All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Links: Coroner, Season 1 finale

From Heather M. of The Televixen:

Link: Morwyn Brebner and Adrienne Mitchell talk Coroner’s Season 1 finale
“We want happiness for her. She brings happiness to other people and we want her to be happy. She has the most amazing entrance [at the end of the finale] in that coat. No one has been more beautiful. I think she’s such a friend. Jenny really recognizes that. It’s really beautiful.” Continue reading. 

From Bridget Liszewski of The TV Junkies:

Link: Coroner: Morwyn Brebner and Adrienne Mitchell talk “Bridges”
“I feel like it’s such a big thing to process in your mind, body and heart. Trauma lives in the body too and it’s definitely going to be a factor in Season 2, if we’re lucky enough to get it. It’ll still be with her and transform in some way.” Continue reading.

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TV Eh B Cs Podcast 87 — In the director’s chair with Jordan Canning

Jordan Canning was born and raised in St. John’s, Newfoundland. She has been exposed to the world of filmmaking from a very young age through her mother who worked as a production designer.

Her television credits include directing all 23 episodes of the CTV digital series Space Riders: Division Earth. The show won the 2014 Canadian Screen Award for Best Digital Series and four Canadian Comedy Awards, including Best Director. She has also directed on multiple TV series, including hour-long dramas—Saving Hope (CTV/NBC), The Detail (CTV), Burden of Truth (CBC/CW)—and half-hour comedies Baroness Von Sketch Show (CBC/IFC), Schitt’s Creek (CBC/PopTV/Netflix), This Hour Has 22 Minutes (CBC) and Little Dog (CBC).

Her first feature, We Were Wolves, premiered at the 2014 Toronto International Film Festival. Her second feature, Suck It Up, premiered at Slamdance 2017 and won Best Feature Film at the 2017 B3 Frankfurt Biennale. Her third feature, an omnibus film called Ordinary Days, won Best Director at the 2018 Canadian Film Festival.

Coming up next, Jordan’s work can be seen in Season 4 of Baroness Von Sketch Show (CBC/IFC), the brand-new show Nurses (Global) and the upcoming season of the hit comedy television series Schitt’s Creek (CBC/PopTV/Netflix).

Image courtesy of Shlomi Amiga.

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Mark Forward aims to win All of the Awards in fantastic Crave stand-up special

The last time I spoke to Mark Forward, it was in 2014. Back then he’d implored Canadian comics to support “rather than slag” each other to spread the word about our homegrown talent.

Since then, Forward has taken on the memorable role of Coach on Crave’s smash-hit Letterkenny, produced his own comedy special Mark Forward Presents, available for rent or download, and revived his podcast with Eric Andrews. And, most recently, he’s also one of three Canadian comics (D.J. Demers and Robby Hoffman are the others) who has landed their own Crave original stand-up specials.

Mark Forward Wins All of the Awards is available for streaming on Crave and features new material. It is, to put it simply, hilarious. Forward ranges around the stage, riffing on death, dogs, talking bees and finding the time to make sandwiches as a single dad, discussing the absurdities of each topic and pushing his personal boundaries to get a laugh. We spoke to Forward about Mark Forward Wins All of the Awards and his experience on Letterkenny.

Where was the venue, and when was this recorded?
Mark Forward: This was recorded at JFL 42, this past September, at Longboat Hall.

In your act, you made a joke about themes and how every comedian tries to have one in their act. You were just out there being silly, and having fun. Why was that important?
MF: Because I think that’s what I’ve always done. I have the odd stuff that’s a bit rantier, but I’ve always lived in the silliness. I went to the Edinburgh Festival, and I just saw a lot of serious standup shows. So, after my first experience there, I went home and wrote this one. Silly is where I live, and what I like. I like people that let go once they come in the door, and they giggle the whole way through. That’s what I like. I have nothing against the other things, but I sure like taking the piss out of it.

This was all-new material? 
MF: It’s a complete new hour. A couple of the bits have a longer life than the actual special, but they were all about death. I think the bee bit for one, was something I’ve been working on. So yeah, it was put in, it was something I wrote over a year, and I really like it. Can I say that?

Does it take a year to write? Does it sometimes take longer? How does that work?
MF: I never know when it’s coming, and I’m terrified it’s gonna stop. So, luckily for that show, I had an idea and a theme. But I’m always terrified that’s the last one.

Your stand-up act has evolved quite a bit, from the traditional to what you do now. Has it evolved organically?
MF: Totally organically. I wouldn’t have come up against doing that stuff when I was younger, because I didn’t have the confidence or the backing behind me. You have to grow organically as a comic, and start doing the stuff that makes you laugh, and that takes years to get there. But, the real initial point for me is, I was seeing Jon Dore for the first time, and he was just breaking all the rules, and it was just an eye-opening moment for me. I was like, ‘Oh, I don’t have to be what everybody else is. I can do the things I want to do.’

I wanted to ask you about the podcast, and the reason for you and Eric getting back together again. You joke that no one’s listening to it, and yet, you came back.
MF: We felt we needed to take some time away. I’m a big proponent of, if we’re not having total fun, then let’s not do it. So, we took a step away, and I missed it. I called him, and said, ‘Would you be willing to do it some more?’ And he was in. I think we’re having more fun than we had before, so yeah, I’m enjoying it a lot now.

Letterkenny has been a huge hit in Canada. People love it around the world, and you’ve been out on the Letterkenny tour. What’s it been like, being part of this whole world?
MF: It’s been a wild ride, and to get to know [creator] Jared [Keeso], and what a solid human being he is, it’s just been amazing, and I always text him every season, and say, ‘Is coach dead, or am I coming back?’ He has given me so much and been so kind to me, and that tour was unreal. I can’t thank that guy enough, for letting me be a part of his work ethic. I can’t say enough about that guy. He’s just a solid, solid dude. I see real joy in that he’s getting to do this, which is rare as well. He’s just happy. He should be exhausted, he should be bitchy, he should be … screaming, calling the shots, and he just doesn’t. The pressure is just … He’s unreal under it because he just loves what he’s doing.

Mark Forward Wins All of the Awards is available now on Crave.

Check out Mark’s website for upcoming stand-up dates in Ontario and Australia.

Images courtesy of Bell Media.

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Winners: The 17th Annual ACTRA Awards in Toronto

From a media release:

ACTRA Toronto is proud to announce the winners of the 17th Annual ACTRA Awards in Toronto.

Outstanding Performance – Female Voice
Bryn McAuley as Shirley Squirrley in Top Wing, “Shirley’s Sleepover Adventure” (9 Story Media Group)

Outstanding Performance – Male Voice
Mark Little as Dino in Cupcake & Dino: General Services, “My Life in Radio (Stinks!)” (Cupcake and Dinosaur Productions Inc.)

Outstanding Performance – Female
Amybeth McNulty as Anne in Anne with an E, “The Determining Acts of Her Life” (Northwood Anne)

Outstanding Performance – Male
Stephen McHattie
as Gus Power in Crown and Anchor (Crown and Anchor Films)

The Members’ Choice Series Ensemble Award went to Schitt’s Creek.

Sketch troupe Women Fully Clothed presented ACTRA Toronto’s 2019 Award of Excellence to Jayne Eastwood.

Matt Birman presented ACTRA Toronto Stunt awards to Rick Parker and Sue Parker.

The 17th Annual ACTRA Awards in Toronto were presented at a live show and gala tonight at The Carlu. Onstage DJ hey! dw energized the room and Juno award-winning soul singer Sean Jones brought them to tears singing “When I’m Gone” to the In-Memoriam roll. The show was written by Sugith Varughese and directed by David Gale.

This year the voice award was split into Female Voice and Male Voice, giving female voice performers more recognition. President Theresa Tova made note of the change in her remarks, also mentioning the ACTRA Ontario Census results which demonstrated a continued earnings gap for female performers, and the release of a joint bulletin on consent-based interactions in entertainment workplaces.

“The ACTRA Awards in Toronto is our time to shine,” says President Tova. “It’s a great celebration of Canadian talent.”

The 17th Annual ACTRA Awards in Toronto were sponsored by: DIAMOND: Actra Fraternal Benefit Society. PLATINUM: Bell Media; SAG-AFTRA. GOLD: ACTRA National; CBC; CMPA; Deluxe; IATSE 873; NABET 700-M UNIFOR; United Steelworkers. SILVER: Cavalluzzo LLP; Don Carmody Productions Inc. & Don Carmody Television Inc.; JLL; RBC; Take 5 Productions Inc.; Whizbang Films. BRONZE: Addenda Capital; Creative Arts Savings & Credit Union; Entertainment One; Film + Entertainment Industries, City of Toronto; Directors Guild of Canada (Ontario); Grant Thornton LLP; HUB International; New Real Films; 9 Story Media Group/Brown Bag Films; Rhombus Media; Serendipity Point Films; Thunderbird Entertainment; Universal Promotions; Writers Guild of Canada.

ACTRA Toronto is the largest organization within ACTRA, representing more than 15,000 of Canada’s 25,000 professional performers working in recorded media in Canada. As an advocate for Canadian culture since 1943, ACTRA is a member-driven union that continues to secure rights and respect for the work of professional performers.

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Link: How Schitt’s Creek Creator Dan Levy Made a Family of Rich Misfits Lovable

From Nolan Feeney of GQ:

Link: How Schitt’s Creek Creator Dan Levy Made a Family of Rich Misfits Lovable
To say that Dan Levy sweats the small stuff is like saying the Kardashians dabble in money-making. On the set of Schitt’s Creek, he over-considers everything, from the magnets on the refrigerator to the way the motel beds are made to the degree the fibers on the carpets appear over-vacuumed. Continue reading.

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