Great Minds of Design premieres April 23 on CBC’s documentary channel

From a media release:

NEW DOCUMENTARY SERIES EXPLORES THE CREATIVE PROCESS BEHIND NEW WORKS OF ARCHITECTURE, VISUAL ART, CONSUMER PRODUCTS AND MORE

  • GREAT MINDS OF DESIGN premieres Monday, April 23 on CBC’s documentary channel

Everything from a cereal box to a skyscraper starts with a design. But how does the creative process behind it unfold? How do inspiration, vision and practical reality come together, and ultimately lead to the development of a brand new building, product or work of art? GREAT MINDS OF DESIGN (Mondays at 8 p.m. ET/10 p.m. PT on documentary) follows a wide variety of highly creative designers driven by innovative ideas, tracking a different design process in each episode from concept to completion.

Witness a new creation take shape at the hands of its maker; learn about different design media and their history; and meet the visionary people behind everyday objects and ambitious ideas. GREAT MINDS OF DESIGN features everyone from computer-aided industrial designers to street artists, and designers whose work becomes quite conceptual. From their desire to create something that is functional and aesthetically pleasing, to finding solutions to human problems, social issues, or groundbreaking improvements to previous concepts, the series explores what drives the development of new designs and their impact on the world.

Episode 1: “Urban Redesign” – Three street artists redesign the cityscape with clever ‘urban interventions,’ that use natural elements, such as grass, soil and flowers as their materials, repurposing city infrastructure for their ‘art stunts,’ to point out issues in need of attention.

Episode 2:  “Solar Stained Glass” – Canadian stained glass designer Sarah Hall works in Germany, but designs architectural glass for buildings around the world, creating colourful works which revolutionize this centuries-old art by incorporating solar collecting cells into the glass itself, collecting energy during the day to illuminate the glass at night and to help power the building.

Episode 3:  “Designing Cultures: Haiti” – Designer Patty Johnson travels to the devastated country of Haiti, where she works with local artisans and craftspeople whose practice is deeply connected to Voodoo.  After months of working with the Haitians, Johnson develops a product line based on their rich culture, which debuts at an international design market back in Canada.

Episode 4:  “Architecture by Nature” – Architect Trevor McIvor and his partners design buildings that take advantage of the innate heating and cooling characteristics of nature.  From an impressive off-the-grid “cottage” that requires no artificial cooling, to a green-roofed sound studio that slowly rises out of the earth, McIvor lets nature dictate how a structure should be designed.

Episode 5:  “Designing with Ghosts” – Nicholas Kennedy works with the ghosts of printing’s past, by using salvaged equipment that the modern industry now considers obsolete. An art school dropout, flunking out of photography and new media, he opened his own print shop while still in his early twenties. His style of “anti-design” or “found design” insists that you don’t have to reinvent the wheel every time you create.

Episode 6:  “Dream Big. Do Good. Spread Joy” – In Helen Kerr’s design process, the designer isn’t the decisive author of everything, but rather one of many collaborators on a large team. They work together in researching a new project, taking into account different points of view, and getting to the heart of the problem that needs solving. In this episode, Kerr visits a factory to oversee production of a line of modular chairs, creates a complexly folded bag out of recycled cardboard, and travels to New York City to meet with partners on a multifaceted and conceptual new project.

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Rookie Blue returns May 24 to Global

From a media release:

Rookie Blue Season Three returns to Global Thursday, May 24 – 10pm ET/PT

  • Episode One Features the Legendary William Shatner and Introduces the Team’s Newest Rookie

Global Television announced today that its perennial fan favourite, Rookie Blue will return for a third season, in simulcast with ABC on Thursday, May 24th – 10pm ET/PT. The rookies may appear to be better on the job, but there’ll be plenty of “bumps in the road” this season to make their lives difficult and the plots interesting.

The iconic and irrepressible William Shatner will guest star in the opening episode playing Henry McLeod, a belligerent drunk driver with a haunting secret – and with a serious grudge against the police. Plus, the rookies of 15 Division, Andy McNally (Missy Peregrym), Dov Epstein (Gregory Smith), Chris Diaz (Travis Milne), Traci Nash (Enuka Okuma) and Gail Peck (Charlotte Sullivan), will have to contend with someone even “greener” than they are – ex-soldier Nick Collins (Peter Mooney – Camelot, Murdoch Mysteries).

For season three, the rookies are learning that experience isn’t everything and that the boundaries between who they are as cops and who they are as people are not as black and white as they once believed. This original series was developed by ICF Films Inc. (formerly Thump Inc.) and produced in partnership with leading indie studio and distributor, Entertainment One (eOne). Rookie Blue is executive produced by award-winning Tassie Cameron (Flashpoint), Ilana Frank (The Eleventh Hour, Would Be Kings), Noreen Halpern (Hung, Call Me Fitz), John Morayniss (The Firm, Haven) and David Wellington (The Eleventh Hour, Would Be Kings).

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WGC Award nominee Alan McCullough on Sanctuary’s “Metamorphosis”

AM - Headshot

Leading up to the Writers Guild of Canada awards on April 23, TV, eh? is posting a series of interviews with some of nominees. Alan McCullough was nominated in the Drama category for the “Metamorphosis” episode of Sanctuary.

Can you describe the episode, and how it fit into the Sanctuary season?

“Metamorphosis” was a departure episode for Sanctuary. It was conceived as our version of “The Fly”, but following our mid-season two parter, we were looking to save money (and relieve our VFX department), so we decided to shoot it from a first person POV. This gave the script a uniqueness, but presented a whole host of production challenges. Specifically, we were forced to shoot the episode on three different types of cameras, eating up any savings we were trying to achieve. It also meant no cutaways, so each shot had to be as technically perfect as possible. Truthfully, the entire shoot was something of an experiment, and I credit director Andy Mikita with making it all work.

What about this episode are you particularly proud of?

One of the things I wanted to achieve with the script was to build the story using a series of vignettes. One scene didn’t necessarily lead into the next, and we were constantly jumping forward in time between scenes. My hope was that it would leave the audience scrambling to catch up, which is where the characters are during the story.

What does this recognition mean to you?

It’s always a great honor to be recognized by peers. Also, other awards shows use a DVD of the episode to evaluate writing, which means other factors such as directing, casting, music, etc. can influence the decision. The WGC Awards focus solely on the script.

And finally (imagine my best Joan Rivers impression): what will you be wearing to the ceremony?

Denim has been my fashion friend for years. Also, I bought a Hugo Boss sport jacket a few years ago that I intend to be buried in.

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Lost Girl season 3 in production

From a media release:

The Fae-demonium Continues! Production Begins on Lost Girl Season Three

  • Showcase premieres a new season of its #1 series this fall

Prodigy Pictures, in association with Shaw Media, announces start of principle photography on the third season of Lost Girl. Production will take place in studio and on location in Toronto.

After becoming a supernatural success in its first season, Lost Girl returned to Showcase with a stellar sophomore season heating up winter as the channel’s #1 ranking program.* Kicking it up a notch for season two, Lost Girl had its first-ever Pre-Show that aired before the phenomenal finale. Owning the #1 spot, the season two finale rated highest amongst all Specialty programming for the night winning all key demographics.**

Slated to premiere on Showcase this fall, season three promises more twists and turns for TV’s favourite succubus, “Bo” (Anna Silk: Being Erica, Billable Hours). This season sees Bo make a romantic choice, but finds the road to commitment riddled with obstacles. Throughout the season, unexpected jeopardy stalks Bo and those she cares about. Though Bo battles many foes, her greatest enemy will prove to be the one that resides within her.

Returning for season three is Kris Holden-Ried (Ben Hur, The Tudors, Underworld 4) as “Dyson”; Ksenia Solo (Life Unexpected; Black Swan) as “Kenzi”; Zoie Palmer (The Guard, Instant Star, XIII) as “Lauren”; Rick Howland (Billable Hours, Murdoch Mysteries) as “Trick” and K.C. Collins (Owning Mahowny, Doomstown) as “Hale”.

Joining the Lost Girl cast this season is (Rachel Skarsten: The Vow; Flashpoint; Birds of Prey) in a recurring role as “Tamsin”, a thrill-seeking, sexy new Fae who ruffles many feathers. Emmanuelle Vaugier (Two and a Half Men, Covert Affairs, Human Target) will reprise her role as “The Morrigan”, the leader of the Dark Fae.

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