All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.
Featured, Murdoch Mysteries

Murdoch Mysteries: Showrunner Peter Mitchell, writer Mary Pedersen and Hélène Joy tease Season 12

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Spoiler alert! Do not continue reading until you have watched the Season 11 finale, “Free Falling.”

Well Murdoch Mysteries fans, are you feeling a little better? After last week’s episode, “Shadows are Falling,” viewers were left reeling. Not only did Julia lose her baby to a miscarriage, but she and William had a major falling out. Julia had instructed Rebecca on how to perform an abortion, which led to a dramatic conclusion: William left the hotel and was last seen walking down the street.

Thankfully, cooler heads prevailed. William, working the case of a missing woman alongside her supposedly distraught husband meant he could reflect on the things he’d said to Julia. And she spent several moments, with help from Inspector Brackenreid, recalling her own remarks. By episode end the pair had tearfully reunited.

But not all is well. Nina and Crabtree broke up and—as many of you suspected—Violet is up to no good. I spoke to showrunner Peter Mitchell, writer-producer Mary Pedersen (who co-wrote the finale with Simon McNabb and Dan Trotta) and actress Hélène Joy about “Free Falling,” and a peek at what’s to come in Season 12.

Peter, was the episode title, “Free Falling,” a reference to the Tom Petty song as well as what our characters were going through?
Peter Mitchell: I think so. The Tom Petty song is a little bit about breaking up with the girl who is perfect for you and feeling kinda good about it. And also about all of the characters because they don’t know what’s going to happen next.

Why was it important to keep Julia and William apart for the entire episode?
Peter Mitchell: To establish some tension in the story. We’re often more willing and more able to talk to strangers about things that we’re thinking about than those who are closest to us.

Of course, it was wonderful to have William and Julia reunite. But, you tore another couple apart: Crabtree and Nina. Why, Mary?
Mary Pedersen: I think that was really natural. We love Erin Agostino. She has been wonderful and has really won over the fans which is really something because the character, on paper, doesn’t look like someone Crabtree should end up with. That’s really a credit to Erin’s work. That was the truth of their situation. Nina doesn’t want the things that he wants. They tried to fit that square peg into the round hole and it’s not going to work. He really would have had to sacrifice so much not only by leaving Toronto, but then what does his life look like in Paris? It was definitely a sad thing because we’ve all grown to love that character and Erin, but there wasn’t really a way to turn that ship around and have her be the person that Crabtree is ultimately the person he’s meant to be with.

Peter Mitchell: George could try to abandon his core principles but I don’t think he has it in him. I think he does want whatever the turn of the century version of the white picket fence is. I didn’t want to compromise the Nina character and have her roll over on her core beliefs to make George happy. Sort of like Ogden and Murdoch, but in a different way.

By the end of the episode, Violet is plotting with Horace McWorthy to take over the morgue? How did you feel about that twist Hélène?
Hélène Joy: I thought it was great. I know the audience loves to hate some characters and this character is on that hit list for sure. That’s what’s fun about Murdoch. We try to keep it surprising. You can’t love everyone all of the time. I think it’s great that it’s happening this way and makes it far more interesting for the character and for the actress playing the character. I’m really intrigued to see where it goes. How evil is she going to get? I feel for Shanice because I know what it’s like to be hated. If you remember back to Julia’s first husband, Darcy, there were whole Facebook pages that were just about hating Darcy.

What excites you about Season 12?
Hélène Joy: I get excited because the writers always blow me away. I hear little rumblings about what Julia these things that Julia will be doing this year and I’m like, ‘Oh! Who would have thought?!’ Of course, I can’t tell you!

Peter, will there be a time jump between Season 11’s finale and Season 12’s debut?
Peter Mitchell: Yup. Normally, we pick it up three or four months later and I think that’s so we can start off on a fresh foot while doing some housekeeping as to what happened last year.

Any storylines you’re working on that you can talk about?
Peter Mitchell: We have an idea that Julia and Murdoch might be writing a book together, which could be fun. We might actually find George’s girl of his dreams this year. There might be some interesting developments in the Brackenreid household and the wedding bells will indeed ring for Henry Higgins. I think we might have Alexander Graham Bell back—he’s a fun character—and introduce the architect Frank Lloyd Wright … a couple historical figures we haven’t seen yet and a couple we’ve seen in the past. We’re just getting started.

What did you think of Murdoch Mysteries‘ Season 11 finale? What do you hope for Season 12? Let me know in the comments below!

 

 

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Featured, Reality, Lifestyle & Documentary

Preview: Growing Sense adds gardening to AMI’s stable of original programs

Here in Southern Ontario, it appears winter is over. Squirrels are bounding all over the place, birds are waking me up and the crocuses in my front garden are in bloom. With the first day of spring officially arriving on March 20, AMI-tv is marking the occasion with the debut of its latest series, Growing Sense.

Airing Tuesdays at 8:30 p.m. ET/PT on AMI-tv, each of Growing Sense‘s 10 episodes follow novice gardener Milena Khazanavicius and veteran ecological landscaper Rosmarie Lohnes as they build and tend an accessible garden plot in Halifax’s Common Roots Urban Farm. 

“I believe that when we heal the earth, we heal ourselves,” Lohnes says in the show’s opening credits. It’s sage advice. Viewers are first introduced to Khazanavicius, who once worked as a floral designer with dreams of opening her own shop before losing her sight at the age of 22. She and seeing eye dog Lewis hit up a local Halifax flower shop to nab some herbs for her balcony boxes. It’s at this store we learn Khazanavicius’ life story and the pleasure she derives from the smells and textures of flowers and plants. 

Lohnes, meanwhile, outlines her tale. The daughter of a miner who worked in Northern Ontario, childhoods were spent camping in the woods where she developed her “superpower.” Now she’s founded Helping Nature Heal, which restores sustainable ecosystems and connects people with nature.

The pair, introduced months ago, reunite with a bold plan: fill a community garden plot with plants and vegetables designed to reconnect Khazanavicius with her passion for plants while giving her food to augment her fixed income. Khazanavicius’ first challenge? Getting there.

Featuring integrated described video, Growing Sense is a wonderful addition to AMI’s quickly growing stable of original programming that is blind or partially sighted viewers but enjoyable by all.

Growing Sense airs Tuesdays at 8:30 p.m. ET/PT on AMI-tv.

Image courtesy of AMI.

 

 

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Caught, Featured

Caught: Enuka Okuma discusses the “very modern character” of K.C.

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K.C. Williams (Enuka Okuma) is a take no guff kind of gal. A successful DEA agent tired of not getting the credit for taking down bad guys, she teamed with RCMP officer Roy Patterson to chase down Slaney (Allan Hawco) and Hearn (Eric Johnson) on Caught.

Okuma, who most recently starred in the web series Spiral, Season 1 of Slasher and almost 80 episodes of Rookie Blue, sat down with us last year during a break in filming Caught in downtown Hamilton, Ont., to discuss her K.C. and what it was like to play the only character who was not in the source material.

Allan told me that K.C. Williams is a character he created specifically for the TV series.
Enuka Okuma: Yes, and that’s something I was unaware of when I bought the book! [Laughs.] I was three-quarters of the way through the book and I was like, ‘There is no such woman!’ For me, this is actually really exciting because I feel like this character is speaking to something that we’re talking about in the world today: female equality and diversity. She is a very modern character. I feel very lucky that they included her.

Looking at the characters in the book from my perspective and getting to know what the other characters were thinking, going after and what their desires are … it felt like a little bit of cheating because I had more information than I would visually.

What’s her background?
She’s the DEA agent in the mix and, I think, is the only American in the story. She is coming at this case differently than the RCMP and how they are trying to catch the bad guys.

What is their relationship like? Do they get along?
Paul and I have been trying to figure out who these two people are to each other. Roy is a little curmudgeonly and I am a little acerbic, so together it could be combustion, or if we decide to work together there can be a little magic.

What did you take away from reading Caught?
With a book, you always get the layers no matter what the project is. Being immersed in the world was really interesting. And, theatrically, they needed to do some things to move the story along. It works. I feel like everything that they changed makes perfect sense. But the book really lets you know, for Slaney and especially for Patterson, what is going on in these guys’ heads. Plus, for me, just delving into what they were going through at the time just puts you in that headspace.

The wardrobe on Caught is fantastic.
Michael Ground has really knocked it out of the park with this stuff because a lot of it has been built for us. You want to get vintage stuff to make it look realistic, but if you’re doing stunts and you have doubles you need more clothing. These boys have been rocking their looks. Eric and Allan, in their flashback scenes … it’s a little Hall & Oates inspired. Eric sent me a picture of the two of them in the makeup trailer and they literally looked like Hall & Oates.

Caught airs Mondays at 9 p.m. on CBC.

Image courtesy of CBC.

 

 

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Industry News

Link: Ottawa comic Mike MacDonald dead at 63

From the Ottawa Citizen:

Link: Ottawa comic Mike MacDonald dead at 63
The world of comedy was tweeting expressions of sorrow Saturday night at the death of Ottawa comic Mike MacDonald.

No details were immediately available.

A former Brookfield High School student, MacDonald had liver transplant surgery in March 2013. Long known as one of Canada’s top standup comics, MacDonald had battled drug addiction and bipolar disorder in his adult life. Continue reading.

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Featured, The Nature of Things

Preview: The Nature of Things explores the captivating “Science of Magic”

I distinctly remember performing my first-ever magic trick. It involved a plastic tube, a plastic stick and a penny. Remember pennies? Anyway, the trick was to place the penny inside the tube so that it filled the tube crossways. It appeared to be solid, but wait! A quick poke with the plastic stick and—poof!—the penny allowed the stick to go through it. The fact the stick turned the penny on its side didn’t matter. I had tricked my endlessly patient parents. I suspect they knew the truth but were just being polite.

That memory has led to a fascination with magic that has never abated, so I was thrilled to see The Nature of Things would be devoted to magic in Sunday’s newest instalment at 8 p.m. on CBC. Indeed the aptly-titled “The Science of Magic” follows researchers and scientists who are bringing magicians’ tricks into the laboratory.   This extraordinary exploration peeks behind the curtain into a fascinating world where ancient magic meets modern science.

Produced by Reel Time Images, directed by Donna and Daniel Zuckerbrot and with host Julie Eng as our guide, the episode not only delves into the exploration of the human mind through the eyes of magicians but throws a few tricks in for good measure. Eng dropped a card trick in the first two minutes of the broadcast that had me scratching my head. The reason she was able to do it? As Gustav Kuhn of Goldsmiths, University of London explains, Eng and fellow magicians are exploiting limitations in human cognition. Turns out choosing a random playing card from a deck is anything but random; we’re being manipulated. Digging deep into what’s called the magician’s force has given scientists insights into human free will.

As an added bonus, “The Science of Magic” performs several on-air tricks for viewers to try out while watching The Nature of Things as a way of demonstrating how—and how easy it is—to mess with us. Jay Olson, a performer of magic since he was a kid, is completing his PhD in psychiatry at McGill University in Montreal and takes magic to a whole other level; we witness his amazing demonstration involving an MRI machine that seems not only to read minds but manipulate thought. The MRI machine doesn’t do anything—the magnets aren’t in it—but serves to show how easily the human mind is to the power of suggestion.

Meanwhile, Professor Ronald Rensink at the University of British Columbia believes that magicians’ practical knowledge about how to fool the eye and the mind can lead to new research with regard to how small distractions can blind automobile drivers to obvious dangers. Then Kuhn works with Canadian magician Billy Kidd on an experiment into how we can be blind to even our own choices via tricks that fool us despite nothing actually happening.

“The Science of Magic” is an engrossing and, yes, magical episode of The Nature of Things.

The Nature of Things airs Sundays at 8 p.m. on CBC.

Image courtesy of Andy Lee.

 

 

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