All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

More mystery to go around: Frankie Drake Mysteries greenlit for Season 2

From a media release:

From the Shimmy to Art Deco, the Roaring Twenties return with Shaftesbury’s prohibition-era-set FRANKIE DRAKE MYSTERIES renewed for a second season (10 x 60) by CBC, UKTV, and Kew Media Group. Season 1 of the series garnered an audience average of 782,000 on CBC, making FRANKIE DRAKE MYSTERIES the public broadcaster’s second-most-watched drama of the current broadcast season after Murdoch Mysteries.

FRANKIE DRAKE MYSTERIES stars Lauren Lee Smith (The Shape of Water, The Listener, The L Word) as the private eye with the mysterious past Frankie Drake, Chantel Riley (Race, The Lion King) as Frankie’s fearless and clever partner Trudy Clarke, Rebecca Liddiard (Alias Grace, Houdini & Doyle) as keen police morality officer Mary Shaw, and Sharron Matthews (Mean Girls, Odd Squad) as spirited morgue attendant Flo.

Season one saw secrets emerge from Frankie’s tightly hidden past, from discovering her mother alive and working as a con woman, to her friends uncovering her past as a spy. What other secrets will be discovered about the enigmatic Frankie Drake in season two?

Set in 1920s Toronto, FRANKIE DRAKE MYSTERIES follows the city’s only female private detectives as they take on the cases the police don’t want to touch. In a time of change and hopefulness, their gender is their biggest advantage as they defy expectations and rebel against convention. Their cases take them through every cross-section of Toronto, meeting people of all backgrounds and means, as well as historical characters, along the way. Frankie and Trudy’s fearless sense of adventure gets them into all kinds of trouble, but they always manage to find a way out. They are new detectives for a new world – but is the world ready for them?

Created by Carol Hay and Michelle Ricci, FRANKIE DRAKE MYSTERIES is executive produced by Christina Jennings, Scott Garvie, Carol Hay, and James Hurst, who also serves as showrunner, Ruba Nadda serves as lead director/co-executive producer, and Teresa Ho is producer. A CBC original series, FRANKIE DRAKE MYSTERIES is developed and produced by Shaftesbury in association with CBC and UKTV, with the participation of the Canada Media Fund, the Canadian Film or Video Production Tax Credit, the Ontario Film and Television Tax Credit, and the Bell Fund. Kew Media Group is the global distributor of the series.

Source: Numeris TV Meter, Nov. 6, 2017 – Feb. 5, 2018, CBC, A2+, Mon. 9:01-10:00p, Total Canada, AMA, generated by InfoSys+TV

 

 

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Preview: The Nature of Things celebrates the fun and fearsome world of fungi

To me, there is nothing better than a nice pile of sauteed mushrooms nestled up against a grilled steak. But those buttery morsels merely scratch the surface on the beautiful, dangerous and important world of fungi.

The Kingdom: How Fungi Made Our World, airing as part of The Nature of Things on Sunday at 8 p.m. on CBC, is the result of a three-year journey by science documentary director Annamária Tálas that digs deep into fungi, those odd-shaped, sometimes colourful things that are neither plant nor animal and exist much of the time out of sight. Some facts to get you thinking … and possibly freak you out: a fungus in Oregon is 3.4 square miles large and is 2,400 years old. The mushroom you see poking out of the ground is merely the fungi’s fruiting body; the main body is a mass of filaments underground that form the mycelium, a fungal network tied to water, minerals and sugars with trees. Also? Fungi spores are everywhere. Like, on you right now. Yeah.

All of this is revealed in The Kingdom: How Fungi Made Our World thanks to folks like Professor Lynne Boddy, Dr. Mark Fricker, Dr. Anne A. Madden and Professor Rob Dunn, and stunning still and time-lapse photography from Steve Axford. Through their words and images, we learn how fungi have evolved to survive by consuming and recycling matter to feed itself, defending itself against harm, and that experts have only identified less than one per cent of the estimated five million fungi species.

Fungi have been on Earth for a long time. About a billion years ago, the planet began to be populated by microbes that contained bacteria and, eventually, fungi. Those first critters consumed the minerals contained in rocks and established a foothold on the planet. Later, land-bound fungi and marine algae swapped nutrients to start the process of plant-life evolution and the greening of the planet. And, on the opposite end of the life cycle, fungi consume dead plant life that in turn enriches the soil and encourages new growth.

Meanwhile, the fact we’re mammals seems to be the reason why most fungi haven’t killed us already. The Kingdom: How Fungi Made Our World is a truly fascinating, and admittedly creepy, peek at an alien lifeform that has been integral to all life on Earth.

The Kingdom: How Fungi Made Our World airs as part of The Nature of Things on Sunday at 8 p.m. on CBC.

Image courtesy of Stephen Axford.

 

 

 

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Super Channel commissions second season of Pure from Two East Productions and Cineflix

From a media release:

Super Channel is pleased to announce that it has commissioned a second season of PURE, the critically acclaimed, Canadian Screen Award-nominated series from Two East Productions and Cineflix.

The six-part Super Channel Original Production will tell the continuing story of Noah and Anna Funk, Mennonites trying to protect their family and preserve their faith while battling drug trafficking within their community. The second season is scheduled to begin production in Nova Scotia later this spring and anticipated to premiere on Super Channel in early 2019.

“We are thrilled to be working with Michael Amo and the team at Two East and Cineflix to bring PURE back for Canadian fans of the series,” said Melissa Kajpust, Vice President, Programming for Super Channel. “We jumped at the chance to bring this compelling drama set in a unique world to a pay-tv audience. There is so much more to the story to be told and we are excited the creators will have the creative freedom to take the story in new directions.”

Showrunner Michael Amo said: “As a storyteller, I couldn’t ask for better creative partners or more compelling characters. Noah’s path will lead him to redemption or perdition, while Anna, exiled by her community, will be forced to outsmart the new cartel kingpin all by herself. It’s going to be a fun ride.”

“We could not be more pleased and thankful to work with Super Channel to bring audiences a second season of PURE in which Michael is taking Anna and Noah on an even more conflicted and perilous journey,” added Cineflix President, Peter Emerson.

PURE takes us deep inside a closed, secretive subculture through the eyes of a conflicted, good-hearted Mennonite couple trying to protect their family and preserve their faith.

Inspired by actual events, PURE is the journey of Noah and Anna Funk, determined to rid their community of the scourge of drugs and its nefarious ties to a transborder smuggling alliance with ruthless Mexican cocaine cartels. But just when they believe the danger is behind them, they are pulled back into a world of violence, greed, and betrayal. Returning cast for season two include Ryan Robbins (Arrow, The Killing) as Noah Funk and Alex Paxton-Beesley (Cardinal, Copper) as Anna Funk.

Produced by Two East Productions and Cineflix in association with Super Channel, WGN America, Hulu and the CBC, PURE is created and written by Michael Amo (The Listener) with Ken Girotti (Orphan Black, Vikings) as the series Director. Amo and Girotti serve as executive producers for the second season, along with Brett Burlock, Peter Emerson and David MacLeod (Call Me Fitz, Haven). Cineflix Rights has the exclusive worldwide distribution rights to PURE.

 

 

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Link: A Street Legal reboot is in the works — cue the sax solo

From Vinay Menon of the Toronto Star:

Link: A Street Legal reboot is in the works — cue the sax solo
In this TV age of nostalgia and reboots, Street Legal is coming back.

A revival of the CBC drama, which earned water-cooler status in Canada between 1987 and 1994, is now in development at the CBC. Sources say there will be six new episodes, to be executive produced by veteran Bernie Zukerman (Net Worth, Conspiracy of Silence, Remedy). Continue reading. 

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MasterChef Canada: Michael Bonacini and Claudio Aprile reflect on five seasons and discuss key home cooks

While the contestants change every season of MasterChef Canada, one trio has stayed the same for the past four. Michael Bonacini, Claudio Aprile and Alvin Leung serve not only as judges on CTV’s culinary competition but mentors as well.

They’ve taken that job seriously since Episode 1 of Season 1. Now, with the first episode of Season 5 under our belts, we spoke to Bonacini and Aprile about five seasons on the show, their responsibility as mentors thoughts on two home cooks we’ve got our eyes on.

Congratulations on five seasons on MasterChef Canada. Does it feel like it’s been that long?
Michael Bonacini: It’s been an incredible journey and I’ve loved every part of it. I still find it as exciting today as the first day that I got the phone call that said, ‘You have been chosen to be one of the judges to be on MasterChef Canada.‘ It’s a wonderful feeling and to be five years in is pure magic. The cherry on the cake, so to speak.

Claudio Aprile: Yeah, 100 per cent. Listening to Michael it reminded me of the phone call that I also received. I went into it very cautious and unsure it was what I wanted to do with my career. And then the competitive gene in me kicked in and I went from being unsure to really sure I wanted it when I did the audition. I waited a few weeks and there was no call and when the call finally did come in it was a really exhilarating phone call. What made it very interesting for me is during the audition process, Michael, Alvin and myself spent a lot of time just hanging out off-camera and it was interesting that the three of us got picked. I often thought there was another camera off somewhere just capturing our interaction because the three of us got on. I’m very mindful that this is a rare opportunity and it’s also a time-sensitive opportunity that won’t last forever. When I’m on set with Michael, Alvin, the crew, the writers … we’re really lucky to be part of this family that we’ve made. When I’m on set I’m there and in the moment, in the zone, and it just feels great.

Claudio, this is the first season the three of you hand-delivered the good news to the Top 21 home cooks. What was that experience like?
CA: First of all, you never want to sneak up on a man with a bow and arrow. I’ll never make that mistake again. Don’t ever ambush a large man from the East Coast with a bow and arrow and a bottle of moonshine. He looked at me and grabbed me like a rag doll. Note to self not to do that again. [Laughs.] For many reasons, it was very exciting to actually take MasterChef Canada on the road and deliver this incredible, exciting message to these home cooks. And for me, it really underscored that MasterChef Canada has now become a brand that people recognize. It means something to a lot of people. During my travels, people would stop me on the street and say, ‘I love the show and I love what you’re doing on the show and the Canadian spirit that you really carry so proudly.’

One of the things I have loved about MasterChef Canada is the three of you. You are always so respectful of the contestants even when something doesn’t taste or turn out the way you thought it should. You’re enthusiastic, you coach them along and focus on the positive rather than the negative. How important is it for you to be that way rather than cut the home cooks down?
MB: It is so important to be a mentor on the show. The home cooks have so much respect for each of the three judges. This is something they are putting their lives on hold for, the opportunity to have a life-changing experience for themselves and not in a negative way. Yes, there are dishes that are good and great, and there are dishes that are—to be quite honest—not so great because of bad plating, under seasoning or bad decisions. But all three judges know they have seen that over the years in our own restaurants from our own individual selves and our own employees and it’s part of the course of mentoring, growing and developing people. Long gone are the days when you could scream and shout, throw something at someone and have a tantrum. That’s no way to mentor. It’s about being honest—and I’m not afraid to be brutally honest—it is about communicating clearly and concisely about what I feel is incorrect or could be improved or should have done to the dish to make it better. I think that’s important feedback to a home cook who may or may not have the chance to cook for you again. If that was my son appearing on such a show, I would expect the mentor to act the same way.

CA: When you’re reading someone the culinary law of the land, it serves us in a very poor way if we’re degrading or condescending. It’s not a good look whether it’s a television program or real-life, the optics on that don’t look good. When you can actually control your emotions and speak to someone with dignity and respect it captures people’s attention, both the home cooks and the audience.

I have to give the folks at Proper Television some kudos. Having that twist of eliminating home cooks during their audition dish prep was dramatic. Clearly, the point being driven home is that you can’t get comfortable in this competition.
CA: The word ‘comfort’ is not a word that I would think of when I think about MasterChef Canada. There is nothing comfortable about it. It is uncomfortable, it’s pressurized, it’s unpredictable. That’s for many reasons. The show is about entertaining first. We don’t want them to figure things out. We want it to be exciting and who doesn’t love the element of surprise? The cooks that watch the show think they have us decoded. And I have to say, you thought wrong. We switch it up a lot. Collectively, we have over 100 years of culinary experience. There is nowhere to hide. We will pick things out.

Let’s discuss two home cooks that caught my eye in Episode 1. Beccy is just 19 years old and made a beautiful beef and beetroot dish. What can you say about her?
MB: Beccy is an interesting young home cook. She has very few words to say and she’s fascinating to watch. She is the youngest home cook we’ve ever had on the show and that’s what makes her interesting. She comes from England and is a tile-setters helper. It’s a pretty humble job and she loves to cook at home.

Claudio, can you comment on Reem? A lot has been made of her Muslim background already, but I was wowed by her baba ganoush.
CA: I think Reem is a very, very talented home cook. There is the religious aspect to her story, but I feel she’s going to champion a different cause. She is very strong and a very kind person. But don’t mistake her kindness for weakness. Her food is incredible, like knockout dishes.

MasterChef Canada airs Tuesdays at 9 p.m. ET on CTV.

Images courtesy of Bell Media.

 

 

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