Movie Central’s Script to Screen call for submissions now open

From a media release:

Corus Entertainment’s Movie Central, along with the National Screen Institute – Canada (NSI), announces the call for submissions for the fourth year of Script to Screen. Script to Screen is a writer-oriented, feature script development program funded by Movie Central and delivered by NSI. The program selects gifted writers and helps shape their ideas from the early stages of development through to a polished, production-ready script with market appeal.

The call for submissions is now open to the first 200 complete applications. Up to five selected writers will receive a development advance of up to $50,000.

Interested applicants can apply now. Submissions are open to the first 200 complete applications. Visit http://www.nsi-canada.ca/courses/script-to-screen/ for more information.

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CBC partners with Banijay International for new TV ventures

From a media release:

CBC announced today the launch of Format Incubator, a collaborative venture between CBC, distributor Banijay International and the independent production community, aimed at boosting the creation of original, exportable television formats.The hunt is on for new unscripted concepts that have strong domestic and international appeal, and break new ground in factual programming.

CBC and Banijay International are seeking unique concepts that resonate with audiences and have the potential to spark a national dialogue about a topic that matters to Canadians. Format Incubator will select a small number of format ideas to develop, ultimately narrowing down the selection to one to three formats to go to pilot.

Canadian producers are invited to submit their original, non-derivative prime time unscripted formats in the following programming areas:

  • Field-based factual. These formats take people on a journey of knowledge; have interesting characters, strong narrative, stylistic production and editing, and a unique point of view.
  • Studio-based entertainment. For adults 25-54 and families, a collective viewing experience that reaches out to the audience to participate in the program in many different ways.

Proposals are being accepted now, until August 3rd. Full guidelines and submission details can be found at CBC’s Independent Producer page.  Please visit:

http://www.cbc.ca/independentproducers/genres/factual_entertainment.

Format Incubator will support up to three new unscripted pilots through the development and production process, and broadcast the pilots in prime time on CBC Television in March 2016. Chosen pilots will benefit from development and creative editorial support from CBC and Banijay, and an expedited distribution process to bring their concept to the international market.

Pilots will be financed by CBC and Banijay International, along with provincial and federal tax credits. Canadian producers will retain copyright of the program, and the format will be owned equally and jointly by the production company, CBC and Banijay International.

 

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Buck Productions and Patrice Théroux partner for ReincarNATE

From a media release:

Sean Buckley, Owner and Executive Producer, Buck Productions announced today that industry heavyweight Patrice Théroux has joined ReincarNATE, a TV series based on the popular comic books by writer Michael Moreci and illustrator Keith Burns. The project is currently in development at Buck Productions. Théroux joins Buckley as Executive Producer, while up-and-comer James Cooper who directed Interview with a Time Traveler and Elijah the Prophet, developed the adaptation and wrote the pilot. ReincarNATE marks one of the first projects that Théroux has attached himself to since departing eOne.

Moreci is a megastar in the comic world, having penned ReincarNATE, Roche Limit, Dawn of the Planet of the Apes, as well as Hoax Hunters, which is currently being developed into a feature film. Based on the popularity of Moreci’s outstanding body of work, Heavy Metal is re-releasing theReincarNATE trade paperback, including all four issues of the series, for fans in November 2015 and a brand new series of ReincarNATE comics is set for release next year.

ReincarNATE is a one hour crime drama focused on down-on-his-luck Private Eye Nate McCoy. After being shot in the head during an investigation, Nate gains the ability to interact with versions of himself from past lives; Jameson, a wild west lawman, and Alan, a contract killer from the 1960s. With their help, Nate takes on the dangerous underworld, crooked cops, and scumbags, including El Panda; a criminal heavyweight who may have been responsible for the murder of his father.

About Buck Productions
Buck Productions is a leading content creation company that has seen success in feature films, television, branded content, documentaries, and commercials. Considered one of the most diverse production houses in North America, owner and CEO Sean Buckley has cultivated a concept-first culture, where ideas and end-products are paramount. Buck is one of North America’s foremost production companies. Buck Productions has also been named on Realscreen Magazine’s Global 100 list of independent production companies for the past five years in a row.

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CBC to air award-winning Blackstone

From a media release:

Prairie Dog Film + Television announces that the powerful and gritty primetime drama Blackstone will bow on CBC Television starting June 15. Launching as part of CBC’s National Aboriginal History Month programming, the series explores the real-life issues facing Canada’s Aboriginal community as explored through the characters of the fictional Blackstone First Nation reserve. Blackstone seasons one and two air on CBC starting June 15 at 11:30 p.m./midnight NT. The series will run Monday through Friday in the same timeslot until July 7. The series is also available for download – for the first time ever – on iTunes starting June 16.

Compelling and uncompromising, Blackstone is an authentic drama that explores the raw and real dynamics of family, power and politics. Blackstone is both a portrayal of a community plagued by corruption, violence and injustice, and an inspiring story of the undying hope and resilience of a people fighting for a better life in the midst of adversity.

Currently, viewers can download seven behind-the-scenes videos through CBC’s portal on iTunes. Following that, nine behind-the-scenes videos from season two will be available from June 16. Each episode of “Blackstone” will be available for purchase on iTunes following its CBC broadcast.

Blackstone season one features Carmen Moore, Eric Schweig, Michelle Thrush, Nathaniel Arcand, Roseanne Supernault, Steven Cree Molison, Andrea Menard, Justin Rain and Gordon Tootoosis. Season two sees the addition of Tantoo Cardinal, Georgina Lighting, Garry Chalk, Frank Cassini and Cameron Bancroft.

Blackstone has been nominated for 89 awards, winning 29, including two Geminis, six Leo Awards and multiple Alberta Film & Television Awards.

Blackstone is produced by Prairie Dog Film + Television, with Ron E. Scott as showrunner & director, Jesse Szymanski as co-executive producer, and Damon Vignale as writer/producer.  The series broadcasts in Canada on APTN and is currently in production of season 5. As well, it is in the United States on Hulu, in New Zealand on Maori Television, in Australia on SBS/NITV, and is internationally distributed by PPI Releasing.

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Review: Orphan Black — The Six

SPOILER ALERT: Please do not read on unless you’ve seen the Season 3, Episode 8 of Orphan Black, titled “Ruthless in Purpose, and Insidious in Method.”

Orphan Black episodes like this week’s bring to light just how remarkable Tatiana Maslany is. We almost take it for granted now, that the manic laughter of Helena, the tepid murmuring of Cosima, the dastardly side-stare of Rachel, the uptight cleanliness of Alison and the dark edge of Sarah all come from the same person. When you think about it, it seems insane that a show can be as engaging, as interesting, with one actor as the crucial centrepiece.

And of course, was playing a new clone (who we saw before, briefly, at her encounter with the Castors): Krystal Goderich. In her push-up bra and blonde hair, Krystal is instantly memorable and pretty much exactly how Felix describes her—as Sarah would be if she went to college. Maslany plays this character so easily, like Krystal’s been on the show since the beginning.

Jordan Gavaris also got a turn to shine, and it’s been a while since we’ve gotten a chance to see his chops, which I recall from Season 1. (That’s CHOPS, not CHAPS.) He was woefully underused in Season 2. Finally we’re freed from boring housebound Felix, and we’re treated to hardcore street punk Felix. When he slapped on the headset and spoke in his straight Canadian man accent to Krystal, it was one of my favourite Orphan Black moments to date. This is the fun stuff, this is the kind of thing fans are after.

Same goes for the Cosima/Shay/Delphine plotline, as many fans have a lot invested. I’m actually strangely invested myself, probably a testament to the realistic relationship being portrayed. OK, so it involves a clone, a progressing mystery disease and a multinational conglomerate, but I mean the emotions and the dialogue, guys. When Delphine and Cosima kiss, in my head I could hear “No! No! Don’t cheat on Shay!” and silently cheered when Cosima backed off. But at this point, we obviously can’t trust Shay. She’ll end up being a spy and then Cosima will get back together with Delphine. With all this talk about death and near-death experiences, seeing Delphine in a light … makes me concerned that Cosima will die in the end with Delphine by her side. Food for thought.

Even the Alison/Donnie plot is getting darker. Now Jason is very much a threat to their marriage, and it’s apparent that Alison is barely hanging on to her convictions. I gotta hand it to Donnie, he tries to get in there. He’s beaten to a bloody pulp, but at least he attempts something. I personally can’t wait until the drug-dealing scheme is over. Take the money and run, Hendrixes.

Of all the main characters (Maslany played six of them tonight), Scott got the s**t end of the stick. I have grown quite fond of the gentle nerd over this season, with his real estate fantasy board games and extensive sci-fi book collection. Not only does he get held up by Rudy, he loses the Island of Dr. Moreau, has his co-plan foiled and then loses his job. Oh no, wait. Krystal gets the s**t end of the stick if they’re doing what I think they’re doing, which is taking her eye for Rachel and then keeping her for tests/as a Rachel replacement. Yeah, that’s far worse. I hope she doesn’t die, she would make for an interesting character going forward. Things are looking sour for everyone, and judging by clips of the next episode, they’re going to get worse before they get better.

Off to London next week. Cheerio!

Clone of the Week: This is a toughie. I’m going to have to say Krystal. She was engaging (more than likely because she’s new), and it always fascinates me how Maslany wraps herself around these roles.

Random Thoughts:

  • Emmy submission! Globe submission! Seriously, I know sci-fi is an underrated genre, but c’mon six very different characters—often more—in one episode? Is that a world record?
  • Did I hear mention of a Polish clone? Sigh. That is just wonderful.
  • Felix: “Did I just get seconded into this s**t?”
  • Shout-out to the Firkin on King! Drank there many a time.
  • LOVED that shot of Rachel looking through the magnifying glass with her good eye. There were actually a ton of good shots tonight, but this one particularly stood out.
  • Krystal: “Bitch Mistress Cums-a-Lot.”
  • Helena + Gracie, co-workers, friends for life.
  • Delphine: “I’m French. We enjoy lovers.”
  • Rachel’s “top speed” in her wheelchair. I totally appreciate these quick quips you throw in there, writers!

Orphan Black airs Saturdays at 9 p.m. ET on Space.

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