All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Heartland knows “When to Let Go”

Heartland has an ensemble cast, and it’s sometimes lost on me just how gifted they are. With so much time per week spent on Amy and Ty (I’m not complaining, I’m stating a fact), the other players don’t get as much screen time. But, like a drummer or bass player in the band, they’re laying the groundwork for the tune. And, in some cases, step into the spotlight for a solo.

I was reminded of just how damned good an actor Shaun Johnston is during Sunday’s new episode, “New Horizons,” written by Heather Conkie. Shaun’s Jack went through awful stuff last year when he said goodbye to Paint, but for the most part, he’s there to calm Tim down or rile Tim up. This season has seen much of the same—he and Tim talking to Katie about death is a standout comedy-wise—until last night’s instalment. That scene between Jack and Ty, discussing regrets, decisions made and moving forward in life, was simply incredible. Johnston’s ruddy face portrays so much emotion (can we nominate his moustache for a Canadian Screen Award?) with so few words; it reminds me that, sometimes, fewer words spoken means so much more. Graham Wardle was just as good as Johnston, and their quiet, even, honest conversation was the heart of the episode. Yes, Ty’s ultimate decision—with Amy’s unwavering support—was the emotional conclusion to the storyline, but the climax for me remains that heartfelt discussion in the muted nighttime light of the barn.

heartland2

Kudos also to Chris Potter for his playing of Tim this week. His outburst at the dinner table where he called Ty (and Peter) an idiot for abandoning Amy to go and save the Gobi bears was out of line but totally understandable. Where Jack sits back and considers every angle before voicing an opinion, Tim wears his heart on his sleeve and tells you what he thinks at that moment. It can hurt your feelings, but Tim means well. He’s just looking out for Amy and to him, jetting to Mongolia isn’t it. Still, his respect for Ty is there and he let Ty follow his heart.

Almost lost in the shuffle were Georgie and Jade converting up-tight Maggie’s into a cool hangout. Sure, free wifi and fries may attract kids, but you can’t turn your loyal customers away. Finding a happy medium means Maggie’s will be equally popular with everyone in town.

Where does Heartland go from here? With Ty and Lou both away (she may very well return next week), that means everyone left will have to pick up the slack at Heartland. From a hands-on standpoint, they’ll be busy. But from a fan standpoint, I’m looking forward to seeing the supporting cast step to the front of the stage.

Heartland airs Sundays at 7 p.m. on CBC.

Images courtesy of CBC.

Facebooktwitterredditlinkedinmail

The Directors Guild of Canada honours the best in the business at 15th annual awards

From a media release:

The Directors Guild of Canada handed out 17 awards tonight honouring the best work created by Members this past year in a star-studded, elegant event. Three special career acknowledgments were also handed out during the evening, including the Lifetime Achievement Award to filmmaker Anne Wheeler. The inaugural DGC Discovery Award was presented to newcomer Chloe Leriche for her/his film Avant Les Rues.

Arisa Cox hosted the Awards Gala which was held at The Carlu in Toronto. Presenters included this country’s hardest working filmmakers and actors; Meredith MacNeill, Tracey Deer, Megan Follows, Director X, Benz Antoine, and Nicholas Campbell, to name just a few.

Below is a full list of the awards presented at the 2016 DGC Awards Gala:

DGC LIFETIME ACHIEVEMENT AWARD
Presented by Shaftesbury
Anne Wheeler

2016 DON HALDANE DISTINGUISHED SERVICE AWARD
Manny Danelon

2016 DGC HONOURARY LIFE MEMBER AWARD
Presented by BellMedia
Trina McQueen

DGC DISCOVERY AWARD
Presented by Entertainment One
Chloé Leriche – Avant les Rues

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM
Presented by Technicolor
Paul Gross – Hyena Road

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN MOVIES FOR TELEVISION AND MINI-SERIES
Presented by deluxe
Kari Skogland – Sons of Liberty

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN DRAMATIC SERIES
Presented by Panavision
Helen Shaver – Vikings – Born Again

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN COMEDY SERIES
Presented by SIM Group
Jerry Ciccoritti – Schitt’s Creek – Moira’s Nudes

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FAMILY SERIES
Presented by William F. White
Bruce McDonald – Heartland – Before the Darkness

ALLAN KING AWARD FOR EXCELLENCE IN DOCUMENTARY
Presented by Rogers Group of Funds
Guantanamo’s Child: Omar Khadr – Patrick Reed & Michelle Shephard
and
Haida Gwaii: On the Edge Of The World – Charles Wilkinson

BEST PICTURE EDITING – DOCUMENTARY
Cathy Gulkin – Guantanamo’s Child: Omar Khadr

BEST SHORT FILM
Portal to Hell!!!

BEST PRODUCTION DESIGN – FEATURE FILM
Presented by Pinewood Toronto Studios
Aidan Leroux – Born to Be Blue

BEST PRODUCTION DESIGN – MOVIES FOR TELEVISION AND MINI-SERIES
Presented by Vanguarde Artists Management
Rob Gray – Sons of Liberty

BEST PRODUCTION DESIGN – TELEVISION SERIES
John Dondertman – Orphan Black – Certain Agony Of The Battlefield

BEST PICTURE EDITING – FEATURE FILM
Matthew Hannam – Into the Forest

BEST PICTURE EDITING – MOVIES FOR TELEVISION AND MINI-SERIES
Ron Wisman Sr. & Ron Wisman Jr. – The Secret Life of Marilyn Monroe

BEST PICTURE EDITING – TELEVISION SERIES
D. Gillian Truster – Orphan Black – Scarred By Many Past Frustrations

BEST SOUND EDITING – FEATURE FILM
Hyena Road – Jane Tattersall, Supervising Sound Editor; Kevin Banks, Sound Editor; Ed Douglas, Sound Editor; David Evans, Sound Editor; Barry Gilmore, Sound Editor; Martin Gwynn Jones, Sound Editor, David Mccallum, Sound Editor; Brennan Mercer, Sound Editor; Dave Rose, Sound Editor; Claire Dobson, 1st Assistant Sound Editor; Krystin Hunter, 1st Assistant Sound Editor

BEST SOUND EDITING – MOVIES FOR TELEVISION AND MINI-SERIES
The Secret Life of Marilyn Monroe – Steve Medeiros, SFX Editor; Jane Tattersall, SFX Editor; Krystin Hunter, Dialogue Editor; David McCallum, Dialogue Editor; Susan Conley, ADR Editor; Joe Mancuso, Music Editor; Claire Dobson, 1st Assistant Sound Editor

BEST SOUND EDITING – TELEVISION SERIES
The Expanse – The Big Empty – Nelson Ferreira, Supervising Sound Editor and ADR Editor; Nathan Robitaille, Sound Designer; Tyler Whitham, SFX Editor; Dustin Harris, Dialogue Editor; Dashen Naidoo, 1st Assistant Sound Editor

Facebooktwitterredditlinkedinmail

Link: Second Jen’s Samantha Wan sees diversity as key to creating original stories on TV

From Craig Takeuchi of The Georgia Straight:

Link: Second Jen’s Samantha Wan sees diversity as key to creating original stories on TV
Samantha Wan finds the state of Asian representation in media “disheartening”.

On the line from Toronto, the Canadian actor and writer says, for instance, she was shocked when she read columns arguing how stories like the live-action film version of Mulan don’t need to be kept Asian. Continue reading. 

Facebooktwitterredditlinkedinmail

Amybeth McNulty lands beloved role of Anne Shirley in CBC’s Anne

From a media release:

After an extensive global casting search, Northwood Entertainment, Netflix and CBC today announced that young rising star Amybeth McNulty has been cast as the precocious and imaginative Anne Shirley in the highly anticipated new dramatic television series ANNE (8 x 60). Based on Lucy Maud Montgomery’s timeless classic novel Anne of Green Gables, ANNE began production in Prince Edward Island in September and has now moved to Ontario, Canada.

Fourteen-year-old Irish Canadian actress Amybeth McNulty was raised in Donegal, Ireland. She started acting at the early age of six, and has appeared in numerous productions on stage and on screen including in the feature film Morgan starring Kate Mara and in the television series Agatha Raisin for Sky and The Sparticle Mystery for CBBC in the UK. A trained singer, Amybeth also starred in London’s acclaimed Regent’s Park production of The Sound of Music.

Also starring as the siblings who adopt Anne, Marilla and Matthew Cuthbert, are Tony and four-time BAFTA nominee Geraldine James OBE (Sherlock Holmes, Girl with the Dragon Tattoo) and multiple award-winning veteran Canadian stage and television actor, Governor General Award recipient R.H. Thomson (Chloe, The Englishman’s Boy).

ANNE is a coming-of-age story about an outsider who, against all odds and numerous challenges, fights for love and acceptance and her place in the world. The series centers on a young orphaned girl in the late 1890s who, after an abusive childhood spent in orphanages and the homes of strangers, is mistakenly sent to live with an aging sister and brother. Over time, 13-year-old Anne will transform their lives and eventually the entire small town in which they live with her unique spirit, fierce intellect and brilliant imagination.

While the new series will honour the foundation of the novel held as a Canadian treasure and global phenomenon (Anne of Green Gables has sold more than 50 million copies worldwide), ANNE will also chart new territory. Anne and the rest of the characters will experience adventures reflecting timeless and topical issues including themes of identity, feminism, bullying and prejudice.

As previously announced, award-winning Director Niki Caro (Whale Rider, McFarland USA, Zookeeper’s Wife) is helming the two-hour premiere episode.

Three-time Emmy® Award and Golden Globe winner Moira Walley-Beckett (Breaking Bad, Flesh & Bone) is penning the entire first season of the series and serves as showrunner and executive producer alongside executive producer Miranda de Pencier (Beginners, Thanks for Sharing), under her Northwood Entertainment banner.

Alison Owen (Saving Mr. Banks) and Debra Hayward (Bridget Jones Diary, Les Misérables) are also attached to executive produce and Susan Murdoch will produce.

Facebooktwitterredditlinkedinmail