Come on Academy, let’s mix things up a bit!
Will win: Rick Mercer Report

 

Best Performance by an Actor in a Continuing Leading Comedic Role
Gerry Dee, Mr. D
Adam Korson, Seed
Don McKellar, Sensitive Skin
Dave Foley, Spun Out
Mark Meer, Tiny Plastic Men

Emily
Should win: Adam Korson, Seed. I was always a huge supporter of Seed when it was on, and a big part of that had to do with Korson being an expert lead with effortless charm and spot-on timing. His chemistry with Carrie-Lynn Neales was enough to make me want to captain their on-screen ship, Rosarry.
Will win: Gerry Dee. He’s a crowd pleaser and Mr. D really is a great show.

Diane
Should win: Jason Priestley. What? Not nominated? Good grief. OK then, Don McKellar. His off-beat neurotic humour always makes me laugh.
Will win: Adam Korson, because he’s so darn charming, and was on a show more than five people saw.

Chris
Should win: Don McKellar, Sensitive Skin. I know, I know, he was a bit annoying at first, but he grew on me with his neuroses. I actually chuckled aloud at McKellar’s character’s ridiculous urban behaviour.
Will win: Gerry Dee. Everyone loves this guy.

Greg
Should win: I’m going to side with Chris on this one. Normally I’m not a huge fan of Don McKellar, but I really enjoyed him in Senstive Skin. Can I also use this space to complain that Kim Cattrall was robbed by not being nominated in the Actress category? Thank you.
Will win: Gerry Dee.

seed-1.jpg

Best Performance by an Actress in a Continuing Leading Comedic Role
Joanna Cassidy, Call Me Fitz
Julia Voth, Package Deal
Carrie-Lynn Neales, Seed
Kacey Rohl, Working the Engels
Andrea Martin, Working the Engels

Emily
Should win: Either Carrie Lynn-Neales or Kacey Rohl. I’d honestly be happy with a tie for these two, as they showed us that Canada can do the adorkable leading lady thing too, and perhaps with even more heart than our neighbours to the South.
Will win: Andrea Martin. Uh, it’s Andrea Martin. And this is the only time they can give her an award for Engels.

Diane
Should win: Joanna Cassidy. Everyone in Call Me Fitz is terrific, and if Jason Priestley had to be robbed then his costar should take home the prize.
Will win: Andrea Martin, because even though the show was less than great, she’s Andrea Martin.

Chris
Should win: I’ll ignore the insane snub of Kim Cattrall (c’mon, that’s just plain nutty) for Sensitive Skin, and say Andrea Martin for Working the Engels. Martin is blessed with impeccable comedic timing and one of those faces that just triggers laughter.
Will win: Andrea Martin for Working the Engels. She’s hosting this thing. You do the math.

Greg
Should win: Julia Voth. This is partly my heart talking because I visited the set and met the very nice folks who are involved in it. Plus, Voth had no prior experience as a comic actress and proved to have a natural gift for physical comedy, a big feat considering she was sharing the screen with Harland Williams.
Will win: I can’t decide between Joanna Cassidy or Andrea Martin.

Best Performance by an Actor in a Continuing Leading Dramatic Role
Adam Beach, Arctic Air
David Sutcliffe, Cracked
Jared Keeso, 19-2
Michael McLeod, Forgive Me
Dillon Casey, Remedy

Emily
Should win: Jared Keeso. 19-2 might be well-written and shot, but it wouldn’t have the same star power without Keeso and his screen partner Adrian Holmes repeatedly killing it.
Will win: Keeso.

Diane
Should win: Jared Keeso is head and shoulders above the rest, and I say that as someone still catching up with season one of 19-2.
Will win: Jared Keeso or there is no justice.

Chris
Should win: Jared Keeso, 19-2. Keeso is the blood, sweat and tears of this show (along with co-star Holmes), and he’s displayed some serious acting chops in the past year.
Will win: Keeso for 19-2, for the reasons above.

Greg
Should win/Will win: Jared Keeso. Keeso and Adrian Holmes are the faces of 19-2 for good reason. They head up an incredible ensemble cast. Keeso, who was so good playing Don Cherry for CBC’s TV-movies, has come into his own in Bravo’s cop drama, playing a sensitive Montreal cop who means well in everything he does, even if it verges into some grey territory. Want to see Keeso’s comic side? Check out Letterkenny Problems.

orphanblack2.jpg

Best Performance by an Actress in a Continuing Leading Dramatic Role
Meaghan Rath, Being Human
Tatiana Maslany, Orphan Black
Megan Follows, Reign
Jennie Raymond, Sex & Violence

Jackie Torrens, Sex & Violence

Emily
Should win/Will win: Maslany/one of her clones.

Diane
Should win/Will win: Tatiana Maslany, eight times over.

Chris
Should win: Tatiana Maslany for Orphan Black. Do we really need to go over this? Maslany plays so many characters, without her the show would have like four other credits. Even if you’re not a fan of OB, you can’t deny her ability to throw herself into every single clone role.
Will win: Maslany, Orphan Black. If she doesn’t, the universe will fold into itself.

Greg
Should win/Will win: Tatiana Maslany. Yes, she’s as good as everyone says she is. My only question is: which clone will accept the award?

 

The Canadian Screen Awards gala airs Sunday, March 1, at 8 p.m. on CBC.

What do you think of our picks? Who do you think should and will win? Comment below or via @tv_eh.

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Writers Guild of Canada announces 2015 Award finalists

From a media release:

The Writers Guild of Canada (WGC) is pleased to announce the finalists for the 19th annual WGC Screenwriting Awards. The WGC Screenwriting Awards celebrate the excellence of Canada’s screenwriters with a gala event on April 27, 2015, at Toronto’s Koerner Hall.

This year more than 150 scripts were nominated for awards in seven categories, with 29 scripts chosen as finalists. In total, 53 screenwriters are up for awards. Several special awards, including the WGC Showrunner Award, the Jim Burt Screenwriting Prize, and the Sondra Kelly Award, will also be presented.

The WGC Awards cover all genres of screenwriting in Canada, and include TV drama favourites such as 19-2, Orphan Black and Lost Girl, and noted web series Out With Dad, and Ruby Skye P.I. The award categories also cover the best in animation, children and youth, movies and miniseries, documentary, and TV comedy.

The WGC Awards honour the talented people who start with a blank page and go on to create an entire universe: screenwriters.

The winners will be announced at the 19th annual WGC Screenwriting Awards on Monday, April 27, 2015, at the TELUS Centre for Performance and Learning’s Koerner Hall.

The WGC is very pleased to welcome writer, actor and comedian Ryan Belleville back to host the awards. The show will be written by stand-up/sketch comedian and writer Jeremy Woodcock, in collaboration with Ryan Belleville.

ANIMATION
The Day My Butt Went Psycho, Season 1 “Everybooty Loves the Great White Butt”
Written by Craig Martin

Fangbone, Season 1 “The Warbrute of Friendship”
Written by Simon Racioppa & Richard Elliott

Johnny Test, Season 6 “Johnny’s Junky Trunk”
Written by Sean Jara

Nerds and Monsters, Season 1 “Kaboom With a View”
Written by Greg Sullivan

CHILDREN & YOUTH
Annedroids, Season 1 “New Pals”
Written by J.J. Johnson

R.L. Stine’s The Haunting Hour, Season 4 “Goodwill Toward Men”
Written by Dan Angel & Billy Brown

R.L. Stine’s The Haunting Hour, Season 4 “Mrs. Worthington”
Written by Melody Fox

Some Assembly Required, Season 1 “Dance Crew Evolution”
Written by Cole Bastedo & Jenny Siddle

You & Me, Season 1 “Ninja Squirrel”
Written by Katherine Sandford

DOCUMENTARY
The Cholesterol Question
Written by Michael McNamara

Norman McLaren: Animated Musician
Written by Donald McWilliams

Shameless Propaganda
Written by Robert Lower

MOVIES & MINISERIES
The Best Laid Plans “You Had An Option, Sir”
Written by Jason Sherman and Susan Coyne

Elephant Song
Written by Nicolas Billon

Sex and Violence, Season 1 “Surface Scars”
Written by Thom Fitzgerald

SHORTS & WEBSERIES
Bill & Sons Towing, Season 2 “Cleaning House”
Written by Mark De Angelis

Darknet “Episode 3”
Written by Doug Taylor

Darknet “Episode 5”
Written by Randall Cole

Out With Dad, Season 3 “Outed”
Written by Jason Leaver

Ruby Skye P.I.: The Maltese Puppy “Everyone’s a Suspect”
Written by Jill Golick & Julie Strassman

TV COMEDY
Mr. D, Season 3 “Old School”
Written by Andrew De Angelis

Sensitive Skin, Season 1 “Not the Haitian Corpse”
Written by Bob Martin

This Hour Has 22 Minutes, Season XXI “Episode 16”
Written by Mark Critch, Shaun Majumder, Mike Allison, Bob Kerr, Susan Kent, Greg Thomey, Jon Blair, Sonya Bell, Abdul Butt, Tim Polley, Heidi Brander, Adam Christie, Kevin Shustack, Jeremy Woodcock
Contributing Writers: Dean Jenkinson, Ron Sparks

Trailer Park Boys, Season 8 “Episode 4”
Written by Mike Smith & JP Tremblay & Robb Wells

TV DRAMA
19-2, Season 1 “Partners”
Adapted by Bruce M. Smith

Lost Girl, Season 4 “La Fae Époque”
Written by Michael Grassi

Orphan Black, Season 2 “Ipsa Scientia Potestas Est”
Written by Tony Elliott

Saving Hope, Season 3 “The Way We Were”
Written by John Krizanc

Strange Empire, Season 1 “The Oath”
Written by Jackie May

 

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He Said/She Said: Do the Canadian Screen Awards matter?

Join Greg and Diane on Mondays as we debate a TV-related issue that’s on our minds. This week: with the Canadian Screen Awards broadcast coming up on March 1, we ponder whether they matter.

Diane said:

“Matter” is such a big word. Every profession has awards, and they tend to matter a lot to the people receiving them. I remember the pride I felt as a young teen for winning Harvey’s Employee of the Month award (less so when I realized it was because I’d done such a good job of the terrible assignment to scrub the insides of the giant garbage cans). The difference with TV and film awards is they’re televised, and the audience cares more about them than hamburger customers do.

I rarely see a show or actor trumpeted for the rest of their career as a Gemini or Canadian Screen Award winner, as you see with Oscars and Emmys, but the size of our country — and therefore the size of our industry and audiences — help explain why the cachet isn’t the same.

It’s nice for people to be recognized for the quality of their work rather than the audience reaction, which can be two very different things. Though the CSAs – come on, can’t they come up with their own official nickname — have a fan award and ratings award too. Not content with being Canada’s answer to the Oscars and Emmys rolled into one, they have to be the People’s Choice and Nielsens, too.

Above all, the awards provide the opportunity for promotion, and the Canadian TV industry needs more of that. Debating winners, snubs, whether the awards matter — it’s a vehicle to get us talking. Do the most worthy shows and people always get nominated and win? Of course not, and it’s too subjective to say anyway, as with all awards. I’m sure there was a Harvey’s employee seething that they lost to someone who scrubbed garbage cans.

Greg said:

First of all, belated congratulations to Diane on her Harvey’s Employee of the Month award. I’ve never gotten any awards outside of those Canadian Fitness Awards they gave out in elementary school and mine read “Participant.”

Like Diane said, “matter” is a subjective word but I think the Canadian Screen Awards matter. A lot. The Brits have their BAFTA Awards and the U.S. have copious awards to pat themselves on the back about, so why not us? Except the CSAs represent something that I think is very important: an acknowledgment that we know how to make great television and feature films. It’s true that we don’t have a funky, cool pet name for the trophy given out, but that’s not a big deal to me. What isa big deal is broadcasting to the country that there are passionate people working in the Canadian television industry that fight incredible odds just to get shows on the air in the first place.

Are the CSAs perfect? No. Sometimes the nomination list comes off like a popularity contest (something any award show is accused of) and the three-night event is often scoffed at for being too bloated. But I’d much rather there be too many than not enough trophies. It’s time for Canadians to stop complaining about the dearth of good television (those baby steps are being taken), and check out the CSAs on March 1. See who wins, make a note of the show they’re nominated on behalf of and then watch an episode of that show. That’s how I found out about Blackstone and it’s a gateway for others to do the same.

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Tatiana Maslany and Gavin Crawford take ACTRA Toronto awards

From a media release:

ACTRA Toronto is proud to announce the winners of the 13th Annual ACTRA Awards in Toronto.

Outstanding Performance – Female
Tatiana Maslany (Various in Orphan Black)

Outstanding Performance – Male
Gavin Crawford (Adam in Two 4 One)

Outstanding Performance – Voice
Cory Doran (Multiple Personality Mike in Total Drama, “The Final Wreck-ening”)

Tina Keeper presented ACTRA Toronto’s 2015 Award of Excellence to Tantoo Cardinal and Marco Biancopresented the ACTRA Toronto Stunt Award to Jamie Jones.

The annual ACTRA Awards in Toronto were presented at The Carlu on February 20, 2015. The gala evening was hosted by Arisa Cox with live music by God Made Me Funky.

The 13th Annual ACTRA Awards in Toronto was sponsored by: DIAMOND SPONSOR: Actra Fraternal Benefit Society PLATINUM SPONSORS: ACTRA National and Performers’ Rights Society, Bell Media GOLD SPONSORS: CBC, CMPA, Film & Entertainment Industries (City of Toronto), Deluxe, In Your Ear Productions, IATSE 873, Rhombus Media, Shaftesbury, United Steelworkers SILVER SPONSORS: Cavalluzzo, RBC Royal Bank BRONZE SPONSORS: Addenda Capital, Corus Entertainment and Nelvana, Creative Arts Savings & Credit Union, Directors Guild of Canada(Ontario), Don Carmody Productions, Entertainment One, Grant Thornton, HUB International, New Real Films, Take 5 Productions, William F. White, Writers Guild of Canada. Music sponsored by: Recording Artists’ Collecting Society

ACTRA Toronto is the largest organization within ACTRA, representing more than 15,000 of Canada’s 22,000 professional performers working in the English-language recorded media in Canada. As an advocate for Canadian culture since 1943, ACTRA is a member-driven union that continues to secure rights and respect for the work of professional performers.

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