All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

New original crime dramas Hudson & Rex and The Murders headline must-see Monday nights on Citytv, beginning March 25

From a media release:

Viewers won’t have a hard time picking these two out of a lineup. Boasting all-Canadian casts, new Citytv original series Hudson & Rex – starring John Reardon (Van Helsing, Continuum) – and The Murders – starring Jessica Lucas ( Gotham, Cloverfield) – are bringing the drama to Monday nights, beginning March 25 at 8 p.m. and 9 p.m. ET/PT, respectively.

Full episodes and exciting extras are available on Citytv.com next day post-broadcast, as well as on Rogers on Demand, and the authenticated Citytv App for iOS, Android, and fourth-generation Apple TV.

Hudson & Rex, produced by Shaftesbury and Pope Productions Ltd., in association with Citytv and Beta Film, is a 16-part action-packed police-procedural drama set in St. John’s, Nfld. The series follows the partnership between cunning Major Crimes detective, Charlie Hudson (Reardon), and his partner, Rex (canine Diesel vom Burgimwald), a German Shepherd with heightened senses and formerly with the K-9 police unit. In the premiere episode, Rex proves himself as a member of the Major Crimes team when he tails a kidnapper; and the clock is ticking as Charlie and the team realize the abduction is part of an elaborate plan. Based on the Austrian drama Inspector Rex, Hudson & Rex also stars Mayko Nguyen (Killjoys) as Doctor Sarah Truong, Kevin Hanchard (Orphan Black) as Superintendent Joe Donovan and Justin Kelly (Wynonna Earp) as Tech Analyst Jesse Mills.

The Murders, produced by Muse Entertainment, in association with Citytv, and distributed internationally by APC and NBCUniversal, is an eight-part police-procedural crime drama set in Vancouver. Created by Canadian showrunner Damon Vignale, The Murders features an episodic case of the week that follows Kate Jameson (Lucas), a rookie homicide detective who searches for redemption in her investigative work after her negligence is the cause of a tragedy. In the pilot episode, Jameson partners with Detective Mike Huntley (Lochlyn Munro, Riverdale) as they navigate the case of a mysterious serial killer who uses music for destructive ends. The Murders features dynamic additional cast members, including Dylan Bruce (Orphan Black) as Detective Nolan Wells, Terry Chen (The Expanse) as Staff Sergeant Bill Chen and Luvia Petersen ( Ghost Wars) as Detective Meg Harris.

Hudson & Rex and The Murders are the newest chapters in Citytv’s ongoing commitment to tell great stories by and for Canadians. Championing Canadian independent producers and production companies across the country, Citytv supports the local industry and invests in homegrown talent with commissions that capture Canada’s rich regional character. Citytv’s original content celebrates our uniquely Canadian perspective and delivers world-class entertainment to 30 million Canadians every week.

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Murdoch Mysteries: Charles Vandervaart discusses the Season 12 finale

Spoiler alert! Do not continue reading until you have watched the Murdoch Mysteries Season 12 finale, “Darkness Before Dawn, Part 2.”

Wow, what a season finale! After worrying John Brackenreid would never walk again, his second surgery was a success and, it appears, Margaret and Thomas Brackenreid’s marriage may be on the mend. But there are still a few niggling questions left remaining. William knows Miss Hart planted evidence in the murder case and in doing that scored the coroner’s job. Meanwhile, Dr. Dixon has made it VERY clear he’s interested in Julia. Here’s hoping we get answers when Murdoch Mysteries is renewed for Season 13.

To close out my season-long Murdoch Mysteries interviews, I spoke to Charles Vandervaart, who has been playing John Brackenreid for a handful of seasons now, about how he got on the show in the first place and the evolution of John over the years.

Let’s get your origin story. How did you end up on Murdoch Mysteries in the first place? Did you go through the traditional means, an audition? 
Charles Vandervaart: Yeah, I auditioned. I actually originally auditioned for the role of Bobby Brackenreid, funny enough, way back when. I did the scene where he’s playing in the sandbox and he gets abducted. But that didn’t work out. So about two years later, I auditioned for the role of John. You know, I didn’t think it would last this long, this many seasons. But I’ve been very fortunate that they keep writing me in and developing my character. I’m a happy camper.

You have literally grown up onscreen, on Murdoch Mysteries. That must be a little bit mind-blowing to think about.
CV: Yeah. It’s hilarious. And I love watching reruns. It’s like watching old home movies. I’ve been really lucky. This and The Stanley Dynamic was the other show that I was on when I was younger … both of these shows have really helped me get comfortable in front of the camera. I’m definitely a believer that the best of kind of acting lesson is just being on set and being with all these other actors and getting directions from all these directors. I’ve been so fortunate to get all of these acting lessons and to help improve my craft over the years. So it’s been such a blessing at the end of the show.

What made you decide to get into acting in the first place? Is it something you always wanted to do? 
CV: The thing that I said when I was a little kid was, I wanted to be a theoretical astrophysicist in the area of nanotechnology because it was just the longest thing I could think of. I didn’t actually know what it meant at the time. I was just like, ‘This will impress the old people.’ I grew up in a small town about an hour and a half away from Toronto and I went to go see a play there. I was so immersed in it and I thought it was such a magical experience. And I asked my parents if I could try it out and act at the local theatre.

My first role ever as an actor was Tiny Tim in A Christmas Carol. It just kind of grew from there. I did a couple of plays here in Toronto, and then I got an agent and auditioned. And I couldn’t have done anything without my mom because we live so far away from Toronto. She drove me back and forth to auditions together. She’s just as much a part of it as I am. But I think, maybe at 14, I actually started really committing to it and saying, ‘This is what I love. This is my passion. I want to do this for the rest of my life.’

You mentioned about learning your craft over the years. What have you learned? 
CV: What’s really helped me at being on sets all the time is just getting myself out there. It can be quite a nerve-wracking thing, being in front of a camera and being in front of a camera crew. So, I’m still working on getting those nerves down. But I think it’s also a good thing to have nerves because it means that you care about what you’re doing, you love what you’re doing. I also think that a lot of the times I obsess about the craft. When you’re doing a season, you could be three, four, five months working all day, every day. And then on the weekends you’re obsessed with what you’re doing and you’re constantly memorizing the lines and things like that. And then the season ends and you have a lull because you’re waiting for the next season and you’re waiting for your next project. I’ve had some great talks with some fellow actors about this. It’s really important to keep living your life and to not obsess about what the next thing is. And actors, their whole profession is based on drawing from your experiences. And you do have those lulls. You’ve got to go out with your friends and you’ve got to read some books and go out and watch some movies. So I’m getting better at just kind of putting it aside and using my onset experience and then also my offset experience to draw from.

We’ve really seen this character of John Brackenreid grow up, especially in Season 12. Here’s a guy who is coming into his own as a constable. And now he goes through this season, before even getting shot, his parents divorcing. 
CV: John has always been kind of this character, I think, that’s been on the brink of adulthood. He’s almost there. And this season especially because, before we’ve always seen John as this quintessentially innocent character. And then, all of a sudden, he has all this baggage. His parents and he may not walk again, he’s been sleeping around. It’s a John that we’ve never seen before. It’s great because everyone makes mistakes and has crazy days when they’re just growing up and they’re on the brink of adulthood. And John is really going through some stuff right now. And it’s been a pleasure to play that because I love all the crazy, messy things as an actor.

What was your reaction to the fact that John was going to be shot and maybe not walk again? Did Peter Mitchell pull you aside and say, ‘It’s OK, by the end of the episode you’re going to walk? Did they make you wait? How did that work?’
CV: Apparently, for quite a while, the writer’s room knew that I was going to get shot. And, a few of the crew knew that I was going to get shot. One day I made a joke about me getting shot. And everyone was just kind of like, ‘Oh, yeah, that’s funny.’ Even though all of them knew that that was actually going to happen in the season finale. So I think that was a pretty predetermined thing. But, yeah, Peter took me aside and he said, ‘This is what’s going to happen. You’re going to be fine, though, don’t worry about it.’ But I think he knew for a few seasons that he was going to do this.

It must be some of the easiest acting you’ve had to do. You got to lie down. You didn’t have to wear the uniform or anything.
CV: Yeah. For two episodes I had to sit down and lie down. [Laughs.]

A big part of John’s life this season has been the effect of seeing this family break up. How have you felt about seeing your onscreen parents split?
CV: I think it was a great little storyline from the writing perspective and from the perspective of the show. Because they’re both two characters that are very feisty and they’re very opinionated and I really hope that they pull this together. I have no idea what’s going to happen in the next season. As a watcher of the show, I’m really hoping that they just come out of this stronger than ever and as a couple, together. It was crazy and it kind of felt a little bit out of body because you have these two fake parents, these two parents that I’ve had for six years. And then they’re going through this divorce and sometimes you catch yourself, you’re like, ‘Oh, this isn’t real.’ I’m really eager to see what happens in the next season.

What have you thought of Season 12 of Murdoch Mysteries? What would you like to see happen in Season 13? Let me know in the comments below!

You can stream past episodes of Murdoch Mysteries on CBC Gem.

Images courtesy of CBC.

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Links: Street Legal, Season 1

From Stephen Cooke of The Herald:

Link: Former Halifax Mooseheads player Steve Lund stars in CBC-TV’s reboot of Street Legal
What’s the difference between a lawyer and a werewolf?

If anybody can come up with a punchline to that setup, it’s Halifax-born actor Steve Lund, who previously bared his canine teeth on the Syfy/Space horror series Bitten, and now trades his full moon fever in for a law degree on CBC-TV’s upcoming revival of its late-’80s/early ‘90s hit Street Legal, premiering on March 4. Continue reading.

From Jennifer Brown of Canadian Lawyer:

Link: Street Legal reboot storyline features law firm meltdown
Appointment viewing is rare these days, but class action lawyers and fans who remember CBC’s Street Legal may want to put a reminder in the calendar for March 4. Continue reading.

From Norman Wilner of Now Toronto:

Link: TV review: Street Legal reboot is slicker, sharper and more focused than the soapy original
A quarter of a century after it went off the air, Street Legal is back on CBC – though I’m not exactly sure who was asking for it. This is just how it is now: everything we vaguely remember from the 90s will be brought back for another shot. At least this reboot understands that the world is different, and adapts to new realities. Continue reading. 

From Tony Wong of the Toronto Star:

Link: Cynthia Dale says new Street Legal is no nostalgia trip
“What is it like to be a woman closer to the end of her career than the beginning? You have different hopes and dreams. You have more opinion but also more fears. She walks into this new rock-star boutique firm. And she has a daughter who is in her mid twenties who she is trying to have a relationship with. All of that plays into who Olivia is today.” Continue reading. 

From Eric Volmers of the Calgary Herald:

Link: Calgary actress Yvonne Chapman lands main role in CBC’s Street Legal reboot
Yvonne Chapman’s shifting career aspirations must have been a bit of a roller-coaster ride for her parents.

She is an actress about to enjoy her highest profile role yet in the CBC reboot of the long-running 1980s-1990s drama Street Legal, playing a crusading lawyer named Mina Lee who takes on Big Pharma over the opioid crisis. Continue reading. 

From Melissa Buote of The Coast:

Link: #iconic: Cynthia Dale
“She was still in my DNA. She was in there; I just hadn’t turned my gaze on her in so long. But she was there. And she’s still a very powerful lawyer, she still has all the moxie, all the passion, all the aggression, all the smarts, all the brains that she had then. And now it’s ten-fold with the veil of all that history and insecurity and not giving a shit that happens when you get older.” Continue reading.

From Galen Simmons of the Stratford Beacon Herald:

Link: Cynthia Dale returns 25 years later to classic role in Street Legal reboot
“I’d never, in a million years, thought this could, or would, or should happen, but they asked me. It took me a few minutes to get my jaw off the floor, and then it was like, ‘Ya, why not? Sure. Absolutely.’” Continue reading. 

From Bill Brioux of Brioux.tv:

Link: REVIEW: CBC’s Street Legal
This slick reboot sees Dale reprise her role as Olivia Novak, now Bay Street Legal and still fit and feisty in her fifties as a partner in a bigger, nastier law firm. In the pilot, she still wears the power heels and knows how to use them but eventually gets tripped up in a power struggle at her firm. Continue reading.

From Melissa Hank of Canada.com:

Link: Cynthia Dale says rebooting Street Legal was “a wild ride”
“It was a wild ride. It was a gift. I didn’t realize that Olivia’s in my DNA. I didn’t have to look too far. It’s not like we picked up where we left off — we picked up exactly where we would be 27 years later. I hadn’t thought about her really, or even considered entertaining the possibility of revisiting her ever in those 27 years, so to find out that she was still there was really a joy.” Continue reading. 

From Charles Trapunski of Brief Take:

Link: Interview: Street Legal’s Cynthia Dale, Cara Ricketts, Steve Lund, Yvonne Chapman and Eric Peterson
“It’s an entirely new story. It’s really built in the reality of the world today. Yes, we are following Olivia 20 years later, but it’s the stories of now. It’s the show of now, and how young professionals are now versus before and in my opinion completely different—while still honouring what was done in the past.” Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: Street Legal: 3 Reasons to watch the new CBC drama
After a 25-year break, CBC is bringing back the drama Street Legal with original cast member Cynthia Dale once again front and center as Olivia Novak. This time around though, Olivia finds herself working with a trio of young lawyers at the newly created startup firm RDL Legal.  Continue reading. 

From Bridget Liszewski of The TV Junkies:

Link: Street Legal’s Cara Ricketts on playing a rock star litigator
“Lilly Rue is a little bit of a rock star. She’s well-educated and has studied at Oxford. Because of those book smarts she’s overly confident, to the point of being at fault in her personal life. We get to see how free-wheeling she is, but at the same time how much a do-gooder she is and tries to take care of her family, friends and community.” Continue reading. 

From Bridget Liszewski of The TV Junkies:

Link: Steet Legal’s Yvonne Chapman on the passion that drives Mina
“Mina is the one who actually starts RDL firm. She’s incredibly smart, introspective and a really intelligent and sharp lawyer. She’s more introverted and someone who doesn’t need to shout ‘hey! Look at me!’ That’s just not how she is, but unfortunately, working in the corporate world, it’s the ones who make the most noise who get the most reward.” Continue reading. 

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CBC’s Diggstown tackles the legal world in a new, and compelling, way

Vinessa Antoine describes lawyer Marcie Diggs as “very vulnerable and flawed and messy.” And the actress wouldn’t have it any other way. Debuting Wednesday at 8 p.m. on CBC, Diggstown—created by Floyd Kane—takes the well-worn legal drama genre and presents it in an interesting new way.

When we catch up with Marcie Diggs (Antoine), she’s struggling with the death of her aunt (Karen LeBlanc). But legal cases are waiting, people need her help. Marcie’s co-workers—including boss Colleen MacDonnell (Natasha Henstridge), Pam Mclean (Stacey Farber), Reggie Thompson (C. David Johnson) and Doug Paul (Brandon Oakes)—work with the community finding justice in cases that explore racism, gender bias and poverty.

We spoke to Vinessa Antoine and Natasha Henstridge late last year about Diggstown and what makes it different from other lawyer series.

Can you break down how this first season of Diggstown will roll out? How is it structured?
Vinessa Antoine: We follow two cases [per episode]. There’s always the case that Marcie is working on and then the case that one of the other lawyers or all the other lawyers is working on. In the first episode, we also learn a little bit about Marcie’s past in terms of her family and the tragedy that happened. And a little bit of her guilt in connection to what happened to her aunt and feeling the struggle of, ‘Where is my place in this world and am I doing the right thing? Does the justice system actually work? Am I the problem or am I the solution?’

As you were reading the scripts and you just mentioned about where’s my place in the world and is the justice system fair? What conclusion did you come to yourself? Do you know your place in the world as Vinessa?
VA: I do. Absolutely. I know that I came to this planet for a certain reason and bring certain gifts that are, I think, to be helpful. I try to use that the best way I can. I think we all think about those things. What is the path that we pick and is it actually helping anyone at the end of the day? I think that’s also Marcie as well. Is she doing this for the money or is she actually trying to help people? I know she really wants to help people, but the justice system is so flawed.

It’s so complicated. It can literally mean the difference between using the wrong word in a sentence and now you’ve completely changed someone’s life.

I assume, Natasha, you did some research into the legal system too and saw how really flawed it can be. 
Natasha Henstridge: I’m reading a book right now that’s so about that. Small Great Things by Jodi Picoult. It’s about a lawyer and it’s about an underprivileged woman. It’s about a black woman who was a nurse who something goes wrong with the baby in the hospital and sort of where the justice system takes her. I have friends that are lawyers and I have not, luckily, been involved too much in the justice system in my real life. Although I meant to get arrested once. One time. I think there’s a lot of nuances, obviously, and whether it works or not, it’s not perfect by a long shot. These characters are doing the best that they know how within the confines of the system.

What attracted both of you to the project? I’m going to ask specifically about Floyd Kane in a second, but what attracted you to this?
VA: Well, for me, being able to be the lead of a show, to drive the narrative. That was obviously important, but when I start to read more into the character and talk more with Floyd, I realized how important this character is for Canada and for other countries as well. Just to see, not necessarily, a black woman in a leading role because we’ve seen that before for sure in the States with Kerry Washington and Viola Davis. Marcie isn’t necessarily a tough ball buster kind of lawyer that we usually see with main characters.

Especially with black women. Now, there’s an angry sense sometimes with some of these characters which are usually very valid and plausible, but I think this is a different way of looking at a black woman who is very vulnerable and flawed and messy and doesn’t always go for the ball busting to get her point across. She’s not necessarily cracking the whip and everybody falls into line. She’s the one breaking down crying and doesn’t understand why the system isn’t working.

NH: Such a great point. Such a great point. Very true.

What about you Natasha? What attracted you to the project?
NH: I have to say I read the script and I literally was like, ‘I need to get this role.’ They had me in mind. I went and auditioned. I loved the audition scenes, but then when I went and read the script. It was just the best thing that I’ve read and that was the bottom line for me and had nothing to do with anything else. I wasn’t thinking about the bigger picture at all, to be honest with you. Which now is super meaningful having done the six episodes. I just thought, ‘Wow this is really well written and well put together.’

Then I met Floyd and [executive producer] Amos [Adetuyi] at the audition. To see someone’s attention to detail and to care so much about these characters. To collaborate and be in a situation where it’s very collaborative. Where you felt like someone wanted you to understand and where he’s coming from. I just thought, ‘Wow this man really cares. It makes you care that much more.’ I’m playing an openly gay character. I thought that was super meaningful. I have a lot of gay friends that were closeted as kids and I feel so much for their plight that they’ve been through. Although it’s only touched on so far in the beginning in the show thus far. That to me was super meaningful as well.

I’m getting the sense that it’s somewhat rare to find a showrunner that is willing to be that collaborative. Sometimes they’ve just written in stone what I’ve got is my idea for the characters the way it’s going to be. It sounds as though Floyd isn’t necessarily like that.
VA: Not at all. He’s so … even before I tested for the role he and I had a conversation with the director, Kelly Makin, on the phone. It was a really weird conversation because it was like a three-way. I dialled this special number. I think there was like, maybe a half-second delay and Floyd already is a pretty quiet gentle soul himself. There were questions that I was asking and there would be a long pause. And then he would talk and we spoke, I feel like, for a good 20 to 30 minutes. Which is unheard of I think for me, as an actor, to sit down and actually conversate with the person that created this role. I had a billion questions to ask and he answered every single one of them. Even to the degree where he said, ‘You’ve actually made me go back and question some things that I wrote about the character and try to develop that even more.’

It was such a nice collaborative experience with him and then he was there so much on set. Was able to be in my ear a little bit to keep me on the right path with the character because you shoot out of sequence sometimes and you’re all over the place and the rewrites come in. I want to keep on the journey so that the viewer can follow Marcie and the story from the beginning to the end. He was so available for that.

NH: But he’s very very clear on who the people are and what they want. Which is amazing because you need the captain of the ship who actually keeps things in line and keeps you clear because it’s easy to get lost. He knows the show. It’s his show. It’s his life.

Diggstown airs Wednesdays at 8 p.m. on CBC and streams on CBC Gem.

Images courtesy of CBC.

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Links: Northern Rescue, Season 1

From Michael Pickard of Drama Quarterly:

Link: Family focus
“It was an exhausting experience but super rewarding, with huge learning curves, which is great and ultimately very rewarding to go from the genesis of the idea to the execution and the premiere of it.” Continue reading.

From Eric Volmers of the Calgary Herald:

Link: Lethbridge’s David Cormican creates family-friendly Northern Rescue for CBC streaming service
“The message and the feel at the end of the day with this programming is very hopeful and heartfelt and tender and uplifting and optimistic for the future.” Continue reading.

From Bill Brioux of Brioux.tv:

Link: REVIEW: Baldwin, Robertson shine in Northern Rescue
It’s difficult, and usually a little unfair, to judge a series by one episode. That’s especially true of Northern Rescue, a drama about a family facing a devastating, life-changing loss. Continue reading.

From Joel Rubinoff of The Waterloo Record:

Link: Kitchener’s Taylor Thorne has a starring role in Netflix, CBC series Northern Rescue
Taylor Thorne is only 14, but with her disarmingly direct gaze and penchant for speaking her mind, the burgeoning dancer-turned-actor comes off like a consummate showbiz pro, one who perfected her craft through years of dance competitions, Drayton theatre productions and small TV parts. Continue reading.

From Victoria Ahearn of the Canadian Press:

Link: ‘Northern Rescue’ star William Baldwin faced real-life danger with mudslide
William Baldwin has been through some harrowing emergency situations, both on and off-screen.

The American actor, who played a firefighter in “Backdraft” and stars as a search-and-rescue commander in the new CBC series “Northern Rescue,” says a massive California blaze known as the Thomas Fire came within two blocks of his house in January 2018. Continue reading. 

From Mike Crisolago of Everything Zoomer:

Link: Billy Baldwin Channels His Love For Canada With New CBC Series Northern Rescue
Baldwin’s love affair with Canada is good news for his most recent project, Northern Rescue – named in the great Canadian geographical tradition that gave us show titles like North of 60 and Due South. Continue reading.

From Doug Crosse of My Parry Sound Now:

Link: Northern Rescue debuts on Friday
Parry Sound, get ready for your close up.

Months after filming wrapped up Northern Rescue is about to make its Canadian and worldwide debut on Friday. Continue reading.

From Jordan Moreau of Variety:

Link: William Baldwin on His Two New TV Series, Following in Brother Alec’s Acting Footsteps
“I went to the CBC and Netflix and told these crazy stories about my childhood with the frickin’ lunatic Baldwin brothers.” Continue reading. 

From Maria Awad of TV Insider:

Link: William Baldwin on How Netflix’s ‘Northern Rescue’ Showcases the Struggles of Modern Parenting
“I just started talking about why this type of programming is important to me and the show really is about what it means to be a family today. I told them we need to have the latitude to get into some hard-hitting stuff because we’re attempting to define what it means to be a family today and you need to get into all the stuff that kids get into.” Continue reading.

From Dave Mabell of the Lethbridge Herald:

Link: Former city man creates TV series
After a solid month of Arctic-like winter, Albertans are quite aware of the dangers they’d face in an outdoor emergency. Farther north, they could be in still greater peril.

Now a new TV series, co-created by former Lethbridge resident David Cormican, shows vividly just how precarious life can be in Canada’s far north. Continue reading. 

From Charles Trapunski of Brief Take:

Link: Interview: Northern Rescue’s Kathleen Robertson
“It’s definitely a streamable show, like it feels like you could definitely binge-watch this show. I believe that it’s being platformed on CBC online as the same time as it’s being shown, so I think they kind of want the ability to say ‘it’s your choice’, which is kind of what I think that everything’s moving now.” Continue reading.

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