All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Comments and queries for the week of July 12

I would love to see Flashpoint come back. I always watch the re-runs. Excellent series. Great cast. Miss it! —Diana

Us too, Diana. Us too.


A group of people run toward the camera.I liked the self driving shifts and that the grandfather came in third. Another Express Pass, so that’s the standard three. Interesting that Nicki and Aisha seemed to have lost due to bad directions from a local. What is a Double One Way supposed to be? I caught the premiere as well; quite a shock Jet and Dave were first out, especially when compared to how veteran teams just did on TAR 31 in the U.S. I wonder if that’s why they aren’t promoting the “Second Chance” angle after looking for it in casting as opposed to how much they over-hyped “Heroes Edition.” It’s been a while since we had a “villain” team on any of the seasons though Irina yelling at the clue lady to hurry up was funny. She’s self-aware with the “most hated couple in Canada” bit so I don’t think she really cares how it will play for TV; and they actually reside in the UAE which makes them more international then the actual show. —DanAmazing

Your opinion about Irina is right on. Also, her comment about the other teams not being so bright. And the comment made by Dave about being the hated couple is also right on. I do hope they go home soon. —Mary Ann

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Northwood Entertainment and Canadaland partner to develop Thunder Bay TV series

From a media release:

Northwood Entertainment (ANNE WITH AN E, THE GRIZZLIES) has partnered with the producers of the Canadaland podcast ‘Thunder Bay’ – and together they are developing the podcast into a drama series. Miranda de Pencier’s Northwood Entertainment will co-produce the series alongside Anishinaabe comedian, writer, & podcaster Ryan McMahon, and journalist & Canadaland founder/publisher, Jesse Brown. Executive producers McMahon, Brown, and de Pencier are currently considering showrunners for the series.

Hosted and co-written by McMahon, the serialized, true crime podcast examines the systemic racism, corruption, and crime that runs rampant in Thunder Bay and the factors that make the city amongst the most dangerous for Indigenous youth in the world. THUNDER BAY plans to bring all of these issues to light in a searing and riveting drama series that considers not who killed nine Indigenous high school students, but what killed them. The series begins with an examination of nine deaths and goes on to explore the broader impact of colonialism and racism.

THUNDER BAY executive producers are Miranda de Pencier, Ryan McMahon, and Jesse Brown. Northwood Entertainment and Canadaland will co-produce the series.

Image courtesy of Christopher Wahl.

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Family Channel’s Holly Hobbie renewed for Season 2

From a media release:

Aircraft Pictures(2018 Academy Award®and Golden Globe Award-nominated producers of the animated feature film The Breadwinner) in association with Cloudco Entertainment (creators and producers of Care Bears: Unlock the Magic)announced today that leading US premium streaming service Hulu has commissioned a second season of the original live-action series Holly Hobbie. Production on the 10-episode order is currently underway in Toronto, with the second season slated to debut on Hulu later this year and on Family Channel in Canada.

Holly Hobbie is a modern revival of the classic, girls’ character brand which was hugely popular in the 1970s and 80s.  The series centres on 14-year-old Holly Hobbie, played by Ruby Jay (Tangled: The Series and CBS’s upcoming primetime comedy The Unicorn),a small-town girl with a big heart and even bigger dreams. Holly’s a singer-songwriter who saves her grandmother’s Calico Café by starting open mic nights and performing original songs to bring her community together.  Holly’s world – and her songwriting – evolves in Season 2 as Holly is cast in a musical  but clashes with its challenging director (Jake Epstein; Degrassi: The Next Class and Designated Survivor), and sparks fly with the arrival of the talented Oscar (Tomaso Sanelli; Titans and Suits), a contemporary of Holly’s who is also a potential music rival and crush.

The season 2 order comes on the heels of an announcement from the Warner Music Group securing the rights to the original music from both seasons of the series and its June 21strelease of the first single from the show, “Be The Change”. The show premiered last autumn on Hulu in the US as a Hulu Original Series, and Family Channel in Canada. CBBC, the leading children’s channel in the UK, will launch the show’s Season 1 this summer with additional market debuts set to be announced shortly including another major market, France.

Holly Hobbie is produced by Aircraft Pictures (The Breadwinner, Bruno & Boots: This Can’t Be Happening at Macdonald Hall) in association with Cloudco Entertainment (Care Bears: Unlock The Magic, Tinpo) and Wexworks Media (D.N.Ace, Paw Patrol) with the financial participation of the Shaw Rocket Fund.  Sarah Glinski (Degrassi: Next Class, Degrassi: The Next Generation) returns as showrunner.

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Discovery’s Make It to the Moon tells the Apollo 11 story in fascinating new way

I’ve been a fan of the U.S. space program since I was a kid. In 1981, I watched as the Space Shuttle Columbia blasted off on April 12. I was transfixed. I don’t know when I first learned of Apollo 11, Neil Armstrong and the moon landing, but it was likely before Columbia. Regardless, I thought I pretty much knew everything there was to know about Apollo 11—through books, movies and documentaries—until I watched Make It to the Moon.

Debuting Sunday at 9 p.m. ET/6 p.m. PT on Discovery, this Canadian production unearthed a treasure trove of information. While 600 million people watched the first astronauts land on the moon on July 20, 1969, four teams contracted by NASA played crucial roles in the historical moment were unknown to most.

“What people know about the Apollo program is the mission control and astronaut story,” says Maria Knight, Make It to the Moon producer and director. “What people don’t realize is how many people were involved to get this off the ground. President Kennedy really did harness the entire technological power of the U.S. in order to pull this off.” Narrated by Golden Globe-nominated Canadian actor Stephan James, the two-part project truly is an international affair, jetting to Australia to interview former employees of the Honeysuckle Creek Tracking Station, most famous for receiving and relaying the television images of Neil Armstrong setting foot on the moon.

An astronaut looks into the camera.Virtually every piece for the mission was built from scratch, with four organizations embracing the challenge: Honeysuckle Creek; the Grumman Aircraft Corporation designed and built the first-ever lunar lander; the Massachusetts Institute of Technology (MIT) created groundbreaking navigational software and shrunk a computer the size of a semi-trailer to one-cubic-foot so it could fit onboard the lunar module; and the International Latex Company, best known for its Playtex bras and girdles, stitched a new kind of space suit by hand.

After eOne did the legwork, contacting former workers at the four companies, Knight and her team sat down and interviewed them. Though it’s 50 years later, their eyes light up with excitement recalling the rush to complete the project and ensure the U.S. was the first country to conquer the moon.

“Most of these people got jobs in the Apollo program straight out of college and I think the average age of the program was mid-20s,” Knight says. “Can you imagine graduating from university and, in the case of Don Eyles, [ending up] writing the code for the lunar lander?

“Technology is so fast-moving for us right now and there is sort of a blasé feel about it,” Knight continues. “We want to show how extraordinary this accomplishment was and bring a bit of awe into what these people accomplished.”

Make It to the Moon airs Sunday, July 14, at 9 p.m. ET/6 p.m. PT on Discovery.

Images courtesy of Bell Media.

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