All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Production begins on new original drama, Rex – coming to Citytv in 2019

From a media release:

Shaftesbury, Pope Productions, and Citytv announced today that production has begun on new drama series REX (wt). Centred on the partnership between a police detective and his hardworking dog, REX is a procedural drama with a twist. Starring John Reardon (Van Helsing, Continuum), Mayko Nguyen (Killjoys, Fahrenheit 451), and Enrico Colantoni (Bad Blood, Flashpoint), the eight-episode, 60-minute series is based on the long-running, international hit series Rex, a Cop’s Best Friend. Executive produced by Christina Jennings, Scott Garvie, and Paul Pope, the series has begun shooting in St. John’s, Newfoundlandand will continue through December 2018.

Set in St. John’s, Newfoundland, REX is an action-packed police procedural drama focused on the partnership between a dedicated detective and his extraordinary former K9 dog. Rex and Charlie are a detective team that combine their individual skills to solve the most puzzling crimes. This is the first English-language adaptation of the highly successful European format that has aired in 125 countries around the world for 18 seasons.

Starring John Reardon as Detective Charlie Hudson, Rex’s partner; Mayko Nguyen as chief of forensics Sarah Truong; Enrico Colantoni as Superintendent Joseph De Luca; and Diesel (a Canadian Kennel Club Grand Champion) as Rex.

Shaftesbury and Pope Productions Ltd. produces REX in association with Citytv, a division of Rogers Media, and Beta Film GmbH. Beta Film GmbH holds worldwide distribution rights. Produced with the participation of the Newfoundland and Labrador Film Development Corporation, the Ontario Film and Television Tax Credit, the Canadian Film or Video Production Tax Credit and the Rogers Documentary and Cable Network Fund.

REX is executive produced by Christina Jennings, Scott Garvie, Paul Pope, Ken Cuperus, and Avrum Jacobson, followed by Laura Harbin as Supervising Producer, Julie Lacey as Producer, and Lisa Porter as Associate Producer. Friedemann Goez and Oliver Bachert are Executive Producers from Beta Film GmbH. Episodes are written by Showrunners Ken Cuperus, Paul Aitken, John Callaghan, Jessie Gabe, Avrum Jacobson, Simon McNabb, and Celeste Parr. Episodes are directed by Felipe Rodriguez, Alison Reid, and John Vatcher.

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Preview: Murdoch Mysteries explores immigration in “Murdoch Without Borders”

And just like that, the big Ruth-Henry wedding on Murdoch Mysteries is over. If you want some insight into the costumes everyone wore, give my interview with costume designer Joanna Syrokomla a read.

Now on to this Monday night’s instalment, “Murdoch Without Borders.” Here’s what the CBC has released as the official synopsis for the episode:

After anti-immigrant laws lead to the arrests of Greek men, Brackenreid regrets releasing his carpenter when he’s suspected of murder.

And, after watching a screener, here are a few fun tidbits about the storylines, written by Dan Trotta and directed by Harvey Crossland.

The Immigration Act of 1906
Murdoch Mysteries is constantly reaching into the past for storylines that actually occurred during the time its set. And, often, it also reflects on modern-day. That’s the case this week as the A-story deals with the Immigration Act of 1906. You can read more about that here and here. The Act impacts our main characters in different, and far-reaching, ways.

Guest actors aplenty
Look for James McGowan, Stephanie Belding and Sebastian Pigott at U of T, as well as Jonathan Whittaker and Darrin Baker.

Violet Hart’s skills are improving
Like it or not, Miss Hart is becoming quite adept at the morgue. The hint in last season’s finale that she may have devilish plans for Julia appear to be on the back burner for now.

Louise Cherry returns
Miss Cherry loves to stir the pot and does plenty of it on Monday night, especially when she starts spouting facts that Brackenreid dismisses in a very Trumpian way.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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Jessica Lucas to star in new original crime drama The Murders, coming to Citytv 2019

From a media release:

Jessica Lucas (Gotham, Cloverfield) is set to star as Detective Kate Jameson in new original crime drama The Murders, coming to Citytv in 2019. Produced by Muse Entertainment in association with Citytv, the eight-part, 60-minute episode season began shooting in Vancouver on October 9, 2018.

The Murders is a police procedural crime drama that features an episodic case of the week coupled with serialised character elements and a powerful soundtrack. Kate Jameson is a rookie homicide detective who searches for redemption in her investigative work after her negligence is the cause of a fellow officer’s death. In the pilot episode, Detective Kate Jameson is partnered with Detective Mike Huntley (Lochlyn Munro) as they navigate the case of a mysterious serial killer who uses music for destructive ends. Joining Lucas and Munro are star-studded cast members Dylan Bruce(Orphan Black), Terry Chen (Jessica Jones), Luvia Petersen (Ghost Wars), and Venus Terzo (Arrow).

Muse Entertainment produces The Murders in association with Citytv, a division of Rogers Media. Creator, Showrunner, and Executive Producer is Damon Vignale, followed by Executive Producers Jesse Prupas and Michael Prupas of Muse Entertainment, Shawn Williamson, Jamie Goehring and Jessica Lucas. Arielle Boisvert is the Producer. Lucas is represented by LA-based The Gersh Agency and Thruline Entertainment. From Rogers Media, Nataline Rodrigues is Director of Original Programming, Hayden Mindell is Vice President of Television Programming & Content, and Colette Watson is Senior Vice President of TV & Broadcast Operations.

The Murders will be distributed around the world by About Premium Content, a Paris-based distributor headed by Emmanuelle Guilbart and Laurent Boissel.

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TV Eh B Cs podcast 86 — Making it right with Mike Holmes Jr.

Mike Holmes Jr. is a professional contractor, television host, public speaker, educator and guest expert. Mike Jr. started working with his father—celebrity contractor Mike Holmes—when he was just 14 years old on the set of Holmes on Homes®. Canadians have watched Mike Jr. grow up on screen over the years as he has helped his father on some of his most ambitious builds including Holmes in New Orleans, Holmes Makes It Right, Mike’s Ultimate Garage and Holmes + Holmes.

Having inherited Mike’s dependability, honesty, loyalty and determination, Mike Jr. supports the importance of upholding proper building code and improving building standards across the board. He also supports the skilled trades by helping build respect for the people at the forefront of the world’s leading industries.

Season 2 of Holmes+Holmes airs Sundays at 10 p.m. ET on HGTV Canada.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Class action lawsuit a big step toward fairness in factual and reality TV

From a media release:

The Canadian Media Guild / CWA Canada is welcoming a $35-million class action lawsuit [http://www.cavalluzzo.com/factual-televison-classaction] filed by law firm Cavalluzzo on behalf of hundreds of reality and factual TV workers who have worked at Cineflix Canada, which produces such TV shows as Property Brothers and Mayday.

The legal action follows a five-year campaign by CMG and its parent union CWA Canada to bring fair working conditions to this part of the entertainment industry.

“Reality and factual TV are the wild west of the entertainment world,” said Lise Lareau, a co-ordinator of the CMG’s Fairness in Factual TV campaign. “People working in this area of production are cut out of labour laws. They don’t have the rights of other employees, and historically they’ve been left out of union contracts enjoyed by the rest of the entertainment industry.”

Most reality and factual TV production companies make their workers set up their own corporations or sign contracts saying they are “independent contractors” and then don’t provide overtime pay, vacation pay and paid holidays. The failure to pay these basic entitlements is the basis for the Cavalluzzo class action lawsuit.

The statement of claim for the suit is based on the experience of Anna Bourque, a production worker whose most recent contract at Cineflix was September 2017 to February 2018.

“Picture editors and story editors work together taking hundreds of hours of footage and sharpening it into 43 minutes or so of entertaining television, but as schedules get squeezed our hours expand and there is never compensation for that, so our pay becomes inversely proportional to the hours worked,” Bourque said.

The ‘Fairness in Factual TV’ campaign began five years ago when a group of reality and factual TV workers decided enough was enough and sought the support of the Canadian Media Guild / CWA Canada. More than 400 people have signed up as supporters since the campaign began.

“Since these workers aren’t covered by union contracts, production companies often use them as a way to create less expensive but still lucrative programming,” said CMG organizer Denise O’Connell, who has spent 20 years in the industry.

Kat Lapointe, an organizer with CMG / CWA Canada, said the fact that you sign a contract that calls you an independent contractor does not mean that you are not entitled to basic minimum employment standards.

“It is not that simple. Treating people as outside of employment laws keeps people vulnerable and unable to build sustainable careers.  It means they’re forced to deal one-on-one with the company — putting each individual worker at a disadvantage — rather than having a collective voice to win fairness and respect at work.”

The Guild is urging people in the industry to talk about this issue at work and join our campaign www.fairnessinfactualtv.ca. If you feel your work conditions have been unfair, contact the union at factualtv@cmg.ca. Write a few lines about your experience and attach a recent contract. It will be held in complete confidence.

Those who have worked at Cineflix, Boat Rocker Media, Insight Productions or other companies who want more information about class action lawsuits can visit the Cavalluzzo LLP website at [http://www.cavalluzzo.com/factual-televison-classaction] or email factual-televison-classaction@cavalluzzo.com.

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