TV, eh? | What's up in Canadian television
TV,eh? What's up in Canadian television

Finding Her Edge expands Season 2 cast

From a media release:

Netflix and WildBrain, a global leader in kids’ and family entertainment, today announced new cast members joining the returning stars from Season 1 for Season 2 of Netflix’s hit global teen drama series Finding Her Edge. The series is currently filming on location in Southern Ontario through December.

Joining the returning cast as new series regulars are newcomer Nikita J Olechko (Snowpiercer) as ‘Andrej,’ Voltage Academy’s star singles skater; British actress Niamh Blackshaw (The Jetty) as ‘Freya,’ a rival ice dancer at Voltage Academy; Matthew Finlan (Sheriff Country) as ‘David,’ Freya’s partner and a rival ice dancer at the Academy; Canadian singer-songwriter Johnny Orlando (3 x MTV EMA Winner and 2 x JUNO Nominee) as charismatic local ‘Jesse,’; and Canadian Olympic medal-winning figure skater Elvis Stojko (Murdoch Mysteries, Hate the Player: The Ben Johnson Story), who returns as a series regular playing ‘Kevin,’ the owner of Voltage Academy.

New cast joining as recurring characters include Justine Nelson (Mind Fudge) as ‘Lucy Grant,’ Voltage Academy’s lead choreographer; CSA and ACTRA Award-winning actor Saara Chaudry (Percy Jackson and the Olympians, Holly Hobbie) as ‘Zoie,’ Brayden’s former skating partner and ex; and Matt Wells (Who’s Yer Father?, North of North) as ‘Mason Guilbart,’ Adriana and Brayden’s new coach at Voltage Academy.

In Season 2, the Russo sisters trade their family rink for the cutthroat pressure of Voltage Academy, where every skate could make or break their National Team ambitions. As the pressure mounts on and off the ice, Adriana finds herself torn between her loyal boyfriend, Freddie, and Brayden, the former skating partner she never truly left behind.

The new cast joins returning stars Madelyn Keys (A Mother’s Life, The Exchange), Harmon Walsh (Gossip Girl, Murdoch Mysteries), Alexandra Beaton (Overcompensating, Luckiest Girl Alive), Cale Ambrozic (Hotel Cocaine, We Were Liars), Olly Atkins (Percy Jackson and the Olympians, The Casket Girls), Meredith Florenza (Law & Order Toronto: Criminal Intent, Blindspot), Alice Malakhov (Anne With an E, Reverse 1999), Millie Davis (The Umbrella Academy, Wonder), and Yona Epstein Roth (The Boys).

Season 2 also welcomes directors Paolo Barzman (Wynonna Earp, Sky Med), Melanie Orr (Mistletoe Murders, Hardy Boys), James Genn (Wild Cards, You’re Killing Me), and Jacqueline Pepall (Horrible Histories, Goldies Oldies), who returns after directing Season 1.

Executive Producers for WildBrain include Josh Scherba, President & CEO; Stephanie Betts, Chief Content Officer; and Angela Boudreault, Vice President, Live-Action. Award-winning Canadian author and Executive Producer Jeff Norton (Geek Girl, Crew Girl) returns as showrunner, alongside Executive Producer and Head Writer Shelley Scarrow (Wynonna Earp, Degrassi: The Next Generation). Season 2 writers also include Sabrina Sherif (The Summer I Turned Pretty, The Hardy Boys), Jeff Norton, and Jacqueline Pepall.

“It’s a true privilege to hit the ice for a second season with this incredible cast, and to further the stories of our inspirational characters in a juicy, soapy sophomore season of Finding Her Edge,” said series showrunner, executive producer and writer Jeff Norton.

Image courtesy of Ian Watson.

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Old Enough! sets out on its biggest adventures yet, premiering September 27 on TVO

From a media release:

Blue Ant Studios and TVO Media Education Group (TVO) today announce the award-winning TVOkids Original series, Old Enough! (6×30), returns for Season 3 on Sunday, September 27 at 6:30 p.m. ET on TVO and at 11 a.m. ET on the TVOkids and TVO Docs YouTube channels. Based on the iconic Japanese format, Old Enough! follows Canadian kids as they get their first taste of independence in the real world, embarking on errands all by themselves. 

After winning over audiences with its pint-sized participants, Old Enough! took home two 2026 Canadian Screen Awards – Best Children’s Non-Fiction Series and Best Picture Editing, Children’s or Youth – proving that big successes come in small packages. The series has also become an online sensation, with clips from previous seasons garnering millions of views on TikTok.

Old Enough! is a very special show that teaches all of us just how capable young kids can be,” says Matt Hornburg, Executive Producer and Chief Content Officer, Blue Ant Studios. “We’re thrilled to continue working with our partners at TVO and Nippon TV to bring this format to North America.” 

“We’re incredibly proud to see Old Enough! return for a third season and continue to resonate with Canadian audiences,” says Tom Miyauchi, Executive Producer and Head of Nippon TV LA Business Office, Nippon TV. “Blue Ant Studios and TVO have done a wonderful job capturing the heart and spirit of the original Japanese series, and it’s wonderful to see this beloved format continue to grow in Canada.”

New for Season 3, brave, young adventurers will navigate errands in bustling downtown Toronto and now in other Ontario cities, including Cambridge, Brantford, Burlington, Hamilton, Port Colborne, Thornhill and Windsor. 

Old Enough! has quickly become a fan favourite on TVO with kids and families alike, and we’re excited that Season 3 gives more Ontario children the chance to see themselves and their communities represented on screen,” said Kirsten Hurd, Commissioning Editor, TVOkids.

Canadian comic and improv legend, Colin Mochrie (Whose Line is it Anyway?), returns as narrator for the third season, helping to showcase the kids’ heart and humour through every high and low they face along their journeys. Mochrie’s narration in Seasons 1 and 2 both earned Canadian Screen Award nominations.

Old Enough! is produced by Blue Ant Studios, based on Nippon TV’s hit Japanese format of the same name. Executive Producers are Matthew Hornburg, Mark Bishop and Donna Luke. Carly Spencer serves as Executive Producer and Showrunner. 

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CBC’s Son of a Critch cast on fifth, and final, bittersweet season

By Scott Campbell

Mark Critch, Benjamin Evan Ainsworth, Claire Rankin and Malcolm McDowell are reflective as CBC’s Son of a Critch wraps after five seasons.

“Bittersweet is the word everyone’s using,” Critch says during a Zoom interview. “I thought I would be crying more, but I did cry, but there are more tears of joy for the beautiful experience we’ve had … I still say it was my allergy.”

The TV show is based on Critch’s best-selling memoir about growing up in St. John’s, Newfoundland. Critch plays his own father, Mike Critch Sr., while Ainsworth is Mark. Rankin is mom, Mary, and McDowell is Patrick, a.k.a. Pops. This final season is set in 1992, and returns Tuesday, September 8, at 8:30 p.m. Eastern on CBC and CBC Gem.

“Each season is like a year of my life,” Critch says. He looks at the year and thinks about what was special to him.

“I’ll write out maybe 12 or 13 main memories or things that stand out. Then, you link them together, put them in an order, and write little things around them that aren’t necessarily true, but are on a theme.”

For Ainsworth, the journey to Newfoundland to be the son of a Critch did not even start in Canada. It was an email highlighting an untitled CBC project, Newfoundland and Mark Critch.

“So, 12-year-old me from good old Yorkshire was sort of like, ‘What’s Newfoundland?’” he recalls. “Figuring out what this amazing place was through research, and then getting to go there… and how beautifully written [the show] was, all of those things posed this kind of great adventure of discovery.”

The COVID pandemic provided a positive spin for Rankin. She was doing a national tour of Dear Evan Hansen, the Broadway musical, in the United States, and the production got shut down.

“I came back to Canada,” she says. “And during the time period that we were shut down, this audition came onto my plate. Had I still been doing Dear Evan Hansen and been contracted to them, I would never have been able to audition for the show. The best job of my life came out of a very strange situation.”

McDowell jokes, “They begged me,” to join Son of a Critch. He also teased a scene which happened on the last day of filming as one of his favourites of all time.

“The same casting director, who is Irish, said, ‘You know, Malcolm may do it.’ I’d done a show in England that they had cast [Truth Seekers]. I read the scripts, and I loved the scripts. I called my manager, and I said, ‘Make it work.’”

The filming experience on the show had Critch wondering what makes a moment a memory.

“Why are there certain little moments from my life that I’ll remember for the rest of my life, and the majority I’ll never remember?”

That led him to want to enjoy those moments a little more, because he knew it was something he’d be longing for years from now.

“You have to lose something to gain something,” Critch says. “And I think the great tax on this wonderful experience has been that one day it will end, and that’s the price you pay for it.”

For Rankin, the word family comes to mind for her because that is the theme of the show.

“That is what I gained in the five seasons,” she says. “That we got to spend this time together. People that I consider family.”

“Malcolm has been saying it’s fun to start a job,” she continues. “Wonderful to finish it. But not true on this one because as much as there’s some wonderful thing about the completion of the story, the unwonderful part of it is that we won’t be spending our summers together.”

Rankin joked the plan will be a Son of a Critch cruise someday for a Christmas special.

Ainsworth turns 18 this month; Mark Critch also turns 18 during this final season.

“An awesome character that I’ve been fortunate enough to grow up with,” he says. “I feel honoured to kind of have that journey with the character and to get those five seasons that other shows might not be fortunate enough to have.”

For Critch, the surprise was being able to pull off the whole television show experience.

“I’m surprised that we were able to get Benjamin,” he says. “Surprised Malcolm did it. I remember Claire’s audition was before she even really spoke a line. We knew that it would be her because she was so engaging right off the top. I’m surprised we got some wonderful guest stars,”

“And I was very surprised, actually, the very last scene, Benjamin’s performance, I thought it was going to go a certain way. And he brought a certain quality to the scene that I hadn’t really envisioned, but was actually perfect.”

Son of a Critch airs Tuesdays at 8:30 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Meet the Brovaries: New Crave original comedy series, Slo Pitch swings into action, September 25

From a media release:

Batter up! Crave announced today that its much-anticipated original comedy series SLO PITCH, premieres with two episodes on Friday, Sept. 25. Served up in outrageous mockumentary style, the series follows the Brovaries – a lovable, queer, beer league softball team, determined to defy the odds in pursuit of a championship season. Throughout 10 episodes, SLO PITCH delivers heartfelt friendships and unapologetic queer joy, through a unique Canadian lens. The series follows a weekly release schedule, with two episodes dropping each Friday.

Also announced today, the series has been acquired by Sky in the UK and Ireland, Sky New Zealand, and HBO Max in Australia, through distribution agreements secured by Sphere Abacus, a Bell Media company.

Based on the acclaimed 2020 short-form series of the same name, SLO PITCH is created by J Stevens, Karen Knox, and Gwenlyn Cumyn, and is produced by Shaftesbury in association with Crave, Boss & Co, and PAGEBOY Productions. The series marks Bell Media’s first project with PAGEBOY Productions following the announcement of a co-development deal last year.

At the heart of SLO PITCH is Coach Joanne Pico (Jess Salgueiro), whose season takes an unexpected turn after being dumped by her long-time girlfriend—who promptly joins a rival team. Determined to prove everyone wrong, Joanne is more committed than ever to leading the Brovaries to the beer league championships. Along the way, the team navigates a season filled with rivalries, unexpected romances, sponsorship drama, outrageous fundraising efforts, and plenty of post-game beers, discovering that community and friendship matter just as much as winning.

Starring alongside Salgueiro is Karen Knox as Boris, Gwenlyn Cumyn as Ann, Chelsea Muirhead as Sasha, Emma Hunter as Barb, Lane Webber as Lee, Khadijah Roberts-Abdullah as Zari, Amanda Cordner as Mel, and Emily Hampshire as Leanne.

Guest stars include actors Varun Saranga, Laura De Carteret, Donald MacLean Jr., Nadine Bhabha (who is also a writer on the series) and comedians Carolyn Taylor, Chris Locke and Chris Sandiford, plus a cameo from Japanese softball pitcher Ayami Sato, who made history as the first woman to play in a Canadian men’s professional baseball league.

SLO PITCH is produced by Shaftesbury in association with Crave, Boss & Co, and PAGEBOY Productions, with participation of the Bell Media Fund, Canada Media Fund, and Ontario Creates. Christina Jennings, Scott Garvie, and Paige Haight are executive producers for Shaftesbury. Karen Knox and Gwenlyn Cumyn are executive producers, writers, and stars. The series was developed for television by Katie Ford and Jane Cooper Ford who are also executive producers. J Stevens is executive producer and director. Michael Schram is executive producer. Elliot Page and Matt Jordan Smith are executive producers, with Tuck Dowrey serving as associate producer for PAGEBOY Productions, and Emily Hampshire is executive producer.

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Serial Maven Studios acquires RTR Media’s The County, an original commission for HGTV in Canada

From a media release:

Serial Maven Studios, a next-generation studio and global distribution company, has acquired worldwide distribution rights to The County, a 10×60’ HD lifestyle docu-series produced by RTR Media for HGTV in Canada.

The acquisition adds a premium, returnable lifestyle title to Serial Maven’s growing catalogue, expanding the company’s offerings in home, design and aspirational living programming for international buyers.

The County follows acclaimed interior designer Sarah Keenleyside as she trades city life for country charm, launching her design firm while restoring her own 1860s Victorian “forever farmhouse” in Prince Edward County, one of Canada’s most distinctive creative regions. Set against rolling vineyards, historic lakeside landscapes and a vibrant arts community, the series blends striking design transformations with intimate storytelling and a deeper exploration of building a life, and a home, with purpose.

The County is exactly the kind of talent-led, premium lifestyle series we’re building our distribution catalogue around,” said Solange Attwood, CEO and founder, Serial Maven Studios. “It’s a beautifully produced, returnable format with a strong central voice and a sense of place that travels. Adding it strengthens our growing slate and gives international buyers a polished, aspirational title with clear global appeal.”

“Sarah Keenleyside brings an effortless joy to the screen and fresh ideas to the design enthusiast. We’re thrilled to introduce the world to one of Canada’s hidden treasures, Prince Edward County, and take full responsibility that you’re going to want to move after watching this,” said Jenna Keane, Chief Creative Officer and Partner, RTR Media.  

Led by Keenleyside, who brings a strong and engaged digital presence in the home and design space, The County offers buyers organic audience awareness alongside rich, character-driven storytelling, with each episode capturing her hands-on approach to restoration, her entrepreneurial journey, and the homes and people that define Prince Edward County.

Produced by RTR Media, The County was commissioned by HGTV in Canada and is expected to debut on the network in 2026. The series is available to buyers worldwide through Serial Maven Studios. 

Serial Maven Studios is a next-generation studio and global distribution company specializing in premium content. Led by seasoned executives with startup agility, the company combines human-led creativity with a modern, tech-enabled operating model to deliver exceptional storytelling for partners worldwide. Through its wholly-owned production label, Cantina Media, and a rapidly expanding distribution division representing more than 500 hours of content, Serial Maven collaborates with producers, streamers and broadcasters worldwide.

RTR Media is a female-owned, independent television production company creating premium unscripted content for the global market, with a leading focus on home and lifestyle. Based in Toronto and led by CEO Toni Miceli, CCO Jenna Keane, and Founding Partner and Executive Chair Kit Redmond, RTR is the award-winning producer behind HGTV’s top-rated Home Town franchise, including Home Town Takeover

Recognized with RealScreen’s Global 100 and the 2024 RealScreen Awards for Best in Home and Award of Excellence: Lifestyle, RTR is known for pairing strong creative vision with proven ratings success. RTR also leads Green Light Giving, a company-wide commitment to giving back with every production greenlit.

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