New Saturday: Orphan Black

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Orphan Black, Space – “Entangled Bank”
Sarah’s actions pit the Orphans against each other as Sarah tries to plan her next moves. As Paul tries to cover up Sarah’s existence, Alison takes vengeance on her suspected monitor, which could cost her everything she holds dear.

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Rookie Blue’s Gregory Smith turns to directing

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From Bill Brioux of the Canadian Press:

Actor Gregory Smith tries his hand behind the camera on ‘Rookie Blue’
t’s no surprise, really, that Gregory Smith is directing episodes of the series he co-stars in, Rookie Blue. The Toronto-lensed cop drama returns for a fourth season May 23 on Global and ABC. “He’s a particular renaissance man,” says Rookie Blue executive producer and showrunner Tassie Cameron. “He’s one of those guys you discover suddenly that he’s running some tech company out of his trailer, he’s taking award-winning photographs from his travels to Africa … he’s just one of those people.” Read more.

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New Thursday: Motive finale

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Motive, CTV – “The One That Got Away”
Angie’s (Kristin Lehman) home life is about to change forever as she comes to grips with her son Manny (Cameron Bright) heading off to college. Although, there’s little time to reflect on her new empty-nester status when a brutal crime focuses her attention on another young man. Navigating a maze of red herrings and investigative dead ends, it takes all of Angie’s experience and training to right the wrongs of the past as she races against time to catch a killer before he kills again.

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Canadian channel’s cop-out

From Jaime Woo of the Toronto Standard:

OutTV’s Canadian Cop-Out
Here’s the thing: OutTV sounds embarrassed by its Canadian content. Yet if OutTV is in such dire straits with its Canadian programming, why not throw a Hail Mary then and go for some really interesting, out there stuff? It doesn’t even need to be expensive. Take a look at Comedy Central, the American channel that built itself up with the Daily Show, Colbert Report, Tosh.0, and other talking head shows. The biggest question is—and without knowing the financials or how syndication deals are structured at OutTV—how did New Addams Family became the poster child for queer television? Especially when Canadians are or were behind huge chunks of Degrassi, Lost Girl, and Wonderfalls.  Read more.

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