All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Link: William Shatner on Canada’s 150th, adapting to role of the guest star

From Bill Brioux of The Canadian Press:

Link: William Shatner on Canada’s 150th, adapting to role of the guest star
William Shatner doesn’t get all the fuss about Canada’s 150th birthday on July 1.

“I was there at Confederation,” jokes Shatner, not quite Canada’s age at 86. “I said to John A.,” he continues, “you know, you should incorporate this country.” Continue reading.

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Your favourite Canadian TV series of all time

Back in April, we asked you to help celebrate Canada’s 150th year as a country. The question: what are your favourite Canadian television series of all time? Thanks to everyone who took the time to send their list of faves and the memories they have of those programs as well.

Here’s a sample of some of the feedback we got. Feel free to add your own thoughts and favourites in the comments section below.

Seeing Things, Traders and Cold Case. —Christian

1. Slings and Arrows
2. Corner Gas
3. Rookie Blue
That was my Top 3, but I also liked a lot: Due South, The Collector, Rent-A-Goalie, Almost Heroes, Seed, Being Erica, MVP, Wild Roses, Cra$h & Burn, The Guard, Flashpoint, ReGenesis, Lost Girl, Sanctuary, Continuum and Dark Matter. —Roger

1. Da Vinci’s Inquest
2. The Red Green Show
3. Due South
4. Corner Gas
5. Pure
—Mark

Nicholas Campbell starred in ‘Da Vinci’s Inquest’

I have listed my favourite Canadian TV shows through the years. I believe the are all Canadian. If not, please let me know. Some go way back. Some are current.
The Friendly Giant
Uncle Bobby
What’s for Dinner
Bizarre
Rookie Blue
Red Green Show
Murdoch Mysteries
Cityline
This Hour has 22 Minutes
Rick Mercer Report
—Joyce

Quentin Durgens, MP and SCTV. —Steve

The Beachcombers
The Littlest Hobo
Seeing Things
SCTV
Da Vinci’s Inquest
19-2
Motive
Continuum
—JeffDJ

Codco

There was a time when CBC had Kids in the Hall, Codco and Street Legal all on one night. That was a great night for Canadian TV. Two innovative and edgy comedies from different parts of Canada followed by a great slick sexy drama that got into some issues. (I did work on Kids as a graphic artist, but I’m speaking here as a viewer.) —Gary

Wynonna Earp: there are not enough superlatives to describe how much I love this show.
Lost Girl: my true introduction to how Canadians do genre TV and how special the Canadian are who make it.
(On behalf of my nephew, a pint-size shout out to his faves: Wild Kratts and Paw Patrol.) —Laura

The Red Green Show

Nice list. Here are a few of mine, mostly oldies.
The Trouble With Tracy
Red Green/Comedy Mill/Smith and Smith (basically any S&S production)
Party Game
You Can’t Do That On Television
The Dini Petty Show
The Pig and Whistle
Canadian Bandstand
The Elephant Show
A Gift to Last (Gordon Pinsent mini-series)
Definition/Beat The Clock (game shows count, right?)
Which reminds me of Front Page Challenge, and that other one that pitted two teams of high school students against each other. The name escapes me. I could go on but I’ll stop here. Oh! I just have to add Saturday Night at the Movies with Elwy Yost. Really miss him. —Chris

I have many shows that I like and out of all of them, I’ll highlight two that I regard as ground-breaking. After years of American programs with courtroom settings: Street Legal was the first to show how the Canadian system worked. Within the personal lives of the characters, it dealt with issues of feminism, mixed-race relationships, and schizophrenia, just to name a few. For a more recent show, it has to be X Company. I can’t name a series that had me living from one week to the next with such anticipation. We learned something about our history that had been mostly ignored. In this age of social media, we were able to connect with other viewers from around the world as well as the actors and creative minds involved. —Mel

Billable Hours

My Top 3 are Slings and Arrows, SCTV and the 80s era Anne of Green Gables. More recent … I still miss the weirdness of Call Me Fitz and want to know what happened to Jimmy Reardon on Intelligence. —Diane

1. SCTV
2. Kids in the Hall
3. Trailer Park Boys
4. Corner Gas
5. Kenny vs. Spenny
6. Wok With Yan!
7. Letterkenny
8. Schitt’s Creek
—Todd

I’m not going to rank them but off the top of my head, I’ll say these are my favourite Canadian shows.
Reboot
The Raccoons
Continuum
Billable Hours (I still quote this show all the time, underappreciated and hilarious)
The Stargate TV shows (frequently campy as hell but still enjoyable)
19-2
Speaker’s Corner
Flashpoint
jPod
You Can’t Do That On Television 
—Brent

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Killjoys: Creator Michelle Lovretta sets the stage for Season 3

If Killjoys‘ first episode is any indication, Season 3 is going to kick some serious ass. And why not? Creator Michelle Lovretta and her writing team set up exactly this scenario in the Season 2 finale, as Dutch (Hannah John-Kamen) announced an all-out war against Aneela.

“Boondoggie,” returning Friday at 9 p.m. ET on Space, picks up with Dutch, D’avin (Luke McFarlane) and Johnny (Aaron Ashmore) doing their part to get the showdown started with some key help from Pree (Thom Allison) and Alvis (Morgan Kelly). With guest stars like Viktoria Modesta, Tommie-Amber Pirie and Karen LeBlanc jetting into The Quad, we got Lovretta on the phone to set the stage for what promises to be one hells of a great season.

Congratulations on Season 3 of Killjoys. You’re back on Friday nights this summer and Wynonna Earp is part of the lineup on Space.
Michelle Lovretta: I’m super excited. It’s funny, having Emily as a dear friend on this journey and having her on Killjoys it’s kind of a delicious treat that we’re going to airing as sister shows, effectively, on the same night. It’s a small world in the best of ways.

When we last left the group Khlyen had died, D’avin and Fancy were trading quips, Johnny and Clara were off in Khlyen’s ship and the tree is no more. Where do we pick up on Friday night? Is it right after the events of the Season 2 finale?
It is not right after, but I would say the emotional stakes have a very clear continuity with where we left everybody. We’ve taken a little breath and allowed a little time to pass. The stakes remain what Aneela’s ultimate game plan is and assessing their best approach to turning a gang of Killjoy rebels into a valid militia force against the Hullen.

It’s always fun to train people who don’t really know how to fight how to fight.
Exactly. And these are brawlers. The thing I’ve always loved about Killjoys from the beginning is the take no sides, take no bribes. It allows you to divorce yourself from a whole lot of thorny issues in terms of whether you are on the right side or the wrong side. Now, they’re no longer given that freedom. Now they not only have to take a side but have to try to talk other people into taking a side and trying to get people who were in it for a buck to be in it for the fight. It’s an interesting challenge but, honestly, I can’t think of anybody in our world that would be better suited for it than the combination of Dutch, D’av and Johnny because they are different people with different approaches and we get to see that tragically, comically and lovingly play out this season.

But just because someone says they’re on your side doesn’t mean they really are.
Exactly. It’s true. And one of the things we’re exploring this season is that it’s about loyalties and about your self-definition. I love to live in the grey, not because I don’t there is evil and good because I do, but that it’s contextual in a lot of ways. There are people who are very good to their loved ones and those loved ones never know how savage they are. That’s sort of the complexity of what it is to be human and that’s what has sort of fascinated me about the relationship between Dutch and Khlyen. We saw that play out last year because I thought it was really important. There was an abusive, manipulative side to that relationship and it was toxic. She needed to deal with that and also deal with, in her definition, love and support and protection. That’s what makes life and relationships so complicated. This season that spreads out into her relationships with other people as well.

Is Aneela the big villain this season? Is she the focus?
There are definitely other challenges. Aneela is, I would say, the architect of many of those. She is colluding from afar at first and that gives our people time to regroup. There are other villains closer at hand at times. And we still have the structure that I love, which is a great adventure at its heart and a story that resolves itself neatly, but feeds into and broadens the greater season-long arc.

Last season you suggested Pree’s warlord history. Do you touch on that this season?
Let me just say the title of Episode 4 is “The Lion, The Witch and The Warlord.” [Laughs.] Pree fans may read into that what they will.

Thom has been so great in this role.
He is amazing and we love the secondary characters. It always feels odd in my mouth to call them secondary. While we can’t always give them a full story we always want to keep them close to hand and close to heart and I think we do that very handily this season. We have more Fancy, we have more Alvis, we have some surprise people that you may not be expecting. We have some new people as well because, frankly, that’s such a joy for us. Because I love our core three so much, one of the things that is fun to do is give them new energy to play against.

Viktoria Modesta is a guest star in Season 3 as Niko. Viktoria is an artist, singer and an amputee. What can you say about her character?
I’m super-excited about Viktoria joining us and the character of Niko. It was our opportunity to bring to life this very unique, very sexy, very glamorous aspirational character. She certainly has her sexy villain side because I find that appealing. But even within the time she is with us, we have also given her her own perspective and a credible rationalization for the things that she does. She is somebody that Johnny butts heads with in Episode 2 and I think it was possibly the first time that Viktoria had appeared on television, and she was an incredibly passionate and quick study. We wanted to make sure that the Hackmod world was legitimate and we brought in actors that believably belonged in those roles but at the same time didn’t make it a dark and unhappy place. They have a badassery to them.

Were the Hackmods something you always had in the back of your mind when you were creating Killjoys or did they evolve during production?
They came to me in Season 1. I went back, actually, and found a lot of clippings that I had gone through. People with gun legs and modifications on human bodies. It’s something I find very interesting when you’re thinking about the future and how we’re going to be hacking our own bodies. I think it’s part of our journey, as humans. And then it becomes, as a writer, what does that do to them culturally? Legally? What does that do to their rights and norms? Who are the outcasts?

What can you tell me about Karen LeBlanc’s role this season?
Can I just say how gorgeous she is? Every time I’m editing and she comes on screen I ask if I can have the footage rolled back one more time. [Laughs.] She plays an antagonist to our team. When we come back the RAC that operates as business as usual realizes a bunch of agents have gone missing when Dutch went ahead and killed the Arkyn pool. Banyon has a completely correct suspicion that Dutch and team are somehow at the heart of this and she is definitely, ‘Let’s pull back the curtain and take a poke at Dutch.’

What can fans expect when they tune in this season? What will they see?
One of the things we lay out is the complete origin story between Dutch and her connection to Aneela. You also are going to see Pree at his best and his warlord past. You are going to see Dutch and John on the day they met. You’re going to see a lot of tasty things that as, as writers, we waited for the right time for. We didn’t want to just throw them out in the first season, but have been pining to do ever since.

Killjoys airs Fridays at 9 p.m. ET on Space.

Images courtesy of Bell Media.

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2017 Directors Guild of Canada awards nominees announced

From a media release:

The DGC is pleased to announce the 2017 DGC Awards nominees. There were over 300 submissions this year and the nominees represent a diverse selection of the industry’s outstanding talent working in this country.

The Awards will be presented at the annual Gala on Saturday, October 28, 2017 at The Carlu in Toronto. Hosted by Mary Walsh with special guests soon to be announced, the 16th edition of the DGC Awards promises to be a special one. The evening will feature a Nominees’ reception prior to the Awards ceremony.

Nominees for the annual DGC Discovery Award will be announced in early fall. The list of nominees will be made up of Directors poised to make their mark as filmmakers.

DGC LIFETIME ACHIEVEMENT AWARD
Presented by Shaftesbury
Don Shebib

DON HALDANE DISTINGUISHED SERVICE AWARD
Anne Sirois

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM
Presented by Technicolor

  • Erik Canuel – Undercover GrandpaBruce McDonald – Weirdos
  • Bruce McDonald – Weirdos
  • Nathan Morlando – Mean Dreams
  • Kim Nguyen – Two Lovers and a Bear
  • Jonathan Wright – Awakening the Zodiac

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN MOVIES FOR TELEVISION AND MINI-SERIES
Presented by deluxe

  • Holly Dale – Mary Kills People, Episode 102, The River Styx
  • Daniel Grou – Cardinal, Part 5
  • J.J. Johnson – Odd Squad: The Movie
  • Michel Poulette – Serialized

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN DRAMATIC SERIES
Presented by Panavision

  • Ken Girotti – Pure, Episode 101, Ordination
  • Robert Lieberman – The Expanse, Episode 106, Rock Bottom
  • Helen Shaver – Vikings, Episode 405, Promised
  • David Wellington – Orphan Black, Episode 405, Human Raw Material

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN COMEDY SERIES
Presented by SIM Group

  • James Genn – Kim’s Convenience, Episode 108, Best BeforeDon McKellar – Michael: Everyday, Hodophobia, Part 1
  • Don McKellar – Michael: Everyday, Hodophobia, Part 1
  • Dawn Wilkinson – Kim’s Convenience, Episode 104, Frank and Nayoung
  • Aleysa Young – Baroness Von Sketch Show, Episode 104, If the Killer is Watching

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FAMILY SERIES
Presented by William F. White

  • Dean Bennett – Heartland, Episode 1009
  • A Horse with No Rider Stefan Brogren – Degrassi: Next Class, Episode 310, #Imsleep
  • Phil Earnshaw – Degrassi: Next Class, Episode 308, #IRegretNothing
  • J.J. Johnson – Annedroids, Episode 311, The Mother of Invention

ALLAN KING AWARD FOR EXCELLENCE IN DOCUMENTARY
Presented by Rogers Group of Funds

  • All Governments Lie: Truth, Deception and the Spirit of I.F. Stone – Fred Peabody
  • The Apology – Tiffany Hsiung
  • Gun Runners – Anjali Nayar
  • Quebec My Country, Mon Pays – John Walker

BEST PICTURE EDITING – DOCUMENTARY

  • Cathy Gulkin – Where the Universe Sings: The Spiritual Journey of Lawren Harris
  • Danielle Hebscher – Protected Workshop 19 (Taller protegido 19)
  • Jim Munro – All Governments Lie: Truth, Deception and The Spirit of I.F. Stone
  • Jeff Warren – Quebec My Country Mon Pays

BEST SHORT FILM

  • Gatekeeper
  • Motherland
  • Tuesday 10:08 A.M.
  • Victory Square

BEST PRODUCTION DESIGN – FEATURE FILM
Presented by Pinewood Toronto Studios

  • Tim Bider – Unless
  • Shane Boucher/Lisa Soper – The Blackcoat’s Daughter
  • Rocco Matteo – Undercover Grandpa
  • Awakening the Zodiac – Lisa Soper

BEST PRODUCTION DESIGN – MOVIES FOR TELEVISION AND MINI-SERIES
Presented by Vanguarde Artists Management

  • Jean Bécotte – Brace for ImpactRob Gray – Cardinal, partie 1
  • Rob Gray – Cardinal, partie 1
  • Doug McCullough – The Swap
  • Oleg Savytski – ARQ

BEST PRODUCTION DESIGN – TELEVISION SERIES

  • Gordon Barnes – Frontier, Episode 101 – A Kingdom Unto Itself
  • John Dondertman – Orphan Black, Human Raw Material
  • Ian Hall – Sensitive Skin, Episode 202
  • Rupert Lazarus – Shoot the Messenger, Episode 1, Beginner’s Luck

BEST PICTURE EDITING – FEATURE FILM

  • Mark Arcieri – Awakening the ZodiacRon Sanders/Sandy Pereira – Mean Dreams
  • Ron Sanders/Sandy Pereira – Mean DreamsDuff Smith – Weirdos
  • Duff Smith – Weirdos
  • Dev Singh – Milton’s Secret

BEST PICTURE EDITING – MOVIES FOR TELEVISION AND MINI-SERIES

  • Duncan Christie – The SwapTeresa De Luca – Cardinal, Part 1
  • Teresa De Luca – Cardinal, Part 1Roslyn Kalloo – Mary Kills People, Episode 102
  • Roslyn Kalloo – Mary Kills People, Episode 102Kye Meechan – ARQ
  • Kye Meechan – ARQ

BEST PICTURE EDITING – TELEVISION SERIES

  • Geoff Ashenhurst – Penny Dreadful, Episode 9, The Blessed Dark
  • Donald Cassidy – Vikings – Episode 414, In the Uncertain Hour Before the Morning
  • Christopher Donaldson – Penny Dreadful, Episode 301, The Day Tennyson Died
  • Jay Prychidny – Orphan Black, Episode 406, The Scandal of Altruism

BEST SOUND EDITING – FEATURE FILM

  • Awakening the Zodiac – Emilie Boucek, Mark Dejczak
  • The Blackcoat’s Daughter – Allan Fung, Jesse Gillingham, Richard Harkness, Melissa Hinton
  • Mean Dreams – Tom Bjelic, Mark Dejczak, Nathan Robitaille, Lorraine Samuel, Noam Shpiegler
  • Ratchet & Clank – Nelson Ferreira, J.R. Fountain, Dashen Naidoo, John D. Smith

BEST SOUND EDITING – MOVIES FOR TELEVISION AND MINI-SERIES

  • Anne of Green Gables: Good Stars – Rob Ainsley, Vladimir Borissov, Steph Carrier, Janice Ierulli, Clive Turner
  • Cardinal, Episode 5, Part 5 – Claire Dobson, Nelson Ferreira, Paul Germann, David McCallum, Jane Tattersall
  • Once Upon a Murdoch Christmas – Mark Beck, Richard Calistan, Joseph Doane, Jonas Kuhnemann
  • Surviving Compton: Dre, Suge & Michel’le – Tom Bjelic, Dermain Finlayson, John Laing, Dale Lennon, Michael Mancuso, James Robb

BEST SOUND EDITING – TELEVISION SERIES

  • Frontier, Episode 104, Wolves – Matthew Hussey, Alastair Gray, Mark Shnuriwsky, Clive Turner
  • Sensitive Skin Episode 202 – Claire Dobson, Krystin Hunter, David McCallum, Jane Tattersall
  • Vikings, Episode 410, The Last Ship – Claire Dobson, Andrew Jablonski, David McCallum, Steve Medeiros, Brennan Mercer, Dale Sheldrake, Jane Tattersall
  • X-Company, Episode 209, Butcher and Bolt – Richard Calistan, J.R. Fountain, Kevin Howard, Craig MacLellan, Joe Mancuso, Jill Purdy, Nathan Robitaill
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