All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Preview: Witches of Salem scares up the historical case on T+E

I can always rely on Blue Ant Media’s T+E to bring me scary stories through Canadian docudrama programs like Haunted Case Files, Scariest Night of My Life and Paranormal Survivor. Now they’re going back in time to bring a frightening story to modern-day.

Produced by Saloon Media in association with Talos Films, Witches of Salem debuts Sunday at 8 p.m. ET/PT as part of “Creep Month” on the specialty channel. The four-parter recalls the Salem witch trials that occurred in colonial Massachusetts between February 1692 and May 1693. More than 200 were accused and 19 were found guilty. Witches of Salem relies on historical documents and court records to tell the story, with help from sociologists, psychologists and cultural historians.

A group of girls sit in church.What sets this apart from other Salem witch trial programming that I’ve seen before is the legwork done setting the scene. While most, if not all, past programs dive right into the screaming and writhing experienced by Betty Parris and Abigail Williams, Witches of Salem describes what life was like at the time both socially and religiously. That goes a long way to explaining why the trials happened in the first place. I’ve been to Salem and read the court documents surrounding the case, and T+E’s project gets it right factually. And, as well-versed in the case as I am, the show is scary as heck. I credit that to an excellent cast led by Nick Biskupek as the creepy Reverend Samuel Parris, eerie camera work, special effects and downright disturbing soundtrack.

Definitely check this out. Preferably with all of the lights on.

Witches of Salem airs Sundays at 8 p.m. ET/PT on T+E.

Images courtesy of Blue Ant Media.

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Miranda de Pencier describes the detail that goes into Anne with an E

I’ve been impressed with Anne with an E from its debut on CBC. The scripts have been amazing, the performances stellar—and scored trophies for Amybeth McNulty, Geraldine James and R.H. Thomson—the sets sublime and the wardrobe incredible.

That’s all by design says executive producer Miranda de Pencier, who along with fellow executive producer and showrunner Moira Walley-Beckett have taken L.M. Montogomery’s creation and truly made it their own. We recently spoke to de Pencier about the importance of being authentic when creating a show like this.

Anne is 16 this season and the hormones are raging. It seems as though all the girls are interested in the boys, but the boys seem to be pretty clueless when it comes to this relationship thing.
Miranda de Pencier: Well, and isn’t that just reality? As we all know, boys develop a little slower than and, eventually, you guys catch up. It’s fun to explore it, and I think there’s going to be a lot of surprises and a lot of relationships blooming and bursting that will be fun for the audience to see.

In the second season of Anne with an E, we had people of colour on the show. In this third season, we’ve got Indigenous characters. Are these are organic things that have been touchpoints for you and Moira Walley-Beckett along the way?
MDP: It has been organic. I think it’s also what’s going on in the world, but also what’s interesting to us. Back in the first season, Moira and I started talking about the idea of Indigenous characters. Then when and how that got introduced came out when it made sense for the story and the show. I think we touch on these things and talk about them in very organic ways and then they need to get executed practically.

According to the press release that CBC sent out earlier this year, it was quite the journey to cast Kiawenti:io Tarbell as Ka’kwet.
MDP: She is amazing. I think, fortunately, I had the experience of finding young Indigenous cast on The Grizzlies, so it was helpful to have gone through that large and challenging process that was so worthwhile. We basically repeated a version of that search to find Kiawenti:io. We wanted to search across the country. We reached out to casting agents from the west to the east. We went everywhere, Quebec, Six Nations and the west coast. Then ultimately from that large search and a lot of submissions, we culled that down to four girls that we brought to Toronto.

Then Melee Hutton, who was the extraordinary acting coach who helped train the young actors in The Grizzlies, also helped out, and still helps out with our younger cast on Anne with an E; she came in and led a workshop over a weekend where those four girls were taken through a number of acting exercises and play, and at the end of that process Kiawenti:io was the actress we felt made the most sense for the role and the other girls in that process we ended up putting into the show in other roles. We were able to give a positive experience and work to all those final actresses.

Sometimes I’ll hear casting agents or producers say, ‘Well, it’s just really hard to find Indigenous actors,’ and it is hard, but it’s not because they don’t exist, and it’s not because there isn’t a lot of talent out there. It’s just because it takes an extra effort and financing to find them, and you’ve got to go to them. You cannot expect to sit back and have those young people already have agents or access to casting directors. So it’s a larger process, but it’s so worth it, and it’s so exciting to find this amazing talent and all these amazing, amazing talents out there waiting to be discovered.

It would have been easy to have the Indigenous peoples speaking English, but you didn’t go that way. 
MDP: From the beginning, our goal has been to create a show that has a documentary level of realism. We’ve maintained that from the very start, whether it’s making sure we’ve got hand stitching on the bottom of the dress because the 4K camera can pick up anything, or whether it’s what would be true and would have been true in that time, socially, visually, economically. [Indigenous peoples in the region were] speaking Mi’kmaq in that time period, so it was important to be authentic. It was a challenge, because Mi’kmaq is a language that that some people would say is moving towards extinction, and there’s a lot of hope and effort in the Mi’kmaq community to bring it back. We were desperately looking for an elder, for instance, to speak Mi’kmaq, and I found one through Jeff Barnaby, who is Mi’kmaq.

A lot of people won’t know about the efforts we made to make sure that the Mi’kmaq was pronounced properly, but it was important for us to get it right. It’s about respect and it’s about being authentic.

The scripts and performances have been top-notch since Episode 1 of Season 1.
MDP: Thank you so much. We were sitting in sound mix. We were looking at the screen and just really in awe of the performances throughout this whole season. It’s been exciting to watch especially the younger actors all grow and start to really get to know their characters in a way that makes them soar. There’s less and less work for the directors to do performance-wise when this cast is just A-plus, and really become who they’re portraying in a way that I think is exciting and extraordinary. Across the board, we work really hard casting the show, each and every role, even if someone’s coming in for just a few lines. We spend a lot of time looking at a lot of actors for each and every part so that the audience is hopefully experiencing a show that feels real, and they’re not ever seeing the acting. That’s something we’re proud of, and I continue to be in awe of all the extraordinary talent in the show.

Anne with an E airs Sundays at 8 p.m. on CBC.

Images courtesy of CBC.

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Link: Air Farce returns in December for final New Year’s flight

From Bill Brioux of Brioux.tv:

Link: Air Farce returns in December for final New Year’s flight
I had heard rumblings lately that maybe there wasn’t going to be a Royal Canadian Air Farce special this New Year’s Eve. What? No F-bomb adios? No splatter fiesta all over Doug Ford’s noggin? Thought I’d better go directly to the source on this one: Don Ferguson. Continue reading.

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Season 3 of the award-winning series Employable Me premieres October 23 on AMI-tv

From a media release:

Accessible Media Inc. (AMI) announced today that Season three of the award-winning series Employable Me will premiere Wednesday, October 23, at 8 p.m. Eastern on AMI-tv.

Employable Me is a moving six-part documentary series featuring job seekers who are determined to show that having a physical disability or neurological condition shouldn’t make them unemployable. Seasons one and two of Employable Me captured Rockie Awards for Best Lifestyle Program at the Banff World Media Festival, and the Diversify TV’s Excellence Award for Representation of Disability in the Non-Scripted Category at MIPCOM 2017.

Produced by Thomas Howe Associates Inc. (THA), the third season of Employable Me provides an honest and emotional look at the challenges Canadians of varying abilities face in the job market. Each one-hour instalment features two job seekers who are blind, partially sighted or have a neurological condition such as Tourette Syndrome or Autism Spectrum Disorder as they embark on a journey to possible employment.

Watch the Season three trailer here.

Employable Me focuses on the strengths and talents of potential employees, with help from experts in the medical and hiring fields. Season three experts and community partners include Minister of Public Service and Procurement Carla Qualtrough, Senator Jim Munson, March of Dimes Canada and the Geneva Centre for Autism. The journey isn’t always easy, but each participant is determined to overcome their challenges, change employers’ perceptions and land a job they’re truly passionate about.

Among the companies participating in Season three are The Second City, La Prep, Myplanet, Sobeys, Mindshare and JOIN (Job Opportunity Information Network). Additionally, digital exclusives available at AMI.ca or via the AMI-tv App on iOS and tvOS revisit past job seekers to update viewers on where they are now in their careers and offer advice on job seeking.

In keeping with AMI’s mandate of making accessible media for all Canadians, Employable Me utilizes Integrated Described Video (IDV) to make them accessible to individuals who are blind or partially sighted.

Employable Me is produced by THA in partnership with AMI and TVO, and is licensed by all3media international.

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Frankie Drake Mysteries’ Romaine Waite on Bill Peters and his favourite game show ever

For a guy whose first IMDB credit was 10 years ago, Romaine Waite has amassed an impressive resumé. Roles on The Strain, Rogue and Heroes Reborn segued into Murdoch Mysteries, Schitt’s Creek, Private Eyes, The Mist and Star Trek: Discovery.

Frankie Drake Mysteries fans will recognize Waite as Bill Peters, who has a serious thing for Trudy. A janitor at Toronto’s city hall, he has access to files most don’t, a fact Trudy has taken advantage of in the past. We spoke to Waite about the Bill and Trudy relationship, his varied roles and … his favourite game shows of all time.

You’re on Frankie Drake Mysteries, which I watch religiously every week. And I love the character of Bill Peters. I love the relationship that he has with Trudy. But before we get into that, you were on Murdoch Mysteries.
Romaine Waite: Yes, yes I was. A few seasons ago, actually. I think it was Season 9. It was my first kind of introduction to Canadian audiences, the Canadian television industry, and it was definitely a nice introduction being on, obviously, the longstanding show that is Murdoch Mysteries and having a lot of my scenes with Yannick and the rest of the gang.

Looking at your body of work in Canadian television we have Schitt’s Creek, Private Eyes, Little Dog. A really nice mix of diverse roles and diverse shows, kind of all over the map. What’s it like jumping from show to show and then being on a show like Star Trek: Discovery, which I mean, you can’t get any kind of more out there and creative than a show like that.
RW: Oh man. The way you listed them off, you really make me sound like a veteran, which is far from the truth. I’m still growing, I’m still learning and as far as I’m concerned I’m still very green in the industry. But to answer your question, it’s an actor’s dream to be able to bounce from one role to the next and different worlds, different characters, different casts, that’s the excitement. That’s what kind of keeps that energy, keeps that spark that I think most actors start with when they begin their journey. I’ve been privileged. All the ones you named, all the way up to Little Dog, to Frankie Drake have all been great learning experiences for me as an actor and just a person actually, just meeting these different people, different locations has been great.

Two men sit in a church.When it came to landing the role of Bill Peters on Frankie Drake Mysteries, did you audition or did you have your foot in the door with Shaftsbury because you’d been on Murdoch?
RW: I didn’t audition. I’m not sure why I didn’t end up auditioning, but thankfully I got the role regardless. But I believe it’s because someone put in a good word for me and that person I think will remain nameless for the time being. And you are right. It was because of the Murdoch episode and it’s somebody tied to that episode. So I’m thankful, very thankful for that individual that kind of brought my name to the table and the fact that the network actually agreed and said yeah, that this individual would be great for the show. It just really warmed my heart so to speak. And I know that might sound cliché, but it really did. Because a lot of times as actors we don’t get a lot of feedback in terms of that audition process. You kind of do an audition and you hope for the best and if you get it, that’s the only real indication that you did well. Otherwise, you don’t know. So to have something like this take place was just a really good validation for me that, ‘OK, you’re heading in the right direction.’ So I’m truly grateful for that opportunity and what’s come of it.

How many episodes are you in, in this third season of Frankie Drake Mysteries?
RW: I’m in two episodes this season. I was supposed to be in three. But some scheduling conflicts occurred so I wasn’t able to get in for the third one, which kind of hurt me a little bit. I won’t lie. I missed it. But yeah two still wonderful episodes that I was able to participate in.

I speak to actors and actresses and on a show like Frankie Drake Mysteries, putting on the clothing helps you with that role. I’m imagining Bill’s suits are wool. 
RW: Definitely wool. Definitely warm. But it’s all a part of the aesthetic, you know? And that’s a big appeal for the show. Not only for I think the actors, but also the audience watching it. When you want to talk about really transporting yourself into another world and another time period, the aesthetic is key. Before you even get into the dialogue and the character development, it’s what you see. So being in those suits definitely helps with that aesthetic. It helps with weight loss. Keeps you warm. You sweat it out. It’s a beautiful thing.

A man smiles at a woman.Let’s discuss the relationship Bill has with Trudy. From the get-go, we knew that there was a spark between them. What can you say about their relationship in the episodes that you’re in this third season?
RW: Their relationship is really interesting because although we don’t know much about Bill Peters yet, I mean he does have a sister. We kind of touched on that in the earlier seasons. And he is a church-going guy. But you really learn about him through his relationship with Trudy. You can tell that he’s a generous guy. You can tell that he’s honest and even sometimes naïve. But in terms of that growth in the relationship, I think early on he was a little bit naïve kind of getting into this world of private investigation and getting tidbits here and there from Trudy.

And then as we go through Season 2 into Season 3, we start to see his confidence gain a little bit in terms of getting involved in what’s happening and also his confidence with Trudy kind of raises a little bit too in terms of how he approaches her and how he talks to her, in terms of just getting comfortable being with her. It’s definitely grown. It’s definitely changed. What I can say is that—and I hope I don’t get in trouble for this—but the M-word was mentioned in terms of their relationship. Now where that goes, I don’t know because things can always change. But within the context of their relationship, that word did come up. So I’ll leave that there.

How did watching game shows become part of your bio?
RW: It’s a weird thing and I don’t know if I’m regretting putting that in there. But it’s just one of those things that happened. I remember watching The Price is Right with my mom back in the day and it just kind of stuck with me. And I have this weird theory. Bear with me here.

I feel like game shows are the last kind of real reality show that we have in the sense that you genuinely don’t know what’s going to happen if they’re going to win if they’re going to lose. How they’re going to play the game. Or in the case of Family Feud, how they’re going to answer the question. It’s genuine. And I think for me, watching a lot of film and television, sometimes I find myself kind of predicting things and not kind of really being in the moment when watching the show. But with game shows, I can’t predict it. And I think I kind of enjoy that element of it. It’s just you watching people win and having a good time. I don’t know it really just… I guess just makes me happy. I like the energy.

And on a side note, The Price is Right and Let’s Make a Deal are probably my favourites. Just going to put that out there. I’m testing my knowledge on grocery items on The Price is Right. And definitely kind of going on YouTube and watching some of the older stuff as well.

Frankie Drake Mysteries airs Mondays at 9 p.m. on CBC.

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