All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Writers Talking TV: Emily Andras, Wynonna Earp

The first Writers Talking TV of the autumn is coming up on Sept. 29, and we’re pleased to announce it features showrunner Emily Andras talking about her show, Wynonna Earp, with fellow screenwriter, host Nicole Demerse. The event includes an in-depth discussion about screenwriting, an episode screening, and an audience Q&A. WTTV is a great way to hear knowledgeable screenwriters talking about their craft, so don’t miss this opportunity. As always, WTTV is free and open to the public, but to make sure you get a seat, please RSVP as soon as possible.

When: Sept. 29, 7 p.m.
Where: TIFF Bell Lightbox, 350 King St. West, Toronto
RSVP: Holly LaFlamme h.laflamme@wgc.ca

The lowdown on Wynonna Earp: Demon outlaws? Magic guns? Spiked coffee? Just another day at the office for motorcycle riding, whisky-slinging, fast-talking heroine Wynonna Earp. After a troubled adolescence spent in and out of juvie, she’s returned to her hometown of Purgatory, hell bent on ending the family curse, which resurrects every one of the villains her legendary ancestor dispatched. Only Wynonna can send Wyatt’s kills back to hell before they escape from their earthly prison and wreak havoc on the entire world.  That is, if she can stay out of trouble…

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Big Brother Canada Season 5 casting tour announced

From a media release:

The search for the next group of Canada’s most outrageous houseguests continues as details are announced for Global’s Big Brother Canada Season 5 national casting tour. Canadians 19 years of age and older can continue to apply online at BigBrotherCanada.ca until October 24, or apply in person at the following locations:

Saturday, October 1:

  • Vancouver – The Bourbon, 50 W Cordova St., from 10 a.m. to 2 p.m.
  • Edmonton – The Billiard Club, 10505 82 Ave. NW, from 10 a.m. to 2 p.m.
  • Halifax – HFX Sports Bar, 1721 Brunswick St., from 9 a.m. to 12 p.m.

Thursday, October 6:

  • St. John’s – Sundance Saloon, 30 George St., from 5 p.m. to 8 p.m.

Saturday, October 29:

  • Toronto – The Addisons Residence, 456 Wellington St. W, from 10 a.m. to 2 p.m.

Tuesday, November 1:

  • Montreal – BLVD44, 2108 Boul. St-Laurent, from 5 p.m. to 8 p.m.

Additional casting information, including a complete list of rules and eligibility, can be found at BigBrotherCanada.ca.

Airing exclusively on Global in spring 2017, Big Brother Canada plucks a group of hand-picked strangers from their homes, sequesters them from the outside world, and places them inside a house outfitted wall-to-wall with cameras and microphones that capture their every move. Competing for a grand cash prize, each week the houseguests battle in a series of challenges that give them power or punishment, voting each other out until the fate of the final two is decided by a jury of fellow houseguests.

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Comments and queries for the week of September 9

Who will win The Amazing Race Canada?

Even though Steph and Kristen seem like the likely winners, I am reminded of the hockey ladies who seemed the winners in their season only to fall short. Although it is reality TV, it is somewhat boring to see the same team win all the time. I agree that it was hard to see Frankie and Amy receive the wrong info from Ashley. I do not hold it against her as it would have betrayed her teammate, her father, who has done a lot to get them along in the race. —Jennifer

I just finished watching this episode of The Amazing Race Canada. I think Steph and Kristen may have a good chance of winning . They tend to be able to keep their cool under difficult circumstances. Joel and Ashley did well tonight, although I was disappointed to hear Ashley give wrong the information to Frankie and Amy. I felt sorry for Emmett … Jillian comes across as such a b**ch. I wonder if she is proud of the way she acts and sounds as she watches herself, especially in this episode? I would be happy to see Steph and Kristen or Ashley and Joel win. —Joyce


Wild Archaeology is must-see TV

When I was doing my bachelor’s degree in Canadian Studies at Brandon University a decade ago, I took a couple of electives in Aboriginal Archaeology and Anthropology (they have a whole department dedicated to it) and I really enjoyed the courses. I’m definitely going to have to check out this series. —Alicia


Production underway on The Beaverton

This is going to be terrible. The Beaverton is some of the most cringeworthy satire to grace the web; I can only imagine how terrible a live-action version will be. —Eric

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or @tv_eh.

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Gord Downie announces Secret Path album and CBC animated film special

From a media release:

— Tells the story of Chanie Wenjack, an Indigenous boy who died running away from a residential school 50 years ago —

— Proceeds will be donated to the National Centre for Truth and Reconciliation —

STATEMENT BY GORD DOWNIE

Ogoki Post, Ontario

September 9, 2016

Mike Downie introduced me to Chanie Wenjack; he gave me the story from Ian Adams’ Maclean’s magazine story dating back to February 6, 1967, “The Lonely Death of Charlie Wenjack.”

Chanie, misnamed Charlie by his teachers, was a young boy who died on October 22, 1966, walking the railroad tracks, trying to escape from the Cecilia Jeffrey Indian Residential School to walk home. Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids – more than anyone will be able to imagine – he tried. I never knew Chanie, but I will always love him.

Chanie haunts me. His story is Canada’s story. This is about Canada. We are not the country we thought we were. History will be re-written. We are all accountable, but this begins in the late 1800s and goes to 1996. “White” Canada knew – on somebody’s purpose – nothing about this. We weren’t taught it in school; it was hardly ever mentioned.

All of those Governments, and all of those Churches, for all of those years, misused themselves. They hurt many children. They broke up many families. They erased entire communities. It will take seven generations to fix this. Seven. Seven is not arbitrary. This is far from over. Things up north have never been harder. Canada is not Canada. We are not the country we think we are.

I am trying in this small way to help spread what Murray Sinclair said, “This is not an aboriginal problem. This is a Canadian problem. Because at the same time that aboriginal people were being demeaned in the schools and their culture and language were being taken away from them and they were being told that they were inferior, they were pagans, that they were heathens and savages and that they were unworthy of being respected – that very same message was being given to the non-aboriginal children in the public schools as well… They need to know that history includes them.” (Murray Sinclair, Ottawa Citizen, May 24, 2015)

I have always wondered why, even as a kid, I never thought of Canada as a country – It’s not a popular thought; you keep it to yourself – I never wrote of it as so. The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, “Canada.”

——

Gord Downie began Secret Path as ten poems, incited by the story of Chanie Wenjack, a twelve year-old boy who died in flight from the Cecilia Jeffrey Indian Residential School near Kenora, Ontario, fifty years ago, walking home to the family he was taken from over 400 miles away. Gord was introduced to Chanie Wenjack (miscalled “Charlie” by his teachers) by Mike Downie, his brother, who shared with him Ian Adams’ Maclean’s story from February 6, 1967, “The Lonely Death of Charlie Wenjack.”

The stories Gord’s poems tell were fleshed into the ten songs of Secret Path with producers Kevin Drew and Dave Hamelin. Recording took place over two sessions at The Bathouse Recording Studios in Bath, Ontario, November and December 2013. The music features Downie on vocals and guitars, with Drew and Hamelin playing all other instruments. Guest musicians include Charles Spearin (bass), Ohad Benchetrit (lap steel/guitar), Kevin Hearn (piano), and Dave “Billy Ray” Koster (drums).

In winter 2014, Gord and Mike brought the recently finished Secret Path music to graphic novelist Jeff Lemire for his help illustrating Chanie Wenjack’s story, bringing him and the many children like him to life.

The ten song album will be released by Arts & Crafts accompanied by Lemire’s eighty-eight page graphic novel published by Simon & Schuster Canada. Secret Path will arrive on October 18, 2016, in a deluxe vinyl and book edition, and as a book with album download.

Downie’s music and Lemire’s illustrations have inspired The Secret Path, an animated film to be broadcast by CBC in an hour-long commercial-free television special on Sunday, October 23, 2016, at 9 p.m. (9:30 NT).

The Secret Path was created, written, and directed by Gord Downie, composed by Gord Downie with Kevin Drew and Dave Hamelin, and illustrated by author Jeff Lemire. The film is executive produced by Mike Downie, Patrick Downie, Gord Downie, and Sarah Polley. The Secret Path is produced by Entertainment One (eOne) and Antica Productions Ltd. in association with CBC, with the participation of the Canada Media Fund and the Canadian Film or Video Production Tax Credit. Jocelyn Hamilton is executive producer for eOne Television and Stuart Coxe is executive producer for Antica Productions. Justin Stephenson is director of animation.

The broadcast date marks the fiftieth anniversary of the morning Chanie’s body was found frozen beside the railroad tracks only twelve miles into his journey.

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Production begins on third — and final — season of CBC’s X Company

From a media release:

CBC and Temple Street today announced that production is underway on the third and final season (10×60) of the original drama series X COMPANY, set in the thrilling and dangerous world of World War II espionage. Although the war isn’t over, it’s definitely the end of an era as the first group of trained operatives from Camp X complete their final covert mission as a team in the concluding season, which will be broadcast on CBC in winter 2017.

Executive producer Stephanie Morgenstern will come full circle and make her television directorial debut with X COMPANY’s final two episodes of the final season, 15 years after directing the award-winning short that inspired the series.

The final season of X COMPANY will see the team of Camp X operatives press forward to the finish line of their final mission together, hoping to deliver a blow to the enemy that could change the course of the war. After the shocking and disillusioning losses of Tom and those who fell at Dieppe, it’s harder than ever to keep the faith. The rules of human decency are stretched to a point where the difference between good and evil becomes more difficult to discern. The team learns the tough lesson that to fight the enemy, you must become the enemy.

The series’ international ensemble cast returns, including Evelyne Brochu as Aurora, Jack Laskey as Alfred, Warren Brown as Neil, Connor Price as Harry, Hugh Dillon as Sinclair, Lara Jean Chorostecki as Krystina and Torben Liebrecht as Faber.

X COMPANY season 3 shoots on location in Budapest, Hungary until November 2016, and will be broadcast on CBC in winter 2017.

X COMPANY is a Canadian-Hungarian co-production, produced by Temple Street, a division of Boat Rocker Studios, co-produced by Pioneer Stillking Kft and commissioned by CBC. The series is created and written by multi award-winning Mark Ellis & Stephanie Morgenstern and is executive produced by Ellis & Morgenstern, Ivan Schneeberg, David Fortier, and Kerry Appleyard of Temple Street, and Bill Haber of Ostar Productions.

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