All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Link: Molly’s Reach, the iconic restaurant from The Beachcombers, goes up for sale

From Jennifer Van Evra of the CBC:

Link: Molly’s Reach, the iconic restaurant from The Beachcombers, goes up for sale
Molly’s Reach, the iconic restaurant from the classic Canadian TV show The Beachcombers, is up for sale.

Located in Gibsons on British Columbia’s Sunshine Coast, roughly 40 minutes by ferry from West Vancouver, the restaurant has been a top tourist attraction for decades, drawing fans of the show from around the world. Continue reading.

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TV Eh B Cs Podcast 89 — Rev & Roll-ing with Scott and Julie Stewart

A family smiles into the camera.Scott & Julie Stewart are an award-winning, Vancouver-based husband and wife team in kids’ animated content. They are showrunners, executive producers, content creators and writers.

Their latest series is Rev & Roll, which airs daily at 8 a.m. ET on Family Jr., and is also available on Family Jr. OnDemand and the Family Channel App. The action-packed show follows eight-year-old Rev, and his best friend Rumble—a powerful truck with a puppy personality—as they go on wild adventures in their town of Fender Bend!

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Production is underway for marblemedia’s new fine arts competition series Landscape Artist of the Year

From a media release:

Following their wildly successful art competition series, Blown Away, Marblemedia has been commissioned by Blue Ant Media and CBC for a brand-new fine arts competition show, Landscape Artist of the Year Canada, for its Makeful channel.

Filming began on Friday, September 20th, and will continue to run through September 30th. The new series will see professional and amateur Canadian artists vie to win the title of Landscape Artist of the Year in this new Makeful competition series. Each episode features a different landscape painting challenge. Time-lapse segments ensure viewers don’t miss any of each artist’s progression from blank canvas to finished work.

Landscape Artist of the Year Canada is a four episode, 60 minute series that will visit stunning areas in Canada. Both the host and art expert judges will be revealed closer to the date on Makeful, scheduled for early 2020.

This new series is based on the original British television hit competition series of the same name, Landscape of the Year, which was created by Storyvault Films, and distributed by Banijay Rights on Sky Arts in the U.K.

Blue Ant and marblemedia are co-producing the series, having bought the rights from Banijay Rights.

Matt Hornburg, executive producer for marblemedia and Sam Linton, head of original content for Blue Ant will produce the series, with showrunner Carly Spencer (The Bachelor Canada, Hockey Wives, Back in Time for Winter, and Never Say Goodbye).

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Hudson & Rex showrunner Derek Schreyer teases Season 2

After a break of only a few months, Hudson & Rex returns for its second season on Citytv. We couldn’t be happier. The crime drama, based out of St. John’s and starring John Reardon, Mayko Nguyen, Kevin Hanchard, Justin Kelly and German Shepherd Diesel vom Burgimwald is a must-see for anyone that enjoys their mysteries lighter in tone and with a great ensemble cast.

In Tuesday’s debut—at 8 p.m. ET on Citytv—Charlie (Reardon) and Rex (Diesel vom Burgimwald) discover a wanted criminal has been living in St. John’s under a false identity for 20 years and end up in the crosshairs when the man’s past catches up with him. Along for the ride are the capable Doctor Sarah Truong (Nguyen), Superintendent Joe Donovan (Hanchard) and Tech Analyst Jesse Mills (Kelly). And, with David Hewlett, Shiva Negar, Janet Kidder and Noam Jenkins in guest roles, it makes for a fast-paced and highly enjoyable first instalment.

We spoke to showrunner Derek Schreyer—who took over for Season 1 showrunner Ken Cuperus—about what’s to come, including a visit to France.

How’s filming been going?
Derek Schreyer: It’s been going great. It’s been really fun. For Season 2, we really pushed to get some scripts done in time for the summer, which relies on some of the amazing, amazing summer scenarios of St. John’s. So that’s been really a lot of fun.

I sort of jumped on board this as a showrunner about two-thirds of the way through Season 1. I’d never been there before, so it was like I just got thrown into the fire. It was two months of absolute pain because we were way behind and I had to do a lot of stuff. But I knew it’s the first year of the show, and every time there’s the first year of a show, there’s a lot of cooks and a lot of people really care about it, and want to make sure that it’s right. And this show’s been developed for 10 years. I mean, there’s a lot of different voices and whatnot.

I just started to really connect with the environment. I just loved St. John’s, and I love the area, and I love Diesel and the crew.

You were filming in Saint Pierre and Miquelon. What can you say about that storyline?
DS: My first episode, the one I co-wrote with my friend Alex Pugsley, is going to be set there. It’s kind of a Bon Cop, Bad Cop thing where the climax takes place in Saint Pierre and Miquelon.

Two men, a woman and a dog stand next to a parked car.One of the things about Hudson & Rex that I like is that everybody’s on an even keel, human and canine, and I love this team that you guys have established with this group of police officers that are solving these crimes.
DS: Yeah, I think it’s definitely interesting because this is obviously based on Inspector Rex. That had a certain model, and that was basically a man and his dog, which meant that there was always one of those two POVs. We’ve gone more with an ensemble feel with the dog at the mix. I just love being on a show where the No. 1 on the call sheet is a dog. It really lessens egos. They all really love just to interact with a dog. It really changes the chemistry of the set, I think.

One thing I wanted to do before we started season two is just to bring in Sherri [Davis, Diesel vom Burgimwald’s trainer] just to have her talk about the kind of things that Diesel can do. She’ll mention that she has a dog that can play as a wolf. And all of a sudden, there comes an episode right there. It could be an episode where we’re in the forest with a wolf, and plots appear, and then maybe Rex can do this, he can balance on a rope as he crosses. All of a sudden, plots ignite from that.

You already mentioned Saint Pierre and Miquelon; what are some themes and a couple of storylines that you follow in Season 2?
DS: We’ve got one that’s delved into the Insta celebrity culture. It’s kind of a comedy from Bridesmaids meets the Instagram culture. We have one called ‘The Woods Have Eyes,’ where this woman goes missing after she sees something, and the mother comes in and believes that she … we actually track her to the forest somewhere, and Rex and the team ended up discovering a sort of a shady, almost a Stranger Things-type organization, and try to figure out what they’re doing. That’s kind of neat.

Then we have one set which is super fun, it’s called ‘Game of Bones.’ It’s going to be set in the world of LARPing. It’s a completely eccentric cast of characters of LARPers who portray these characters on this battlefield. There’s a character that dies and has sort of a death rune carved in his body, and that’s symbolic of something in the sort of medieval Viking lore, and we have to explore that. So that’s kind of a really fun world.

We have one called ‘Rex in the City,’ which explores the dating culture. It’s a real bunch of mixed, fun stuff. Some of it’s a little heavier handed, and some of it’s lighter. But I think we’ve sort of figured out our tone, so we’re a fairly grounded show. We have a little bit of heart, a little bit of humour, and hopefully some really cool stories.

Hudson & Rex airs Tuesdays at 8 p.m. ET on Citytv.

Images courtesy of Rogers Media.

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Preview: Frankie Drake Mysteries, “Counterpunch”

Like the season return of Murdoch Mysteries, fans were thrilled with the first episode of Season 3 of Frankie Drake Mysteries. I agreed. The series has really hit its stride thanks to a little road trip in London, England, new opening credits and a palpable feeling of fun among the core four ladies.

Here’s the official synopsis for Episode 2, “Counterpunch,” written by John Callaghan and Keri Ferencz and directed by Mina Shum.

Frankie takes her boxing skills to the ring as part of a plan to take down a corrupt cop extorting Ward residents.

And, as always, a few notes from us after watching a screener.

A bigger budget?
I’m not sure if “yes” is the answer to my question, but it sure appears so. When the episode begins, we’re met with a very good CGI view of Toronto followed by one heck of a great set packed with citizens. It just felt bigger, and brighter, than past seasons.

Moses Page returns
That’s not a surprise if you were paying attention to the photo above. Frankie in the boxing ring pretty much guarantees Moses on the other side of her gloves. Sparks fly there … and outside of the squared circle.

Tony Nappo guest stars
Mr. Nappo, familiar to Murdoch Mysteries viewers as a trolly driver in “The Accident,” and in a sketch in last Tuesday’s episode of Baroness von Sketch Show, checks in here as Leo, a gun-toting gym owner who doesn’t take kindly to gals picking locks and entering his establishment. Also, keep an eye out for Aaron Poole as a less-than-pleasant cop.

Flo meets a man
She makes assumptions about the gentleman off the top and learns there’s more to him than meets the eye.

Frankie Drake Mysteries airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

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