Link: Up In Arms: A Gem Of A Documentary

From Jim Bawden:

Up In Arms: A Gem Of A Documentary
After watching I now believe this is the most important TV show to watch before deciding how you’ll cast your ballot in the upcoming federal election –forget those silly and staged leaders’ “debates”.

My first reaction was one of complete surprise.

I had absolutely no idea the gun lobby was so powerful here –and it is growing by leaps and bounds. Continue reading.

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Link: Saving Hope writer previews a season of moving forward

From Bridget Lisewski of The TV Junkies:

Saving Hope writer previews a season of moving forward
“While we were developing Season 4, it became clear that the only thing standing in the way of Alex and Charlie’s happiness is Charlie’s relationship to the spirit world. His ghost-doctoring. In a way, that’s the love triangle of Season 4. Especially when the rules of the ghost world start to change in a way that could threaten their family.

Our unofficial slogan for Season 4 is ‘Alex and Charlie against the world.’ I think it has a nice ring to it. I might even put it on a t-shirt.” Continue reading.

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W Network adds four more Hockey Wives

From a media release:

Corus Entertainment’s W Network announced today four additional women who will be featured in the highly-anticipated Season 2 of the docu-series Hockey Wives. The new wives include Angela Price, wife of Montreal Canadiens goalie Carey Price; Paige Getzlaf, wife of Anaheim Ducks captain Ryan Getzlaf; Taylor Winnik, wife of Toronto Maple Leafs left wing Daniel Winnik and Ashley Booth, wife of free agent David Booth. They join previously announced wives Keshia Chanté, Rhianna Weaver, Kodette LaBarbera, Tiffany Parros, Noureen DeWulf, Maripier Morin and Martine Forget. A W Network original series, produced by Bristow Global Media Inc. (BGM), Hockey Wives Season 2 premieres Wednesday, October 28 at 10 p.m. ET/PT on W Network.

The Hockey Wives are back with a brand new game. Some of their husbands are gunning for the Stanley Cup, while others are letting their six packs slide as they head out on their yachts for the summer. But they can’t kick back for long. Free Agency is just around the corner when shocking trades and contract surprises can rock the league – who will be offered a contract and who will be left waiting for the call?

This season on Hockey Wives the ladies behind some of hockey’s biggest stars bring their compelling stories to the screen. There are a lot of changes in store for the families – surprising trades, nuptials, new contracts, new babies, difficult moves to new countries, painful goodbyes, injury and heartbreak. Life moves quickly when married to the game, but these ladies lace up their skates and stick-handle their lives through yet another grueling hockey season.

Executive Producers for Hockey Wives are Julie Bristow President & CEO BGM, Claire Adams, Head of Content, BGM, Carli Posner and Megan Sanchez-Warner. John MacDonald is the Executive Vice President of Television and Head of Women’s and Family Television for Corus Entertainment and Kelly Shouldice is Director of Original Programming for Women’s and Family Television.

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CBC announces plans to sell off all buildings in midst of election campaign

From a media release:

CBC announced today at a town hall for staff that it is selling all its property across the country, including major production facilities in Montreal and Toronto. These buildings were paid for by Canadians to allow the public broadcaster to produce quality original Canadian programming purely in the public interest. The announcement confirms a trend to strip CBC of that ability.

“The decision to close down production centres is of great concern for our members as it should be for all Canadians, and seriously jeopardizes the CBC’s ability to do meaningful production in the future,” said Marc-Philippe Laurin, CBC Branch President for the Canadian Media Guild (CMG). ‘Our members believe the public broadcaster can’t only be a distributor, it has to also be a producer. This plan threatens the ongoing legacy of award- winning documentaries, drama and other quality production at CBC and Radio Canada.”

These decisions most likely stem from the continuing and tremendous financial difficulties facing our national public broadcaster, a fact CBC President Lacroix acknowledged earlier this month.

The CBC has also cut more than 2,800 jobs since 2008 and has plans to cut another 1,600 by 2020.

Green Party:

http://www.greenparty.ca/sites/default/files/platform_english_web.pdf (page 22)

Liberal Party:

https://www.liberal.ca/liberals-to-invest-in-canadian-culture-and-middle-class-jobs/

NDP:

http://www.ndp.ca/news/ndp-to-restore-cbc-funding

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Next on The Anti-Social …

It’s hard to get more stereotypical Canadian TV industry than this: The Social’s social media is anti-social to Canadian performers.

The daytime talk show, which “was conceived and developed to deliver a unique Canadian voice to the CTV daytime schedule, in addition to providing custom opportunities for CTV’s advertising partners,” launched with some fanfare about its use of social media to engage with viewers in real time.

As long as those viewers don’t try to engage with them too much, apparently.

From February 3-14, 2014 comedian Mark Forward waged a campaign – more like a running comedy bit — to be on The Social.  His tweets directly to @TheSocialCTV numbered at most 2 a day, plus replies to his followers – many fellow Canadian performers – who also joined in on the conversation, often with the hashtag #putmarkonthesocial. He did a hyperbolic countdown of the days they’d ignored his tweets. And sometime during or after that time, they blocked him and fellow comedian Pat Thornton.

Most of those tweets were intended to be humorous. Some were more pointed — and valid:

TheSocial3

I’m no comedian – even my mother doesn’t think I’m funny — but I bet I could come up with a few sociable responses they could have used to join in on and diffuse the joke early on. “Sorry, we only book guests through Snapchat.” “Have your people call our people.” Or, perhaps: “Get yourself a CTV show or find fame in the US first.”

OK that last one might not have gone over very well. But in life it’s feed a cold, starve a fever and on social media it’s feed an engaged follower, starve a troll.

Don’t believe me? Here’s some social media advice from Hootsuite: “Social media is a public place. Allow it to remain open and respond as best you can, even to those who would speak negatively about your brand. Just responding will help shift perception back into the positive.”

Just responding. To a non-hostile follower who is begging for a response. At best not responding to and blocking a non-troll is bad social media practice, at worst it’s contempt for homegrown talent.

Executive producer Michelle Crespi is unrepentant. She says those behind the Twitter account knew they were dealing with professional comedians, and she maintains that blocking with no response was the right course of action since “the tweets were excessive and became a distraction on our account.”

Too many tweets. Mentioning their show. Absorb that for a minute. A show that encourages people to tweet at them (“whether you agree with us or not”), to tweet them segment ideas, a show that sends out a media release with the headline “No topic is ever off-limits!”, can’t handle a handful of jokey-to-civil tweets from Canadian comedians and their fans in a day.

@TheSocialCTV still hasn’t addressed any of the tweets, including my question asking directly why they were blocked. They have apparently unblocked the performers, and @CTV_PR set a far better tone with good-natured peace offerings … after John Doyle of the Globe and Mail retweeted the question to them.

The Social’s season three has been picked up in some US markets, but Crespi claims the show has not had to change its focus for an American audience and estimates that 85% of guests are Canadian (she’s counting the hosts, and to even approximate the math she must be counting them daily). She also says she’s proud to showcase Canadian talent to an American audience now.

With every media release they send out, they list some of the notable guests who have appeared on the show. That list in its entirety is “Jessica Alba, Drew Barrymore, Zach Braff, Kelly Clarkson, John Cleese, Lena Dunham, Demi Lovato, Katy Perry, Daniel Radcliffe, and Chris Tucker.” Spot the Canadian? Trick question – there are none. I’m told they will rectify that on the boilerplate soon.

Is the show reflecting what Canadians care about by talking about Obama not wearing his wedding ring or if you judge Tom Brady for supporting Donald Trump, and nothing on the recent Canadian leadership debate? Maybe. But the day after the debate they discussed an Ohio teacher’s porn career, an American company marketing makeup to men, how to mimic red carpet hairdos, cake decorating tips, and finally, an Amazing Race Canada recap. (Also a host saying “On this show all of us are big fans of social media.”)

I don’t know that Mark Forward would make a great The Social guest. But if you have to be Jerry Seinfeld to have weight on The Social*, and American politics takes precedence over Canadian, and if the social media aspect is a farce, why do we need The Social as well as The View?

The show is indisputably a Canadian series — it’s an in-house CTV production featuring Canadian hosts, crew and experts. It does have Canadian performers as guests — particularly featuring Bell Media talent or Canadians on American shows. But it could learn a lesson or two on social media, and on being more social to Canadian talent and Canadian viewpoints.

 

* The original version of the post implied Canadian comedian Nicole Arbour appeared on The Social for her fat-shaming video, but she was simply a subject of a best dressed list. 

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