All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

HGTV Canada breaks ground on Season 2 of Home to Win

From a media release:

HGTV Canada and Architect Films announced today that production has begun on the second season of the successful Canadian original series Home to Win, which ranked as the #1 specialty competition series (A25-54) in its first season.* This season, HGTV Canada is bringing together 30 of the best-known celebrity builders, designers and real estate experts to pool their extraordinary expertise, creativity and reno know-how. Joined by host ET Canada’s Sangita Patel, they will completely transform an average house into a dream waterfront property. Home-winning hopefuls from across the country will vie to compete for this spectacular house in the dramatic series finale. The new season is currently slated to premiere on HGTV Canada in Spring 2017.

This season’s team of 30 celebrity builder, designer and real estate expert all-stars includes:

  • Jo Alcorn (Critical Listing)
  • Carson Arthur (Critical Listing)
  • Bryan Baeumler (House of Bryan, Bryan Inc.)
  • Sarah Baeumler (House of Bryan, Bryan Inc.)
  • Danielle Bryk (A Bryk at a Time)
  • Kate Campbell (Disaster Decks, Custom Built)
  • André Chevigny (Carver Kings, Timber Kings)
  • Sebastian Clovis ($ave My Reno)
  • Rob Evans (The Expandables)
  • Joey Fletcher (Disaster Decks, Custom Built)
  • Jillian Harris (Love It or List It Vancouver)
  • Mike Holmes (Holmes Makes It Right, Holmes and Holmes)
  • Mike Holmes Jr. (Holmes Makes It Right, Holmes and Holmes)
  • Colin Hunter (Open House Overhaul)
  • Sarah Keenleyside (Backyard Builds)
  • Dave Kenney (Disaster Decks, Custom Built)
  • Paul Lafrance (Disaster Decks, Custom Built)
  • Brian McCourt (Backyard Builds)
  • Scott McGillivray (Income Property, Moving the McGillivrays)
  • Mia Parres (The Expandables)
  • Tiffany Pratt (Buy It, Fix It, Sell It)
  • Samantha Pynn (Open House Overhaul)
  • Sarah Richardson (Sarah’s House, Sarah’s Rental Cottage)
  • Drew Scott (Property Brothers: Buying and Selling, Property Brothers)
  • Jonathan Scott (Property Brothers: Buying and Selling, Property Brothers)
  • Sabrina Smelko ($ave My Reno)
  • Tommy Smythe (Sarah’s House, Sarah’s Rental Cottage)
  • Todd Talbot (Love It or List It Vancouver)
  • Dave Wilson (Masters of Flip)
  • Kortney Wilson (Masters of Flip)
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Link: Allan Hawco’s new Frontier

From Tony Wong of the Toronto Star:

Link: Allan Hawco’s new Frontier
Allan Hawco is Canadian television’s most prolific multi-tasker.

His latest venture has his production company helming Discovery Channel’s first scripted TV show, Frontier, in which he also has a substantial acting role.

But strangely, for someone as productive as Hawco his latest outing must feel like vacation, considering he starred in CBC’s now cancelled Republic of Doyle and was also showrunner, head writer and co-creator. Continue reading.

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The Beaverton website heads to The Comedy Network for TV

Regardless of who the next President of the United States is, The Beaverton has got it covered. The televised adaptation of the satirical website The Beaverton debuts Wednesday night on The Comedy Network with two possible lead stories. In one? The end of the world. The other? Bill Clinton is the First Husband. [Update: Armageddon it is.]

We were one of the over 100 sitting in the audience watching The Beaverton record its second-to-last Season 1 episode last week and it made for a fun night. Each of the 13 episodes finds anchors Emma Hunter (Mr. D) and Miguel Rivas (Meet the Family) and correspondents in news reporter Aisha Alfa, provocateur Donavon Stinson, financial correspondent Laura Cilevitz and foreign correspondent Marilla Wex skewering world topics.

Co-created by Luke Gordon Field and Jeff Detsky as well as website editors Jacob Duarte Spiel and Alexander Saxton, Pier 21’s Lazlo Barna and Melissa Williamson are executive producers.

“TV was always the dream,” Field says of creating an offshoot of the website for television. “I grew up on satirical television shows like The Daily Show … they were always my favourite shows. When I started writing political satire comedy, it was always in the back of my mind that it would be fun to create a TV show. I didn’t know that The Beaverton was ever going to have that opportunity and wasn’t working towards it. We were just building our name.”

Enter Detsky (Orphan Black), who noticed his Facebook friends were posting Beaverton stories on their news feeds. He immediately recognized the unique voice the site had and its reach (more than six million views in 2016) and knew it was a natural transition to television. Production on Season 1 happened in a nondescript warehouse shared by a church and the upcoming Top Chef Canada All-Stars, with Field, Detsky and 16 writers—most recently Kurt Smeaton, Scott Montgomery and Rupinder Gill—creating, doing table reads, punching up scripts and filming external bits in the week leading up to Thursday night tapings and production that has been rolling since late spring.

This is not The Daily Show. The Beaverton isn’t reacting to what happened in America, Canada or globally the day before. That, Field says, forces them to create original content not necessarily based on a headline. That frees the team up to cover stories that are always on the peripheral, like the Loonie, at a 20-year low, being swapped out in favour of Canadian Tire money.

And while Hunter and Rivas have extensive experience in sketch comedy writing, neither contribute to The Beaverton room. Instead, they’ve focused on delivering the stories and creating their on-screen personas. Rivas is buttoned-up and stiff, so unlike his actual personality, and Hunter is arrogant and braggy, totally opposite her self-deprecating humour when cameras aren’t rolling.

“We both approached it as, ‘What would make the best dynamic behind the desk and what’s original?'” Hunter explains. “Stereotypically, the story is the guy is a goof and super-funny and the girl checks him. This organic thing happened [between us] from the audition where we had this wonderful rhythm of give and take of being the straight man or having a moment and the characters evolved from there.”

“As a man, I agree with everything she just said,” Rivas says with a laugh.

The Beaverton airs Wednesdays at 10:30 p.m. ET/PT on The Comedy Network.

Image via Bell Media.

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Murdoch Mysteries’ Carol Hay breaks down “Jagged Little Pill”

Like many Murdoch Mysteries fans, I’ve been anxious to have some serious storyline time devoted to Rebecca James. Yes, we did get some backstory about her in “Colour Blinded,” but we wanted more. Thankfully Monday’s newest, “Jagged Little Pill,” sated our thirst for Rebecca, as she was front and centre doing a little investigating of her own after a schoolmate at the Ontario Medical College for Women turned up dead.

Though Dr. Ogden and the police considered it a suicide, Rebecca wasn’t sure. Upon more digging, she not only uncovered a secret about her friend Sarah, but her case intersected with Murdoch’s hunt for the killer of a rich man.

We spoke to the episode’s writer, Carol Hay, about the storyline, the real history behind the Ontario Medica College for Women and, well, syphilis. Also? We get a sneak peek into next week’s episode, “Bend it Like Brackenreid.”

How do you walk that line developing a character like Rebecca while staying true to what Murdoch Mysteries is?
Carol Hay: You develop character through story. In the most successful drama you inform who the character is and you explore who the character is by how they act. Rebecca not only took something on, but was going against Dr. Ogden. She was actually in her own way trusting her instincts about her friend and saying, ‘I don’t think she killed herself.’ It’s very interesting because, in my first draft, I had a much stronger scene with Ogden where Ogden basically says, ‘You’re wrong, move on.’ And everybody felt I was being too harsh because Rebecca had obviously lost a friend.

I was very happy we did a story about the Medical College and it was natural to have Rebecca stepping into her own world.

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Rebecca has great enthusiasm when she’s talking about putting McInnis’ liver and kidneys into bottles.
That’s something we did in terms of character development. I liked that we introduced her very tentatively. It was period accurate. I liked that we brought her in as the cleaner in the morgue and Ogden spotting something in her and fought for her to come and work in the morgue. The idea was, when we moved to this season, she feels comfortable and can make jokes. It’s a sign of her maturity and sign of her growing confidence.

After 10 seasons of adding little bits of development to the other cast, it must be fun to create Rebecca because she’s a clean slate.
Yes, absolutely. It’s always difficult to add a new character because it’s another character to serve. It’s finding her a place in the stories that doesn’t take away from Ogden. Rebecca is very ahead of her time. She’s young and has the youthful energy, and that attitude has been really fun to write.

We also got a little bit of a history lesson with regard to the Ontario Medical College for Women and its beginnings as Women’s Medical College and its ties to Dr. Emily Stowe. It was also neat to have Emily’s daughter, Augusta, teaching at the school.
It’s true. Augusta Stowe-Gullen was at the medical college at that time. It was terrific to look into all of that. We take liberties, obviously, with the actual history. That medical college really did exist because it was thought that men and women shouldn’t be taught together. One of the scenes I wanted to explore in this episode was the medical establishment’s attitude toward women and whether they were capable of the challenges of being a doctor.

All the stuff about the coming together of the two cases, the research into syphilis and the sleeping sickness is visually all historically accurate. There was a brilliant scientist in Germany at that time who was researching the sleeping sickness at the same time as other scientists were looking at a cure for syphilis. It really was a coincidental thing.

Before Hemphell is revealed as the killer, he was showing respect to the ladies in his class. He wasn’t talking down to them.
He wasn’t a flirt, but he enjoyed teaching the women. We wanted to show that his sexism was a little more buried. It would have been easy to make him a jerk from the beginning and everyone would know was the villain.

Do you recall where the medical school scenes were filmed?
It was at a medical college in Guelph, Ont.

Julia was offered a teaching position at the college. Can you comment on how that turns out?
It’s something we pick up in a future episode. I’ll leave it at that.

Thank you to whoever added ‘automatic dishwashing cupboard’ and ‘standing bath’ to the script.
[Laughs.] That was likely Paul Aitken.

What can you say about next week’s episode, “Bend it Like Brackenreid”?
It takes place in the world of soccer and features the Brackenreid’s prowess on the soccer field. A friend of Brackenreid’s is coaching the game to decide who represents Canada at the 1904 Olympic Games. It’s between U of T and Galt, which is completely historically accurate.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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Once Upon a Murdoch Christmas airs Dec. 12 on CBC

From a media release:

Christmas cheer returns to Station House No. 4 once more with the second annual MURDOCH MYSTERIES holiday special, “Once Upon a Murdoch Christmas,” premiering Monday, December 12 at 8 p.m. (8:30 NT) on CBC with an encore broadcast on Christmas Day, Sunday, December 25, at 5 p.m. (5:30 NT). In the standalone two-hour special, Murdoch (Yannick Bisson) and Brackenreid (Thomas Craig) find their jobs at risk as they investigate a series of brazen robberies targeting Toronto’s wealthiest businessmen just days before Christmas. In keeping with the festive spirit, the special also includes a unique scripted integration with The Salvation Army, featuring the historic brand’s presence and message of giving written into the storyline. Commissioned by CBC and produced by Shaftesbury, “Once Upon a Murdoch Christmas” is written by Paul Aitken, Carol Hay and Michelle Ricci and directed by T.W. Peacocke.

It’s four days ‘til Christmas, and with no snow on the streets of Toronto, spirits are low until two bombastic businessmen barge into Station House No. 4 with a far-fetched story about a train robbery – a bandit is trying to steal Christmas! Murdoch (Bisson) is baffled but soon, more impossible robberies have him giving chase around the city. Crabtree (Jonny Harris) is convinced the bandit is based on his latest fictional hero but Brackenreid (Craig) dismisses this outlandish theory. Meanwhile, Constable Jackson (Kristian Bruun) forms a Station House No. 4 choir, but with only a few days to whip the singing constables into shape he begs Rebecca James (Mouna Traoré) for help. And Ogden (Hélène Joy) finds herself mysteriously spirited away after a family of children who need her help mistake her for a storybook heroine. Stories collide on Christmas Eve – and once again, Murdoch must find a way to pull off a Christmas miracle.

Nearly two million (1.969M) Canadians enjoyed the gift of last year’s inaugural two-hour holiday special, making it the highest-rated MURDOCH MYSTERIES ever. Overall, it reached 3.5 million Canadians – or 10% of the population – over the course of the two-hour broadcast.*

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