All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

The 16th Annual ACTRA Awards in Toronto nominees

From a media release:

ACTRA Toronto is very proud to announce the nominees for the 16th Annual ACTRA Awards inToronto, a celebration of the 75thanniversary of ACTRA. The ACTRA Awards in Toronto will take place at The Carlu on Saturday, February 24, 2018.

Nominees for Outstanding Performance – Female:
Kristin Booth — Ethel Kennedy in The Kennedys After Camelot, Episode 1 (Muse Entertainment Enterprises)
Sarah Gadon — Grace in Alias Grace, Episode 6 (Halfire Entertainment)
Sheila McCarthy — Hagge in Martin’s Hagge (Dog-Eared Productions)
Tatiana Maslany — Fran in Apart from Everything (Mutual Friends Films)
Tatiana Maslany — Various in Orphan Black, “To Right the Wrongs of Many” (Temple Street Productions)

Nominees for Outstanding Performance – Male:
Richard Clarkin — Morgan in The Drawer Boy (Open City Works)
Stuart Hughes — Angus in The Drawer Boy (Open City Works)
Paul Sun-Hyung Lee — Appa in Kim’s Convenience, “Hapkido” (Thunderbird Entertainment)
Tony Nappo — Quinn Diaz in Split Seconds (Toronto 48 Hour Film Project)
Ronnie Rowe Jr. — Black Cop in Black Cop (Blac Op Films)

Nominees for Outstanding Performance – Voice:
David Berni — Hector in Cloudy with a Chance of Meatballs, “Inventor Code” (DHX Media)
Saara Chaudry — Parvana in The Breadwinner (Aircraft Pictures)
Cory Doran — Donny in 3 Amigonauts, “May the 4th Amigonaut be with You” (9 Story Media Group)
Colin Doyle — Bill in Fangbone“, “The Bill of Magic” (Radical Sheep Productions)
Carter Hayden — Klaus in Hotel Transylvania, “Becoming Klaus” (Nelvana Limited)

The nominees for the outstanding performance awards are chosen by a jury of ACTRA Toronto performers.

Nominees for the Members’ Choice Series Ensemble award are:
Baroness Von Sketch Show (Frantic Films)
Kim’s Convenience (Thunderbird Entertainment)
Murdoch Mysteries (Shaftesbury)
Orphan Black (Temple Street Productions)
Schitt’s Creek (Not a Real Company)

Nominees for the ACTRA Toronto Stunt Award are:
Hubert Boorder & Max White (joint nominees)
Shara Kim
Angelica Lisk-Hann
Chris Mark & James Mark (joint nominees)
John Stead

The winner of the 2018 ACTRA Toronto Stunt Award will be decided by a vote of ACTRA Toronto’s stunt community.

ACTRA Toronto performer Tamara Podemski will present her sister Jennifer Podemski with the Award of Excellence.

The show will be hosted by Colin Mochrie, written by Diana Frances, with live music by God Made Me Funky. Following the lead of #TIMESUP, the dress code will be black.

The ACTRA Awards in Toronto are sponsored this year by: Diamond: AFBS. Platinum: ACTRA National & PRS, Bell Media, SAG-AFTRA. Gold: CBC, CMPA, Deluxe, FirstOntario Credit Union, HUB International, IATSE 873, USW. Silver: Cavalluzzo, DGC Ontario, Don Carmody Productions, RBC, Take 5 Productions. Bronze: Addenda Capital, Creative Arts Savings & Credit Union, Entertainment Partners Canada Inc. and Canada Film Capital, Grant Thornton, NABET 700-M UNIFOR, New Real Films, Serendipity Point Films, Thunderbird Films, Universal Promotions, WGC, Whizbang Films. Post-Show Reception: eOne

ACTRA Toronto is the largest organization within ACTRA, representing over 15,000 of Canada’s 23,000 professional performers working in recorded media in Canada. As an advocate for Canadian culture since 1943, ACTRA is a member-driven union that continues to secure rights and respect for the work of professional performers.

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Link: Ice Bridge Is Worth Watching

From James Bawden:

Link: Ice Bridge Is Worth Watching
“I suppose more people will be watching,” laughs veteran director Robin Bicknell whose compelling new documentary Ice Bridge premieres on CBC-TV’s The Nature Of Things Sunday night at 8.

Bicknell spent 25 days over a longer period filming on location veteran archeologists trying to determine whether Ice Age peoples came to North America from Europe via a land bridge. I watched the hour just before controversy enveloped the project via an incendiary story in The National Post. Continue reading.

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Link: Canadian TV Is Alive And Thriving: The Caregivers Club

From James Bawden:

Link: Canadian TV Is Alive And Thriving: The Caregivers Club
“There have been several touching documentaries on Alzheimer’s victims,” filmmaker Cynthia Banks is telling me on the phone. But she wanted to look at the people who have to look after them often for long periods of time.

“My mother, Phyllis, started the ball rolling in 2015 when she phoned me for help. When I got to the hospital my dad was tied down to the bed and extremely agitated. And for the first time I watched this strong woman crying. She’d always been the most resilient in my family.”

Thus began the journey that filmmaker Banks turned into the remarkable personal account The Caregivers;’ Club which premieres on CBC-TV Sunday night at 9. Continue reading.

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A Life on the Line: Manitoba filmmaker returns to rural roots for feature doc, premiering on APTN

From a media release:

Sam Karney left his small western Manitoba town to pursue an education and career in the city. Little did he know the road would one day circle back, return him to his rural roots, and reveal the secrets of one of Canada’s oldest professions.

A Life on the Life is the story of a young man returning to the fur-trapping life he turned his back on. The one-hour documentary premieres on APTN this month:

Ø January 14 @ 7:00pm Eastern
Ø January 16 @ 11:00am Eastern (rebroadcast)
Ø January 19 @ 5:00pm Eastern (rebroadcast)

Watch the trailer here: www.alifeontheline.com

ABOUT THE IDEA
Even though Canada today has largely forgotten about the fur trade, there are still men and women dedicated to preserving this way of life, and passing it down to the next generation. A Life on the Line explores this important part of Canadian history, set against the stunning backdrop of Manitoba’s rugged boreal forest.

“For as long as I can remember, fur trapping has been in my life,” says Karney, a Métis filmmaker from Roblin, Manitoba, who is making his feature documentary debut with A Life on the Line.

“My dad Chuck started working on a trapline when I was very young, so to me, the sights and smells became everyday things. But as I got older and moved away for school and work, the trapline got further and further away.”

“A few years ago, through my work at a TV station, I was given the opportunity to produce short documentaries. I pitched the idea of spending a weekend on my dad’s trapline, documenting the activities, and exploring the challenges in a modernized world. After that, I began thinking there was something bigger here.”

And he was right. What turned out to be ‘something bigger’ was the story of Sam returning to his roots, and reconnecting with his father. The idea eventually turned into A Life on the Line, Sam’s first full-length documentary as a filmmaker, and the first time turning the camera on himself.

“Never have I had any desire to be in front of the camera, but with my father as the subject, I figured the best way to give this film the life it deserved was to immerse myself fully and actually learn what it takes to maintain the line. Needless to say, it was not easy.”

ABOUT THE STORY
Chuck Karney is a fur trapper with over 20 years of experience. Though not Indigenous himself, he married a Métis woman and spent the better part of his life living a traditional “on the land” existence.

Growing up, Chuck’s son Sam had little interest in trapping. In fact, like many typical teens, he had little interest in most things his father tried to teach him. So he left behind his rural home to seek an education and career. After a decade of living in cities, Sam felt compelled to return to the wilderness. In particular, he felt drawn to his father’s trapline.

Throughout the 2016-2017 trapping season, Sam spent time with Chuck, learning what it takes to run a trapline. From bone chilling cold to the gruesome realities of the job, Sam went hands on – and all in – every step of the way. For the successes, and failures.

“No matter how macho you think you are living in the city, there are things that happen on the trapline that make even the strongest men wilt,” says Sam.

Often humorous and occasionally heartwarming, A Life on the Line shows a father’s desire to teach his son a dying way of life, and passing on traditional knowledge that would otherwise be lost. The documentary also takes a look at Sam’s Métis roots, on his mother’s side.

“It’s kind of funny actually,” says Sam. “Here’s my dad, a full-fledged Ukrainian, living a traditional Métis lifestyle. It’s quite something.”

ABOUT THE PRODUCTION
A Life on the Line is co-produced by Winnipeg-based production companies Ice River Films (www.iceriverfilms.com) and Wookey Films (www.wookeyfilms.com). It is directed by Sam Karney, produced by Andrew Wiens and Jérémie Wookey, and executive produced by Janelle Wookey, with Rudy Gauer as director of photography.

The documentary has been produced with support from APTN, Canada Media Fund, Manitoba Film & Music, and the Canadian Film or Video Tax Credit Program.

Image courtesy of A Life on the Line.

 

 

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Preview: Murdoch Mysteries scores on the cricket pitch

First of all, if you don’t already watch Frankie Drake Mysteries you should on Monday. I won’t spoil it for you, but just check it out. I promise that you WILL scream and clap your hands together. OK, enough with the public service announcement; we’ve got a new Murdoch Mysteries to discuss!

Tonight’s instalment is called “Biffers and Blockers,” and here’s what the faithful folks at CBC have revealed as the main storyline:

When a player dies violently on the cricket pitch, Murdoch and Brackenreid encounter some very unsportsmanlike behaviour.

Sounds positively dreadful! And here are more details we can share after watching the episode written by Dan Trotta and directed by Megan Follows.

Cricket, anyone?
I still don’t get how cricket is played. Or more succinctly, how it’s scored. I love the whites, the laid-back attitude, the strikeouts (wait, are they called strikeouts?) and all that, but I’m still not clear on how the game is scored and why some games go on for more than one day. Can a Murdoch fan help me out? Thanks in advance. Oh, by the way, it’s Henry who is on the cricket pitch for the main story and lands several great scenes and dialogue all episode long. Also? The cricket setting is stunning.

Julia’s fresh eyes
We’ve loved the direction Julia is headed in this season. She’s more flirty and playful and teasing William like mad. It’s awesome. Turns out she’s got an eye for athletes. And, as it turns out, she has some news for William. Squeeee!

The dead have risen
No, zombies haven’t invaded Toronto (again) but a previously dead character re-appears. I’m not going to spoil it, other than to say I was A) thrilled to see them return, and B) stoked at how they were worked into the story.

Paulino Nunes guest-stars
Nunes, who previously played Carlo Corsi in “Murdoch at the Opera,” returns to portray a hotshot cricket player who doesn’t win any friends amongst the players on the field pitch. Honestly? Trotta’s script turns him into an instantly memorable character. He’s a real hoot.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

 

 

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